{"id":2918,"date":"2010-07-21T09:00:36","date_gmt":"2010-07-21T08:00:36","guid":{"rendered":"http:\/\/lyonelkaufmann.ch\/histoire\/?p=2918"},"modified":"2010-07-21T09:00:36","modified_gmt":"2010-07-21T08:00:36","slug":"film-histoire-la-resistance","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/07\/21\/film-histoire-la-resistance\/","title":{"rendered":"Film &amp; Histoire : La R\u00e9sistance"},"content":{"rendered":"<p><strong>La pause estivale est l&rsquo;occasion de rattraper ses retards en lecture de toutes sortes. Je vous proposerai donc quelques ouvrages ou lecture en ligne en lien avec le cin\u00e9ma et l&rsquo;histoire. Pour le reste, le site tournera tr\u00e8s certainement au ralenti. Bon \u00e9t\u00e9!<\/strong><\/p>\n<p>Dans son article \u00abLes repr\u00e9sentations successives de la R\u00e9sistance dans le cin\u00e9ma fran\u00e7ais\u00bb paru en 2008 dans la\u00a0<em>Revue historique des arm\u00e9es, <\/em>Jean-Fran\u00e7ois Domin\u00e9 nous offre un panorama de la repr\u00e9sentation de la R\u00e9sistance dans le cin\u00e9ma fran\u00e7ais de 1944 \u00e0 2008.<\/p>\n<p>Jean-Fran\u00e7ois Domin\u00e9 nous propose un d\u00e9coupage en quatre \u00e9poques auxquelles nous ajoutons des films embl\u00e9matiques de celles-ci et cit\u00e9s dans l&rsquo;article:<\/p>\n<ul>\n<li><a id=\"tocfrom1n1\" href=\"http:\/\/rha.revues.org\/index3173.html#tocto1n1\">1944-1945, la R\u00e9sistance magnifi\u00e9e<\/a> : <em>La Bataille du Rai<\/em><em>l<\/em> de Ren\u00e9 Cl\u00e9ment (1946)<\/li>\n<li><a id=\"tocfrom1n2\" href=\"http:\/\/rha.revues.org\/index3173.html#tocto1n2\">1946-1957, la R\u00e9sistance en retrait<\/a> : <em>Le Silence de la mer<\/em> de Jean-Pierre Melville (1949)\u00a0et\u00a0<em>La Travers\u00e9e de Paris<\/em> de Claude Autant-Lara (1956).<\/li>\n<li><a id=\"tocfrom1n3\" href=\"http:\/\/rha.revues.org\/index3173.html#tocto1n3\">1958-1969, le renouveau de la R\u00e9sistance<\/a> : <em>Paris br\u00fble-t-il\u00a0?<\/em> de R. Cl\u00e9ment (1966),\u00a0<em>La Grande vadrouille<\/em>de G\u00e9rard Oury (1966) et\u00a0<em>L\u2019Arm\u00e9e des ombres<\/em> de Jean-Pierre Melville (1969)<\/li>\n<li><a id=\"tocfrom1n4\" href=\"http:\/\/rha.revues.org\/index3173.html#tocto1n4\">1971-1983, la R\u00e9sistance en question<\/a> : \u00a0<em>Le Chagrin et la piti\u00e9<\/em> de Marcel Oph\u00fcls et Alain de S\u00e9douy (1971),\u00a0<em>Lacombe Lucien <\/em>de Louis Malle (1974)\u00a0et\u00a0<em>Papy fait de la R\u00e9sistance<\/em> de Jean-Marie Poir\u00e9 (1983)<\/li>\n<li><a id=\"tocfrom1n5\" href=\"http:\/\/rha.revues.org\/index3173.html#tocto1n5\">1984-1993, aux marges de la R\u00e9sistance<\/a> : <em>Une Affaire de femmes <\/em>(1988) et <em>L\u2019\u0152il de Vichy<\/em> (1993) de Claude Chabrol, <em>Au revoir les enfants<\/em> de Louis Malle (1987) et\u00a0<em>Uranus <\/em>de Claude Berri (1990)<\/li>\n<li><a id=\"tocfrom1n6\" href=\"http:\/\/rha.revues.org\/index3173.html#tocto1n6\">Depuis\u00a01994, en m\u00e9moire de la R\u00e9sistance<\/a> : <em>Un h\u00e9ros tr\u00e8s discret <\/em>de Jacques Audiard (1995), <em>Lucie Aubrac<\/em> (1997) de Claude Berri, <em>Monsieur Batignole<\/em> de G\u00e9rard Jugnot (2002) et <em>Laissez-passer<\/em> de Bertrand Tavernier (2002)<\/li>\n<\/ul>\n<p>Dans l\u2019imm\u00e9diat apr\u00e8s-guerre \u00e9merge un courant patriotique rapidement tari. Sous la IV<sup>e<\/sup> R\u00e9publique, la reconstruction mais surtout la guerre d\u2019Alg\u00e9rie font un peu oublier la Seconde Guerre mondiale et la R\u00e9sistance. Le retour du g\u00e9n\u00e9ral de Gaulle entra\u00eene un regain d\u2019int\u00e9r\u00eat pour celle-ci. S\u2019ouvre, en\u00a01970, une p\u00e9riode de remise en cause du mythe de la France unie et r\u00e9sistante qui pr\u00e9valait jusqu\u2019alors. Appara\u00eet \u00e9galement un int\u00e9r\u00eat nouveau pour les aspects m\u00e9connus de la R\u00e9sistance: la m\u00e9moire juive, l\u2019action des \u00e9trangers, le r\u00f4le des femmes, les exc\u00e8s de la Lib\u00e9ration. Depuis une douzaine d\u2019ann\u00e9es, la R\u00e9sistance est devenue une lointaine r\u00e9f\u00e9rence \u00e0 laquelle le cin\u00e9ma rend hommage.<\/p>\n<p>A la suite de Domin\u00e9, nous noterons que plusieurs cin\u00e9astes sont revenus \u00e0 plusieurs reprises dans leurs oeuvres sur l&rsquo;Occupation et la R\u00e9sistance (Chabrol, Cl\u00e9ment, Melville) \u00e0 des p\u00e9riodes diff\u00e9rentes. C&rsquo;est certainement un angle de travail int\u00e9ressant.<\/p>\n<p>En conclusion Domin\u00e9 souligne qu&rsquo;<\/p>\n<blockquote><p><em>En d\u2019autres mots, le cin\u00e9ma a repr\u00e9sent\u00e9 la R\u00e9sistance d\u2019une mani\u00e8re correspondant le plus souvent \u00e0 l\u2019image que s\u2019en faisait l\u2019opinion. C\u2019est pourquoi il l\u2019a tour \u00e0 tour magnifi\u00e9e, explor\u00e9e, interrog\u00e9e, critiqu\u00e9e, parodi\u00e9e, cit\u00e9e et honor\u00e9e.<\/em><\/p><\/blockquote>\n<p><strong>Une nouvelle fois, le cin\u00e9ma joue le r\u00e9v\u00e9lateur de son \u00e9poque concernant le regard que celle-ci porte sur un pass\u00e9 proche ou lointain. Les lecteurs assidus de ce blog ne devrait plus s&rsquo;en \u00e9tonne<\/strong>r.<\/p>\n<p><strong>Jean-Fran\u00e7ois\u00a0Domin\u00e9<\/strong>, \u00ab\u00a0Les repr\u00e9sentations successives de la R\u00e9sistance dans le cin\u00e9ma fran\u00e7ais\u00a0\u00bb\u00a0<em>Revue historique des arm\u00e9es<\/em>, 252\u00a0| 2008, [En ligne], mis en ligne le 05 ao\u00fbt 2008. URL\u00a0: <a href=\"http:\/\/rha.revues.org\/\/index3173.html\" target=\"_blank\">http:\/\/rha.revues.org\/\/index3173.html<\/a>. Consult\u00e9 le 20 juin 2010.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La pause estivale est l&rsquo;occasion de rattraper ses retards en lecture de toutes sortes. Je vous proposerai donc quelques ouvrages ou lecture en ligne en lien avec le cin\u00e9ma et l&rsquo;histoire. Pour le reste, le site tournera tr\u00e8s certainement au ralenti. Bon \u00e9t\u00e9! Dans son article \u00abLes repr\u00e9sentations successives de la R\u00e9sistance dans le cin\u00e9ma [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14680,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"fullscreen","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[78,195,18,12,20,611,612],"class_list":{"0":"post-2918","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-histoire-2","8":"tag-39-45","9":"tag-cinema","10":"tag-filmhistoire","11":"tag-france","12":"tag-histoire","13":"tag-occupation","14":"tag-resistance","15":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?resize=600%2C600&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/Blog\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1qtF4-L4","jetpack-related-posts":[{"id":6759,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2013\/02\/01\/filmer-la-guerre-et-lholocauste-une-exigence-politique-et-esthetique\/","url_meta":{"origin":2918,"position":0},"title":"Filmer la guerre et l&rsquo;Holocauste : une exigence politique et esth\u00e9tique","author":"Lyonel Kaufmann","date":"1 f\u00e9vrier 2013","format":false,"excerpt":"Quel r\u00f4le les images film\u00e9es de la Deuxi\u00e8me Guerre mondiale ont-elles jou\u00e9, et continuent-elles de le faire, dans notre m\u00e9moire collective et celle du G\u00e9nocide ? Que valent ces images, souvent coloris\u00e9es aujourd'hui, sorties de leur contexte et d\u00e9filant \u00e0 un rythme tr\u00e9pidant\u00a0? Dans son nouveau livre,\u00a0l'historienne Sylvie Lindeperg travaille\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"lavoiedesimages","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2013\/02\/lavoiedesimages.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7262,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2013\/08\/08\/chronique-de-lete-filmer-la-guerre-et-la-shoah-une-exigence-politique-et-esthetique\/","url_meta":{"origin":2918,"position":1},"title":"Chronique de l&rsquo;\u00e9t\u00e9 : Filmer la guerre et la Shoah : une exigence politique et esth\u00e9tique","author":"Lyonel Kaufmann","date":"8 ao\u00fbt 2013","format":false,"excerpt":"Je mets \u00e0 profit la pause estivale pour publier en ce mois d\u2019ao\u00fbt mes chroniques mensuelles du Caf\u00e9 p\u00e9dagogique. En f\u00e9vrier, ma chronique \u00e9tait consacr\u00e9e \u00e0 l'ouvrage de Sylvie Lindeperg, aux images de la Seconde Guerre mondiale et plus particuli\u00e8rement celles du G\u00e9nocide.\u00a0Bonne lecture. Quel r\u00f4le les images film\u00e9es de\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.cafepedagogique.net\/lemensuel\/lenseignant\/schumaines\/histoire\/PublishingImages\/140\/140_1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7759,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2006\/11\/19\/untitledmecanique-filmique-films-historiques-et-histoire-du-cinema\/","url_meta":{"origin":2918,"position":2},"title":"M\u00e9canique filmique. Films historiques et histoire du cin\u00e9ma","author":"Lyonel Kaufmann","date":"19 novembre 2006","format":false,"excerpt":"Le blog M\u00e9canique filmique. Films historiques et histoire du cin\u00e9ma est l'oeuvre d'un doctorant en histoire de la Facult\u00e9 des Lettres de Nice (France) : Aur\u00e9lien Portelli. Le sujet de sa th\u00e8se aborde \"La repr\u00e9sentation de l'histoire contemporaine de l'Italie sur grand \u00e9cran\". Ses orientations de recherche portent surtout sur\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2909,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/07\/13\/film-histoire-14-18-au-cinema\/","url_meta":{"origin":2918,"position":3},"title":"Film &amp; Histoire : 14-18 au cin\u00e9ma","author":"Lyonel Kaufmann","date":"13 juillet 2010","format":false,"excerpt":"La pause estivale est l'occasion de rattraper ses retards en lecture de toutes sortes. Je vous proposerai donc quelques ouvrages ou lecture en ligne en lien avec le cin\u00e9ma et l'histoire. Pour le reste, le site tournera tr\u00e8s certainement au ralenti. Bon \u00e9t\u00e9! En 2008, Laurent V\u00e9ray, ma\u00eetre de conf\u00e9rences\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/jpg_grandeguerreaucine.jpg?fit=362%2C430&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6671,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2012\/12\/30\/le-cinema-francais-et-la-guerre-dalgerie\/","url_meta":{"origin":2918,"position":4},"title":"Le cin\u00e9ma fran\u00e7ais et la guerre d&rsquo;Alg\u00e9rie","author":"Lyonel Kaufmann","date":"30 d\u00e9cembre 2012","format":false,"excerpt":"C'est un int\u00e9ressant article de Jean-Michel Frodon publi\u00e9 sur Slate.fr et consacr\u00e9 au cin\u00e9ma fran\u00e7ais et la Guerre d'Alg\u00e9rie. Int\u00e9ressant \u00e9galement par le travail de comparaison fait entre le cin\u00e9ma fran\u00e7ais\/Guerre d'Alg\u00e9rie et cin\u00e9ma am\u00e9ricain\/Guerre du Vietnam. Ainsi, \u00e0 propos du cin\u00e9ma am\u00e9ricain et la guerre du Vietnam, Jean-Michel Frodon\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8026,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2014\/06\/03\/revue-de-presse-tf1-depolitise-la-resistance-et-reecrit-lhistoire-de-mon-pere-rue89\/","url_meta":{"origin":2918,"position":5},"title":"Revue de presse : TF1\u00a0d\u00e9politise la r\u00e9sistance et r\u00e9\u00e9crit l\u2019histoire de mon p\u00e8re | Rue89","author":"Lyonel Kaufmann","date":"3 juin 2014","format":false,"excerpt":"R\u00e9action \u00e0 la diffusion par TF1 de la s\u00e9rie R\u00e9sistance : \u00abPourquoi jouer ainsi avec la r\u00e9alit\u00e9 historique\u00a0? Pourquoi rendre Fran\u00e7ais des r\u00e9sistants \u00e9trangers\u00a0? Et quand le \u00ab\u00a0proc\u00e8s\u00a0\u00bb des militants de l\u2019OS (proc\u00e8s dit \u00ab\u00a0de La Maison de la Chimie\u00a0\u00bb en avril 1942) est port\u00e9 \u00e0 l\u2019\u00e9cran, quel dommage de\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/2918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/comments?post=2918"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/2918\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media\/14680"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media?parent=2918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/categories?post=2918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/tags?post=2918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}