{"id":7042,"date":"2013-04-24T08:35:28","date_gmt":"2013-04-24T07:35:28","guid":{"rendered":"http:\/\/lyonelkaufmann.ch\/histoire\/?p=7042"},"modified":"2013-04-24T08:35:28","modified_gmt":"2013-04-24T07:35:28","slug":"realisation-dun-roman-photo-numerique-avec-une-tablette-en-quatrieme","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/Blog\/2013\/04\/24\/realisation-dun-roman-photo-numerique-avec-une-tablette-en-quatrieme\/","title":{"rendered":"R\u00e9alisation d’un roman-photo num\u00e9rique avec une tablette en quatri\u00e8me"},"content":{"rendered":"

See on Scoop.it<\/a> – histoire<\/a>
<\/a><\/p>\n

ENT Midi Pyrénées…<\/p><\/blockquote>\n

<\/p>\n

\n
Lyonel Kaufmann<\/b>‘s insight:<\/div>\n
\n

\n

Travail réalisé en français histoire-géographie + documentaliste (bibliothèque) au collège Desaix à Tarbes.<\/p>\n<\/p>\n<\/div>\n<\/div>\n

See on desaix.entmip.fr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

See on Scoop.it – histoire ENT Midi Pyrénées… Lyonel Kaufmann‘s insight: Travail réalisé en français histoire-géographie + documentaliste (bibliothèque) au collège Desaix à Tarbes. See on desaix.entmip.fr<\/p>\n","protected":false},"author":1,"featured_media":14293,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"fullscreen","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":{"0":"post-7042","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-histoire-2","8":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/5BoRdjbh6R_2lw4eCaMRMzl72eJkfbmt4t8yenImKBXEejxNn4ZJNZ2ss5Ku7Cxt.jpg?resize=500%2C375&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/5BoRdjbh6R_2lw4eCaMRMzl72eJkfbmt4t8yenImKBXEejxNn4ZJNZ2ss5Ku7Cxt.jpg?resize=500%2C375&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/Blog\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/5BoRdjbh6R_2lw4eCaMRMzl72eJkfbmt4t8yenImKBXEejxNn4ZJNZ2ss5Ku7Cxt.jpg?fit=500%2C375&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1qtF4-1PA","jetpack-related-posts":[{"id":6846,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2013\/03\/12\/le-temoin-lhistorien-et-le-realisateur-la-place-du-conseiller-documents-de-cours-cinemadoc\/","url_meta":{"origin":7042,"position":0},"title":"Le t\u00e9moin, l\u2019historien et le r\u00e9alisateur : la place du conseiller \u2013 documents de cours | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"12 mars 2013","format":false,"excerpt":"Cette note reprend les documents et films utilis\u00e9s pour le cours Histoire et cin\u00e9ma (Universit\u00e9 de Montr\u00e9al) du 13 mars 2013. 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Fin 1978, apr\u00e8s plus de trente ann\u00e9es de silence, Karski accepte d\u2019\u00eatre film\u00e9 \u00e0 son domicile pendant deux jours. Dans Shoah (1985), Claude Lanzmann octroie trente-neuf minutes \u00e0 ce t\u00e9moignage. 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