{"id":2631,"date":"2010-03-07T18:12:27","date_gmt":"2010-03-07T17:12:27","guid":{"rendered":"http:\/\/lyonelkaufmann.ch\/histoire\/?p=2631"},"modified":"2010-03-07T18:12:27","modified_gmt":"2010-03-07T17:12:27","slug":"filmer-les-camps-de-hollywood-a-nuremberg-memorial-de-la-shoah","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/03\/07\/filmer-les-camps-de-hollywood-a-nuremberg-memorial-de-la-shoah\/","title":{"rendered":"Filmer les camps de Hollywood \u00e0 Nuremberg | M\u00e9morial de la Shoah"},"content":{"rendered":"

Du 10 mars au 31 ao\u00fbt 2010, le M\u00e9morial de la Shoah<\/em> pr\u00e9sente une exposition consacr\u00e9e \u00e0 trois producteurs\/cin\u00e9astes am\u00e9ricains (John Ford, George Stevens et Samuel Fuller) et \u00e0 leurs images concernant les camps de Dachau et Falkenau.<\/p>\n

En effet, en 1945, les images de Dachau prises par l\u2019\u00e9quipe de Stevens sont ins\u00e9r\u00e9es dans un documentaire montr\u00e9 d\u2019abord aux \u00c9tats-Unis avant d\u2019\u00eatre projet\u00e9, \u00e0 titre de preuve des crimes nazis, devant le Tribunal Militaire International de Nuremberg. Cette exp\u00e9rience, in\u00e9dite, a \u00e9t\u00e9 pr\u00e9par\u00e9e par John Ford, qui dirigeait lui-m\u00eame une unit\u00e9 sp\u00e9ciale, la Field Photographic Branch,<\/em> charg\u00e9e de r\u00e9aliser entre autres ce film, Les Camps de concentration nazis<\/strong><\/em><\/a><\/p>\n

http:\/\/www.archive.org\/flow\/flowplayer.commercial-3.0.5.swf<\/a><\/p>\n

Dans cette exposition, pour la premi\u00e8re fois, les images du camps de Dachau sont pr\u00e9sent\u00e9es dans l’ordre chronologique dans lequel elles ont \u00e9t\u00e9 tourn\u00e9es, accompagn\u00e9es des fiches remplies par les op\u00e9rateurs et des comptes-rendus r\u00e9dig\u00e9s par l’un des \u00e9crivains embauch\u00e9es par George Stevens.<\/p>\n

Le site accompagnant cette exposition apporte d’utiles informations concernant le travail des op\u00e9rateurs. C’est ainsi que le chapitre La SPECOU \u00e0 Dachau<\/a> (SPECOU = Special Coverage Unit du service des communications de l’arm\u00e9e am\u00e9ricaine) nous apprend que \u00abchaque jour, dans un rapport de prise de vues, le responsable de chaque unit\u00e9 fait un bilan de l\u2019activit\u00e9 de la journ\u00e9e\u00bb<\/em> et qu’une fragment de compte-rendu en vid\u00e9o nous est propos\u00e9.<\/p>\n

Dans Nuremberg: recueillir les images comme preuves<\/a>, nous pouvons consulter That Justice Be Done<\/em> (1945) de Ray Kellog et un extrait du documentaire Nuremberg, les nazis face \u00e0 leurs crimes <\/em>(2006) de Christian Delage.<\/p>\n

Dans le chapitre consacr\u00e9 \u00e0 George Stevens<\/a> on y apprend que<\/p>\n

\n

En vue du d\u00e9barquement en Normandie<\/strong> et de l\u2019avanc\u00e9e vers l\u2019Allemagne, les op\u00e9rateurs de l\u2019OSS re\u00e7oivent des instructions tr\u00e8s pr\u00e9cises sur ce qu\u2019ils doivent faire s\u2019il leur arrive de d\u00e9couvrir des \u00ab\u00a0preuves de crimes de guerre et d\u2019atrocit\u00e9s\u00a0\u00bb<\/em><\/p>\n

La proc\u00e9dure \u00e0 suivre pour enregistrer les preuves des atrocit\u00e9s commises pr\u00e9voit explicitement la possible qualification comme preuve, devant un tribunal, des t\u00e9moignages recueillis, qu\u2019ils soient \u00e9crits, oraux ou film\u00e9s.<\/em><\/p>\n<\/blockquote>\n

Nous avons ici affaire \u00e0 un vrai travail documentaire permettant de \u00abdonner une place aux spectateurs d\u2019aujourd\u2019hui, \u00e0 l\u2019abri des op\u00e9rateurs, dont les gestes de m\u00e9diation sont ainsi revitalis\u00e9s\u00bb<\/em> et \u00e0 un travail \u00e0 l’oppos\u00e9 de la bouillabaisse propos\u00e9e par les producteurs d’Apocalypse<\/em> (\u00abApocalypse : au del\u00e0 des prouesse techniques est-ce de l\u2019histoire ?\u00bb<\/a>. In Le Caf\u00e9 p\u00e9dagogique<\/em>, No 105, septembre 2009) et de leurs tripatouillages op\u00e9r\u00e9s sur les archives (recadrage, remontage, juxtaposition\u2026).<\/p>\n

via <\/strong>Avant-propos – Exposition Filmer les camps – M\u00e9morial de la Shoah<\/a> et Filmer les camps<\/a> (Christian Delage).<\/p>\n

Source de la vid\u00e9o:<\/strong> Nazi Concentration Camps (1945)<\/a> de l’Internet Archive<\/em>.<\/p>\n

Mise \u00e0 jour (12 mars 2009)<\/h4>\n

G\u00e9rard Lefort dans le journal Lib\u00e9ration<\/em> nous propose un compte-rendu fort utile et int\u00e9ressant de l’exposition de Christian Delage : L’horreur plein cadre <\/a>(Lib\u00e9ration<\/em>, 11 mars 2010)<\/p>\n","protected":false},"excerpt":{"rendered":"

Du 10 mars au 31 ao\u00fbt 2010, le M\u00e9morial de la Shoah pr\u00e9sente une exposition consacr\u00e9e \u00e0 trois producteurs\/cin\u00e9astes am\u00e9ricains (John Ford, George Stevens et Samuel Fuller) et \u00e0 leurs images concernant les camps de Dachau et Falkenau. En effet, en 1945, les images de Dachau prises par l\u2019\u00e9quipe de Stevens sont ins\u00e9r\u00e9es dans un […]<\/p>\n","protected":false},"author":1,"featured_media":14680,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"fullscreen","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[490,491,492,493,494,18,495,373,496,497,498,33],"class_list":{"0":"post-2631","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-histoire-2","8":"tag-1939-1945","9":"tag-camps-concentration","10":"tag-christian-delage","11":"tag-dachau","12":"tag-falkenau","13":"tag-filmhistoire","14":"tag-george-stevens","15":"tag-holocauste","16":"tag-john-ford","17":"tag-memorial-de-la-shoah","18":"tag-samuel-fuller","19":"tag-shoah","20":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?resize=600%2C600&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/Blog\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1qtF4-Gr","jetpack-related-posts":[{"id":8868,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2015\/02\/16\/revue-de-presse-la-memoire-filmee-de-la-shoah-cnrs-le-journal\/","url_meta":{"origin":2631,"position":0},"title":"Revue de Presse : La m\u00e9moire film\u00e9e de la Shoah | CNRS le journal","author":"Lyonel Kaufmann","date":"16 f\u00e9vrier 2015","format":false,"excerpt":"L'exposition \u00abFilmer la guerre : les Sovi\u00e9tiques face \u00e0 la Shoah\u00bb qui se d\u00e9roule en ce moment \u00e0 Paris pr\u00e9sente un point de vue poignant mais parfois insoutenable sur ce que l\u2019on a appel\u00e9 \u00abla Shoah par balles\u00bb. 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