{"id":1732,"date":"2010-01-03T22:06:53","date_gmt":"2010-01-03T21:06:53","guid":{"rendered":"http:\/\/lyonelkaufmann.ch\/histoire\/?p=1732"},"modified":"2010-01-03T22:06:53","modified_gmt":"2010-01-03T21:06:53","slug":"ces-bobines-qui-firent-lactualite-liberation","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/01\/03\/ces-bobines-qui-firent-lactualite-liberation\/","title":{"rendered":"Ces bobines qui firent l\u2019actualit\u00e9 | Lib\u00e9ration"},"content":{"rendered":"<p><strong>Cin\u00e9actualit\u00e9s de Pierre Philippe aux Editions Omniscience. Un livre et un DVD soit une s\u00e9lection des meilleures archives Path\u00e9 et Gaumont diffus\u00e9es au cin\u00e9ma de 1908 jusqu\u2019\u00e0 la fin des ann\u00e9es 60.<\/strong><\/p>\n<blockquote><p><em>Le cin\u00e9aste Pierre Philippe propose en soixante extraits de films de rendre hommage \u00e0\u00a0\u00abl\u2019un des genres les plus n\u00e9glig\u00e9s du cin\u00e9ma\u00bb.<br \/>\nIl en excave une s\u00e9lection \u00e9clectique, m\u00ealant le futile et l\u2019historique, le people et le politique, le fait divers sordide et les paillettes en une travers\u00e9e subjective du si\u00e8cle.<br \/>\nLes documents historiques (assassinat d\u2019Alexandre\u00a0I<\/em><sup><em>er<\/em><\/sup><em> sur la Canebi\u00e8re en\u00a01934, Front populaire, incendie du Reichstag, Mai\u00a068\u2026) c\u00f4toient des informations insolites, comme ce film tourn\u00e9 pendant la Seconde Guerre mondiale, o\u00f9 les cheveux sont r\u00e9cup\u00e9r\u00e9s dans les salons de coiffure et transform\u00e9s en pull ou chaussons pour faire face \u00e0 la p\u00e9nurie. Ou ce d\u00e9fil\u00e9 de mode en robes en cellophane transparentes, pr\u00e9texte \u00e0 exhiber des petites culottes coquines.<br \/>\nEn d\u00e9pit de sa fascination pour les\u00a0Cin\u00e9actualit\u00e9s,\u00a0Pierre Philippe ne passe pas sous silence leur c\u00f4t\u00e9 obscur\u00a0: propagande, pseudo direct (telle la capture de Bonnot, dont on ne sait si les images sont authentiques ou tourn\u00e9es a posteriori), mise en sc\u00e8ne (l\u2019assassinat de Louis Lepl\u00e9e), analysant en creux l\u2019\u00e9volution de leur grammaire, ainsi que leur tendance\u00a0\u00abau formatage, au raccourcissement, jusqu\u2019\u00e0 devenir de digestes flashs annonciateurs de nos informations d\u2019aujourd\u2019hui\u00bb.<\/em><\/p>\n<p><strong>Source:<\/strong> <a href=\"http:\/\/www.liberation.fr\/medias\/0101611750-ces-bobines-qui-firent-l-actualite\" target=\"_blank\">http:\/\/www.liberation.fr\/medias\/0101611750-ces-bobines-qui-firent-l-actualite<\/a><\/p><\/blockquote>\n<p><strong>Cin\u00e9actualit\u00e9s <\/strong>de\u00a0<strong>Pierre Philippe<\/strong> accompagn\u00e9 d\u2019un livre (\u00e9ditions Omniscience), 39 \u20ac<\/p>\n<ul id=\"annotations_0\"><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Cin\u00e9actualit\u00e9s de Pierre Philippe aux Editions Omniscience. Un livre et un DVD soit une s\u00e9lection des meilleures archives Path\u00e9 et Gaumont diffus\u00e9es au cin\u00e9ma de 1908 jusqu\u2019\u00e0 la fin des ann\u00e9es 60. Le cin\u00e9aste Pierre Philippe propose en soixante extraits de films de rendre hommage \u00e0\u00a0\u00abl\u2019un des genres les plus n\u00e9glig\u00e9s du cin\u00e9ma\u00bb. Il en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14680,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"fullscreen","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[372,12,20,350],"class_list":{"0":"post-1732","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-histoire-2","8":"tag-culture","9":"tag-france","10":"tag-histoire","11":"tag-mediatice","12":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?resize=600%2C600&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/Blog\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1qtF4-rW","jetpack-related-posts":[{"id":2879,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/06\/19\/lhistorien-le-film-et-lanachronique-pierre-sorlin-cinemadoc\/","url_meta":{"origin":1732,"position":0},"title":"L\u2019historien, le film et l\u2019anachronique \u2013 Pierre Sorlin | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"19 juin 2010","format":false,"excerpt":"\"Nous arrivons ainsi \u00e0 une premi\u00e8re proposition : le film historique serait, davantage que beaucoup d\u2019autres, un film situ\u00e9, \u00e9troitement d\u00e9pendant d\u2019un contexte en dehors duquel il n\u2019aurait pas de sens. Il serait, d\u2019autre part, sous un v\u00eatement d\u2019emprunt, consacr\u00e9 d\u2019abord et avant tout aux questions contemporaines ; par une\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7759,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2006\/11\/19\/untitledmecanique-filmique-films-historiques-et-histoire-du-cinema\/","url_meta":{"origin":1732,"position":1},"title":"M\u00e9canique filmique. Films historiques et histoire du cin\u00e9ma","author":"Lyonel Kaufmann","date":"19 novembre 2006","format":false,"excerpt":"Le blog M\u00e9canique filmique. Films historiques et histoire du cin\u00e9ma est l'oeuvre d'un doctorant en histoire de la Facult\u00e9 des Lettres de Nice (France) : Aur\u00e9lien Portelli. Le sujet de sa th\u00e8se aborde \"La repr\u00e9sentation de l'histoire contemporaine de l'Italie sur grand \u00e9cran\". Ses orientations de recherche portent surtout sur\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2935,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/06\/24\/quand-le-film-defie-lhistorien-robert-a-rosenstone-cinemadoc\/","url_meta":{"origin":1732,"position":2},"title":"Quand le film d\u00e9fie l\u2019historien \u2013 Robert A. Rosenstone | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"24 juin 2010","format":false,"excerpt":"Dans son article, Robert Rosenstone part du constat que les historiens critiquent les films historiques, car ils interpr\u00e8tent ces derniers \u00e0 l\u2019aune de leurs propres exigences acad\u00e9miques. Pour l\u2019auteur, cette critique masque un double d\u00e9ni. En fait, d\u2019un c\u00f4t\u00e9 les historiens critiquent les films car ils se rendent compte qu\u2019ils\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7885,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2013\/12\/07\/la-culture-du-passe-le-debat-no-177-20135\/","url_meta":{"origin":1732,"position":3},"title":"La culture du pass\u00e9 |\u00a0Le D\u00e9bat no 177, 2013\/5","author":"Lyonel Kaufmann","date":"7 d\u00e9cembre 2013","format":false,"excerpt":"Le d\u00e9bat \u00bb Pr\u00e9sentation\u00ab C\u2019est cependant de toute \u00e9vidence dans les m\u00e9dias que se formulent dans leur richesse et leur complexit\u00e9 les nouvelles formes de pr\u00e9sence historique de ce pass\u00e9 anhistorique. Peut-\u00eatre parce que, dans l\u2019image, le cin\u00e9ma ou les s\u00e9ries t\u00e9l\u00e9vis\u00e9es ne se pose m\u00eame pas la question sous-jacente\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/DEBA_177_H450.jpg?fit=425%2C600&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2918,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/07\/21\/film-histoire-la-resistance\/","url_meta":{"origin":1732,"position":4},"title":"Film &amp; Histoire : La R\u00e9sistance","author":"Lyonel Kaufmann","date":"21 juillet 2010","format":false,"excerpt":"La pause estivale est l'occasion de rattraper ses retards en lecture de toutes sortes. Je vous proposerai donc quelques ouvrages ou lecture en ligne en lien avec le cin\u00e9ma et l'histoire. Pour le reste, le site tournera tr\u00e8s certainement au ralenti. Bon \u00e9t\u00e9! Dans son article \u00abLes repr\u00e9sentations successives de\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6846,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2013\/03\/12\/le-temoin-lhistorien-et-le-realisateur-la-place-du-conseiller-documents-de-cours-cinemadoc\/","url_meta":{"origin":1732,"position":5},"title":"Le t\u00e9moin, l\u2019historien et le r\u00e9alisateur : la place du conseiller \u2013 documents de cours | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"12 mars 2013","format":false,"excerpt":"Cette note reprend les documents et films utilis\u00e9s pour le cours Histoire et cin\u00e9ma (Universit\u00e9 de Montr\u00e9al) du 13 mars 2013. L\u2019objectif principal de cette s\u00e9ance est de s\u2019interroger sur le statut et la fonction du conseiller historique \u00e0 partir d\u2019exemples de films portant sur le Moyen \u00c2ge. Les deux\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/1732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/comments?post=1732"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/1732\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media\/14680"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media?parent=1732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/categories?post=1732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/tags?post=1732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}