{"id":3090,"date":"2010-08-06T22:54:09","date_gmt":"2010-08-06T21:54:09","guid":{"rendered":"http:\/\/lyonelkaufmann.ch\/histoire\/?p=3090"},"modified":"2010-08-06T22:54:09","modified_gmt":"2010-08-06T21:54:09","slug":"une-image-pour-la-guerre-latelier-des-icones","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/08\/06\/une-image-pour-la-guerre-latelier-des-icones\/","title":{"rendered":"Une image pour la guerre | L&rsquo;Atelier des ic\u00f4nes"},"content":{"rendered":"<p><strong>Dans un court et brillant article, Andr\u00e9 Gunthert porte son regard et son analyse sur la derni\u00e8re couverture du Time. Le portrait d&rsquo;une jeune afghane Aisha actuellement aux Etats-Unis pour une op\u00e9ration de reconstruction faciale.<br \/>\n<\/strong><\/p>\n<p style=\"text-align:center;\"><a href=\"http:\/\/culturevisuelle.org\/icones\/1001\"><img data-recalc-dims=\"1\" height=\"500\" width=\"374\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2010\/08\/timeaisha2-374x500.jpg?resize=374%2C500\" alt=\"Portrait d\" \/><\/a><\/p>\n<p>Andr\u00e9 Gunthert l&rsquo;a met notamment en relation avec un autre portrait d&rsquo;une Afghane d\u00e9sormais c\u00e9l\u00e8bre r\u00e9alis\u00e9 par Steve McCurry et pris en 1984. En 2002, le photographe avait d&rsquo;ailleurs retrouv\u00e9 la jeune fille et cela avait donn\u00e9 lieu \u00e0 ce double portrait:<\/p>\n<p style=\"text-align:center;\"><a href=\"http:\/\/culturevisuelle.org\/icones\/1001\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2010\/08\/afghan-girl-before-after-127438-sw.jpg?resize=480%2C360\" alt=\"Afghan girl 1984-2002\" width=\"480\" height=\"360\" \/><\/a><\/p>\n<p>Il constate au propos du portrait d&rsquo;Aisha et concernant notre trouble devant cette image que<\/p>\n<blockquote><p>Alors que l\u2019image de la victime f\u00e9minine est habituellement utilis\u00e9e  comme symbole pour d\u00e9noncer le conflit, celle-ci sert \u00e0 l\u2019inverse \u00e0  l\u00e9gitimer la poursuite de l\u2019occupation.<\/p>\n<p>Ce retournement du sch\u00e9ma explique l\u2019autre diff\u00e9rence essentielle de  cette ic\u00f4ne: au lieu d\u2019une photographie de reportage prise sur le vif,  il s\u2019agit d\u2019un portrait soigneusement pos\u00e9 (r\u00e9alis\u00e9 par Jodi Bieber pour  le magazine), comme celui d\u2019un mannequin ou d\u2019une c\u00e9l\u00e9brit\u00e9, qui rend  plus affreux encore le contraste entre la mise en sc\u00e8ne de la beaut\u00e9 et  la blessure ouverte.<\/p><\/blockquote>\n<p><strong>Sources:<\/strong><\/p>\n<ul>\n<li>Le billet d&rsquo;Andr\u00e9 Gunthert:<a href=\"http:\/\/culturevisuelle.org\/icones\/1001\"> Une image pour la guerre | L&rsquo;Atelier des ic\u00f4nes<\/a>.<\/li>\n<li>L&rsquo;histoire des photos de Steve McCurry: <a href=\"http:\/\/en.wikipedia.org\/wiki\/Afghan_Girl_%28photo%29\" target=\"_blank\">Afghan Girl<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Dans un court et brillant article, Andr\u00e9 Gunthert porte son regard et son analyse sur la derni\u00e8re couverture du Time. Le portrait d&rsquo;une jeune afghane Aisha actuellement aux Etats-Unis pour une op\u00e9ration de reconstruction faciale. Andr\u00e9 Gunthert l&rsquo;a met notamment en relation avec un autre portrait d&rsquo;une Afghane d\u00e9sormais c\u00e9l\u00e8bre r\u00e9alis\u00e9 par Steve McCurry et [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13724,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"fullscreen","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[274,617,526],"class_list":{"0":"post-3090","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-histoire-2","8":"tag-guerre","9":"tag-icone","10":"tag-image","11":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/timeaisha2-374x500.jpg?resize=374%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/timeaisha2-374x500.jpg?resize=374%2C500&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/Blog\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/timeaisha2-374x500.jpg?fit=374%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1qtF4-NQ","jetpack-related-posts":[{"id":3283,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/11\/04\/marianne-a-cache-cache-ou-les-pieges-de-la-memoire-collective\/","url_meta":{"origin":3090,"position":0},"title":"Marianne \u00e0 cache-cache, ou les pi\u00e8ges de la m\u00e9moire collective","author":"Lyonel Kaufmann","date":"4 novembre 2010","format":false,"excerpt":"A la suite de la publication par le journal Le Monde d\u2019un \u201cportfolio sonore\u201d consacr\u00e9 \u00e0 l\u2019iconographie des manifestations et de l'analyse r\u00e9alis\u00e9e par Rapha\u00eblle Bertho relativement aux m\u00e9canismes de narration visuelle, Andr\u00e9 Gunthert prolonge et r\u00e9bondit pour nous entretenir brillamment de la notion assez g\u00e9n\u00e9ralement admise de \u201cm\u00e9moire collective\u201d\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2010\/11\/Mariannes1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2010\/11\/Mariannes1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2010\/11\/Mariannes1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2887,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/06\/21\/images-pieuses-latelier-des-icones\/","url_meta":{"origin":3090,"position":1},"title":"Images pieuses | L&rsquo;Atelier des ic\u00f4nes","author":"Lyonel Kaufmann","date":"21 juin 2010","format":false,"excerpt":"D\u00e9cid\u00e9ment la Deuxi\u00e8me Guerre est \u00e0 l'honneur que ce soit en Suisse autour du G\u00e9n\u00e9ral Guisan, en France avec la comm\u00e9moration des 70 ans de l'Appel du 18 juin ou en Angleterre avec la retouche d'une photographie de Winston Churchill. Elle est m\u00eame doublement \u00e0 l'honneur dans la presse cette\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/4715074188_165c4be4af.jpg?fit=500%2C255&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12721,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2011\/05\/18\/evolution-du-spectacle-latelier-des-icones\/","url_meta":{"origin":3090,"position":2},"title":"Evolution du spectacle | L&rsquo;Atelier des ic\u00f4nes","author":"Lyonel Kaufmann","date":"18 mai 2011","format":"aside","excerpt":"Alors que la deuxi\u00e8me partie de la campagne promotionnelle du Tintin de Steven Spielberg d\u00e9marre, Andr\u00e9 Gunthert s'interroge sur le rapport du film \u00e0 l'oeuvre. Y a-t-il eu trahison sur l'autel du spectacle hollywoodien? Non explique Andr\u00e9 Gunthert. Reprenons \u00e0 partir de la premi\u00e8re bande-annonce: Dans un premier temps, A.\u2026","rel":"","context":"Dans &quot;Blogcaf\u00e9&quot;","block_context":{"text":"Blogcaf\u00e9","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/blogcafe-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1673,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2009\/12\/08\/metamorphoses-de-levolution-le-recit-dune-image-latelier-des-icones\/","url_meta":{"origin":3090,"position":3},"title":"M\u00e9tamorphoses de l\u2019\u00e9volution. Le r\u00e9cit d\u2019une image | L&rsquo;Atelier des ic\u00f4nes","author":"Lyonel Kaufmann","date":"8 d\u00e9cembre 2009","format":false,"excerpt":"Dessin\u00e9e par Rudolph Zallinger (1919-1995) pour l\u2019ouvrage de Francis Clark Howell (1925-2007), The Early Man, cette image prend place dans la plus ambitieuse collection de vulgarisation jamais publi\u00e9e: celle des \u00e9ditions Time-Life, qui s\u2019\u00e9tend sur 51 volumes entre 1961 et 1967 (collections \u00ab\u00a0Young Readers Nature Library\u00a0\u00bb et \u00ab\u00a0Life Science Library\u00a0\u00bb).\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4398,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2011\/02\/18\/la-photo-au-musee-ou-lappropriation-latelier-des-icones\/","url_meta":{"origin":3090,"position":4},"title":"La photo au mus\u00e9e, ou l\u2019appropriation | L&rsquo;Atelier des ic\u00f4nes","author":"Lyonel Kaufmann","date":"18 f\u00e9vrier 2011","format":"aside","excerpt":"Courbet, Le Combat de cerfs (restauration), Mus\u00e9e d'Orsay. via culturevisuelle.org \u00abCroire que la haute culture peut \u00eatre un attribut naturel de la sensibilit\u00e9 est un paradoxe. La culture est culturelle, c\u2019est-\u00e0-dire apprise, et le visiteur de mus\u00e9e d\u00e9pourvu de bagage se sent tr\u00e8s mal \u00e0 l\u2019aise dans cet espace dont\u2026","rel":"","context":"Dans &quot;Blogcaf\u00e9&quot;","block_context":{"text":"Blogcaf\u00e9","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/blogcafe-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/2384006399_6a4485ee31.jpg?fit=500%2C333&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3838,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2011\/06\/25\/andre-gunthert-internet-est-une-revolution-de-la-consultation-plus-que-de-la-production-internetactu-net\/","url_meta":{"origin":3090,"position":5},"title":"Andr\u00e9 Gunthert : \u201cInternet est une r\u00e9volution de la consultation plus que de la production\u201d | InternetActu.net","author":"Lyonel Kaufmann","date":"25 juin 2011","format":false,"excerpt":"Ce tr\u00e8s int\u00e9ressant interview d'Andr\u00e9 Gunthert pour InternetActu sur la culture num\u00e9rique, l'histoire et les jeunes a de quoi nous stimuler juste avant les grandes vacances. Il ne manque pas de nous interroger sur le r\u00f4le et la place que l'enseignement de l'histoire pourrait jouer dans la formation des jeunes\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/3090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/comments?post=3090"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/3090\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media\/13724"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media?parent=3090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/categories?post=3090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/tags?post=3090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}