{"id":20096,"date":"2019-04-21T09:19:00","date_gmt":"2019-04-21T08:19:00","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/Blog\/2019\/04\/21\/victor-hugo-sauveur-et-influenceur-de-notre-dame-de-paris\/"},"modified":"2019-04-21T09:25:51","modified_gmt":"2019-04-21T08:25:51","slug":"victor-hugo-sauveur-et-influenceur-de-notre-dame-de-paris","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/Blog\/2019\/04\/21\/victor-hugo-sauveur-et-influenceur-de-notre-dame-de-paris\/","title":{"rendered":"Victor Hugo sauveur et influenceur de Notre-Dame de Paris"},"content":{"rendered":"<p><strong>Si l&rsquo;on conna\u00eet le roman Notre-Dame de Paris de Victor Hugo, paru en 1831, nous savons peut-\u00eatre moins que le roman a sauv\u00e9 l&rsquo;\u00e9difice de sa d\u00e9cr\u00e9pitude et encore moins que la restauration entreprise alors s&rsquo;est inspir\u00e9e du roman.<\/strong><\/p>\n<p>En effet, la London Review of Books, nous apprend que, Eug\u00e8ne Viollet-le-Duc, l\u2019architecte charg\u00e9 de la r\u00e9novation, se serait tr\u00e8s largement inspir\u00e9 du roman pour cr\u00e9er ses chim\u00e8res, ces cr\u00e9atures qui ornent les galeries de la fa\u00e7ade de Notre-Dame.<\/p>\n<blockquote><p>\u201cLes gargouilles et chim\u00e8res du xiii&nbsp;si\u00e8cle avaient depuis longtemps disparu, et les ann\u00e9es avaient rendu m\u00e9connaissables la plupart de celles qui avaient \u00e9t\u00e9 construites plus tard au cours du Moyen \u00c2ge\u201d,&nbsp;explique Graham Robb, l\u2019auteur de l\u2019article. Selon cet \u00e9minent historien de la France, c\u2019est donc&nbsp;\u201cla vision hugolienne du style gothique\u201d&nbsp;qui a pr\u00e9valu \u00e0 la construction\u201cdes griffons, des licornes et des vampires\u201d,&nbsp;que Viollet-le-Duc a ajout\u00e9s au fil de la restauration.<\/p>\n<\/blockquote>\n<p>Source : <a href=\"https:\/\/www.courrierinternational.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Courrier International <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Si l&rsquo;on conna\u00eet le roman Notre-Dame de Paris de Victor Hugo, paru en 1831, nous savons peut-\u00eatre moins que le roman a sauv\u00e9 l&rsquo;\u00e9difice de sa d\u00e9cr\u00e9pitude et encore moins que la restauration entreprise alors s&rsquo;est inspir\u00e9e du roman. En effet, la London Review of Books, nous apprend que, Eug\u00e8ne Viollet-le-Duc, l\u2019architecte charg\u00e9 de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":20095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"fullscreen","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":{"0":"post-20096","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-blogcafe-2","8":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2019\/04\/img_7416.jpg?resize=375%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2019\/04\/img_7416.jpg?resize=375%2C500&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/Blog\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2019\/04\/img_7416.jpg?fit=375%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1qtF4-5e8","jetpack-related-posts":[{"id":3088,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/01\/18\/particularite-notre-siecle-victor-martinovitch\/","url_meta":{"origin":20096,"position":0},"title":"La particularit\u00e9 de notre si\u00e8cle |\u00a0Victor Martinovitch","author":"Lyonel Kaufmann","date":"18 janvier 2010","format":"aside","excerpt":"\u201cLa particularit\u00e9 de notre si\u00e8cle est que l\u2019on peut tout \u00e0 fait \u00e9crire une antiutopie \u00e0 partir de faits r\u00e9els. Nous n\u2019avons plus besoin d\u2019inventer un 1984, il suffit de regarder autour de nous.\u201d Extrait de Parano\u00efa (2009) de l'auteur bi\u00e9lorusse Victor Martinovitch Source: BI\u00c9LORUSSIE \u2022 Petite crise de parano\u00efa\u2026","rel":"","context":"Dans &quot;Blogcaf\u00e9&quot;","block_context":{"text":"Blogcaf\u00e9","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/blogcafe-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/1002-ViktorMartinovitch-A.jpg?fit=430%2C298&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3836,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2011\/06\/14\/le-roman-historique-un-art-de-leloignement\/","url_meta":{"origin":20096,"position":1},"title":"Le roman historique\u00a0: un \u00ab\u00a0art de l\u2019\u00e9loignement\u00a0\u00bb\u00a0?","author":"Lyonel Kaufmann","date":"14 juin 2011","format":false,"excerpt":"Dans la continuit\u00e9 des travaux ant\u00e9rieurs sur l\u2019\u00e9criture de l\u2019histoire, Aude D\u00e9ruelle et Alain Tassel publient les actes du colloque intitul\u00e9 \u00ab\u00a0Pour une approche narratologique du roman historique\u00a0\u00bb, qui a eu lieu \u00e0 Nice du 19 au 21 mai 2005. \u00c9tudiant les rapports probl\u00e9matiques entre l\u2019histoire et la fiction romanesque,\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":15181,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2015\/08\/24\/le-roman-est-depasse-par-dautres-formes-artistiques-plus-populaires-telerama\/","url_meta":{"origin":20096,"position":2},"title":"\u201cLe roman est d\u00e9pass\u00e9 par d\u2019autres formes artistiques plus populaires\u201d | T\u00e9l\u00e9rama","author":"Lyonel Kaufmann","date":"24 ao\u00fbt 2015","format":false,"excerpt":"\u201cLe roman est d\u00e9pass\u00e9 par d\u2019autres formes artistiques plus populaires\u201d - Livres - T\u00e9l\u00e9rama.fr: Xabi Molia, \u00e9crivain, r\u00e9alisateur (\u201c8 fois debout\u201d et \u201cLes Conqu\u00e9rants\u201d) : \u201cLa lecture rel\u00e8ve de l'insularit\u00e9\u201d \u00ab La lecture implique une forme d\u2019insularit\u00e9. Celui qui lit s\u2019isole, fait s\u00e9cession avec le monde. Or cette insularit\u00e9 est\u2026","rel":"","context":"Dans &quot;Blogcaf\u00e9&quot;","block_context":{"text":"Blogcaf\u00e9","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/blogcafe-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":12785,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2012\/11\/05\/le-roman-photo-ressort-de-sa-bulle-ecrans\/","url_meta":{"origin":20096,"position":3},"title":"Le roman-photo ressort de sa bulle | Ecrans","author":"Lyonel Kaufmann","date":"5 novembre 2012","format":false,"excerpt":"Un peu honteux, un peu has been, le roman-photo. Pourtant, au fa\u00eete de sa gloire, le genre a attir\u00e9 des stars extr\u00eamement populaires, tels Gina Lollobrigida, Johnny Hallyday, Hugh Grant\u2026 Un beau livre, Nous Deux\u00a0: la saga du roman-photo, pr\u00e9sente les origines et retrace l\u2019histoire de ce format un peu\u2026","rel":"","context":"Dans &quot;Blogcaf\u00e9&quot;","block_context":{"text":"Blogcaf\u00e9","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/blogcafe-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/roman_photo_livre-fcd3a.jpg?fit=200%2C245&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":19427,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2018\/08\/06\/quand-tu-repasses-a-la-fontaine-et-que-tu-avais-oublie-que-dautres-livres-tattendaient-rendez-vous-a-positano-est-un-roman-damour-de-goliarda-sapienza-dont\/","url_meta":{"origin":20096,"position":4},"title":"Quand tu repasses \u00e0 La Fontaine et que tu avais oubli\u00e9 que d\u2019autres livres t\u2019attendaient&#8230; \u00ab Rendez-vous \u00e0 Positano \u00bb est un roman d\u2019amour de Goliarda Sapienza dont la vie elle-m\u00eame est d\u00e9j\u00e0 un roman. Ce texte est d\u00e9di\u00e9 \u00e0 une femme et \u00e0 un lieu, Positano. Le livre n\u2019a \u00e9t\u00e9 publi\u00e9 qu\u2019apr\u00e8s la mort de son auteure, consid\u00e9r\u00e9e aujourd\u2019hui comme une \u00e9crivaine majeure de la litt\u00e9rature italienne.","author":"Lyonel Kaufmann","date":"6 ao\u00fbt 2018","format":false,"excerpt":"from Instagram: https:\/\/ift.tt\/2KtmXqE","rel":"","context":"Dans &quot;Blogcaf\u00e9&quot;","block_context":{"text":"Blogcaf\u00e9","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/blogcafe-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2018\/08\/38471682_496820270788830_3464528935457390592_n.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2018\/08\/38471682_496820270788830_3464528935457390592_n.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2018\/08\/38471682_496820270788830_3464528935457390592_n.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":20195,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2019\/06\/23\/bientot-une-suite-pour-le-roman-la-servante-ecarlate\/","url_meta":{"origin":20096,"position":5},"title":"Bient\u00f4t une suite pour le roman \u00ab La Servante \u00e9carlate \u00bb","author":"Lyonel Kaufmann","date":"23 juin 2019","format":false,"excerpt":"Le roman dystopique de Margaret Atwood imagine une dictature nomm\u00e9e Gilead, o\u00f9 les femmes fertiles sont forc\u00e9es d\u2019avoir des relations sexuelles avec des hommes puissants pour enrayer la chute de la natalit\u00e9. Le roman\u00a0\u00ab La Servante \u00e9carlate\u00a0\u00bb a \u00e9t\u00e9 adapt\u00e9 en s\u00e9rie t\u00e9l\u00e9vis\u00e9e en 2017 et compte d\u00e9j\u00e0 trois saisons.\u2026","rel":"","context":"Dans &quot;Blogcaf\u00e9&quot;","block_context":{"text":"Blogcaf\u00e9","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/blogcafe-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/20096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/comments?post=20096"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/20096\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media\/20095"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media?parent=20096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/categories?post=20096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/tags?post=20096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}