{"id":27692,"date":"2025-11-09T14:51:31","date_gmt":"2025-11-09T13:51:31","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/Blog\/?p=27692"},"modified":"2025-11-06T23:21:34","modified_gmt":"2025-11-06T22:21:34","slug":"deux-procureurs-de-serguei-loznitsa","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/Blog\/2025\/11\/09\/deux-procureurs-de-serguei-loznitsa\/","title":{"rendered":"\u00abDeux Procureurs\u00bb de Sergue\u00ef Loznitsa"},"content":{"rendered":"\n<p><strong>Un inspecteur de prisons id\u00e9aliste d\u00e9couvre son m\u00e9tier alors que l\u2019URSS de 1937 conna\u00eet une vague d\u2019arrestations et de proc\u00e8s arbitraires sans pr\u00e9c\u00e9dent. En d\u00e9crivant un syst\u00e8me qui s\u2019auto-d\u00e9vore, le cin\u00e9aste vise sans d\u00e9tour la Russie actuelle. Lire <a href=\"https:\/\/www.liberation.fr\/culture\/cinema\/dans-deux-procureurs-le-monde-a-lenfer-de-lukrainien-sergei-loznitsa-20251104_D7434U4MAZDF3B3ETPUAF74ESI\/\">la critique de Didier P\u00e9ron<\/a> et <a href=\"https:\/\/www.liberation.fr\/culture\/cinema\/sergei-loznitsa-realisateur-ukrainien-de-deux-procureurs-poutine-repete-a-lidentique-les-methodes-et-principes-staliniens-20251104_AAZBVO3ZXNEK7JXIK4RYOFYTTM\/\">l\u2019interview de Sergue\u00ef Loznitsa<\/a> dans <em>Lib\u00e9ration<\/em>.<\/strong> <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-prise-en-charge-des-contenus-embarqu-s wp-block-embed-prise-en-charge-des-contenus-embarqu-s wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/AoZpxL2rI2M?si=egeB9elpOX-dvxgV&#038;version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>Dans la nouvelle <a href=\"https:\/\/www.liberation.fr\/culture\/cinema\/cannes-2025-deux-procureurs-une-purge-merveille-20250515_PC36VOUSCZFYNN36HGCMCJYL7A\/\">Deux Procureurs<\/a> (1) que Serge\u00ef Loznitsa a choisi de porter \u00e0 l\u2019\u00e9cran, la figure du grand inquisiteur des purges staliniennes des ann\u00e9es 30, Andre\u00ef Vychinski, est d\u00e9peint par l\u2019auteur, Gueorgui Demidov (dix-huit ans de goulag, ses \u0153uvres confisqu\u00e9es par le KGB en 1980, sept ans avant sa mort) comme le th\u00e9oricien de la terreur gr\u00e2ce au <em>\u00abrejet des dogmes humanitaires obsol\u00e8tes\u00bb<\/em> tels que la fameuse <em>\u00abpr\u00e9somption de non-culpabilit\u00e9\u00bb<\/em> entre autres \u00abpr\u00e9jug\u00e9s intello-bourgeois\u00bb. Le personnage principal du r\u00e9cit et du film, fictif lui, le jeune Kornev, fra\u00eechement dipl\u00f4m\u00e9 et propuls\u00e9 au poste d\u2019inspecteur des prisons, doit s\u2019inventer un d\u00e9but de carri\u00e8re dans ce contexte min\u00e9.<\/p>\n\n\n\n<p>Pas de dates de sortie trouv\u00e9es pour la Suisse.<\/p>\n\n\n\n<p>(1) <em>Doubar et autres r\u00e9cits du Goulag<\/em> de Gueorgui Demidov, traduit du russe par Antonio Garcia, Alexandra Gaillard et Colette Sto\u00efanov, \u00e9ditions des Syrtes, 22 \u20ac.<\/p>\n\n\n\n<p>Tags : #AuCaf\u00e9 #cin\u00e9ma<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un inspecteur de prisons id\u00e9aliste d\u00e9couvre son m\u00e9tier alors que l\u2019URSS de 1937 conna\u00eet une vague d\u2019arrestations et de proc\u00e8s arbitraires sans pr\u00e9c\u00e9dent. En d\u00e9crivant un syst\u00e8me qui s\u2019auto-d\u00e9vore, le cin\u00e9aste vise sans d\u00e9tour la Russie actuelle. Lire la critique de Didier P\u00e9ron et l\u2019interview de Sergue\u00ef Loznitsa dans Lib\u00e9ration. Dans la nouvelle Deux Procureurs [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":27694,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"fullscreen","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":{"0":"post-27692","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-blogcafe-2","8":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2025\/11\/e22b30405a19b3eccbec18af3fa4dfc0.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2025\/11\/e22b30405a19b3eccbec18af3fa4dfc0.jpg?resize=600%2C600&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/Blog\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2025\/11\/e22b30405a19b3eccbec18af3fa4dfc0.jpg?fit=1200%2C1600&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1qtF4-7cE","jetpack-related-posts":[{"id":1595,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2009\/10\/04\/laffaire-farewell-les-rapports-est-ouest-des-annees-1980\/","url_meta":{"origin":27692,"position":0},"title":"L&rsquo;Affaire Farewell : les rapports Est-Ouest des ann\u00e9es 1980","author":"Lyonel Kaufmann","date":"4 octobre 2009","format":false,"excerpt":"Ce dernier vendredi, j'ai pass\u00e9 une agr\u00e9able soir\u00e9e au cin\u00e9ma \u00e0 la projection de L'Affaire Farewell de Christian Carion. La bande-annonce: Ainsi donc, apr\u00e8s son film Joyeux N\u00f6el inscrit dans la Premi\u00e8re Guerre Mondiale, Christian Carion nous offre un nouveau film de fiction-historique. Comme dans Joyeux No\u00ebl, il prend quelques\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/064.jpg?fit=480%2C360&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8583,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2014\/11\/30\/orlando-figes-2007-la-revolution-russe-1891-1924-la-tragedie-dun-peuple\/","url_meta":{"origin":27692,"position":1},"title":"Orlando Figes (2007). La R\u00e9volution russe. 1891-1924 : la trag\u00e9die d\u2019un peuple","author":"Lyonel Kaufmann","date":"30 novembre 2014","format":false,"excerpt":"Orlando Figes (2007).\u00a0La R\u00e9volution russe. 1891-1924 : la trag\u00e9die d\u2019un peuple.\u00a0Paris : Deno\u00ebl, 1107 pages. Pr\u00e9face de Marc Ferro.\u00a0ISBN\u00a0: 978-2-207-25839-2 Finalement, j\u2019ai men\u00e9 au bout la lecture (de longue haleine) de cet ouvrage de plus de 1000 pages paru en fran\u00e7ais en 2007, plus de 10 ans apr\u00e8s sa publication\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/figes.gif?fit=296%2C475&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/27692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/comments?post=27692"}],"version-history":[{"count":1,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/27692\/revisions"}],"predecessor-version":[{"id":27695,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/27692\/revisions\/27695"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media\/27694"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media?parent=27692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/categories?post=27692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/tags?post=27692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}