{"id":7208,"date":"2013-07-15T13:05:36","date_gmt":"2013-07-15T12:05:36","guid":{"rendered":"http:\/\/lyonelkaufmann.ch\/histoire\/?p=7208"},"modified":"2013-07-15T13:05:36","modified_gmt":"2013-07-15T12:05:36","slug":"revue-de-presse-shoah-entre-impression-de-reel-et-recit-realiste-cinemadoc","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/Blog\/2013\/07\/15\/revue-de-presse-shoah-entre-impression-de-reel-et-recit-realiste-cinemadoc\/","title":{"rendered":"Revue de presse : Shoah, entre impression de r\u00e9el et r\u00e9cit r\u00e9aliste | Cin\u00e9madoc"},"content":{"rendered":"<p>La recherche de R\u00e9my Besson sur le film Shoah permet d\u2019\u00e9tablir que le r\u00e9gime de v\u00e9rit\u00e9 dont Shoah rel\u00e8ve n\u2019est pas celui de l\u2019histoire orale, mais bien de celui d\u2019un film de cin\u00e9ma extr\u00eamement construit, aussi bien lors du tournage que lors du montage. Seul un travail en archive permet d\u2019\u00e9tablir que ce film rel\u00e8ve d\u2019une construction aussi bien au niveau de la bande image que de la piste son. Il s\u2019av\u00e8re alors que l\u2019objectif poursuivi par l\u2019\u00e9quipe du film \u00e9tait moins de proposer une mise en contact la plus directe possible entre les spectateurs et les acteurs de l\u2019histoire, que de proposer un r\u00e9cit. En cela, le terme \u2013 utilis\u00e9 aussi bien par le r\u00e9alisateur que par la monteuse \u2013 de fiction de r\u00e9el semble le mieux adapt\u00e9 pour le qualifier. Le fait d\u2019identifier et de caract\u00e9riser une part de fiction dans ce film ne m\u00e8ne aucunement \u00e0 prouver qu\u2019il n\u2019atteint pas quelque chose de la v\u00e9rit\u00e9 de l\u2019exp\u00e9rience v\u00e9cue par les acteurs de l\u2019histoire. Ce travail conduit plus justement \u00e0 un d\u00e9placement d\u2019un paradigme, celui de l\u2019histoire orale, \u00e0 un autre, celui d\u2019un r\u00e9cit r\u00e9aliste.<\/p>\n<p><a href=\"http:\/\/culturevisuelle.org\/cinemadoc\/2013\/07\/15\/shoah-entre-impression-de-reel-et-recit-realiste\/\">Shoah, entre impression de r\u00e9el et r\u00e9cit r\u00e9aliste | Cin\u00e9madoc<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La recherche de R\u00e9my Besson sur le film Shoah permet d\u2019\u00e9tablir que le r\u00e9gime de v\u00e9rit\u00e9 dont Shoah rel\u00e8ve n\u2019est pas celui de l\u2019histoire orale, mais bien de celui d\u2019un film de cin\u00e9ma extr\u00eamement construit, aussi bien lors du tournage que lors du montage. Seul un travail en archive permet d\u2019\u00e9tablir que ce film rel\u00e8ve [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14680,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"fullscreen","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[345,20,732,33],"class_list":{"0":"post-7208","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-histoire-2","8":"tag-film","9":"tag-histoire","10":"tag-revuepresse","11":"tag-shoah","12":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?resize=600%2C600&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/Blog\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1qtF4-1Sg","jetpack-related-posts":[{"id":15209,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2015\/09\/29\/comptes-rendus-filmer-la-guerre-1944-1946-les-sovietiques-face-a-la-shoah\/","url_meta":{"origin":7208,"position":0},"title":"Comptes-rendus : \u00ab Filmer la guerre (1944-1946). Les Sovi\u00e9tiques face \u00e0 la Shoah \u00bb","author":"Lyonel Kaufmann","date":"29 septembre 2015","format":false,"excerpt":"L\u2019exposition et son catalogue ouvrent des perspectives passionnantes sur la construction d\u2019une m\u00e9moire sovi\u00e9tique isol\u00e9e des repr\u00e9sentations occidentales. Rendue plus complexe encore par les d\u00e9placements de fronti\u00e8res d\u2019apr\u00e8s-guerre brouillant la notion de juifs \u00ab\u00a0sovi\u00e9tiques\u00a0\u00bb, \u00ab\u00a0hongrois\u00a0\u00bb ou \u00ab\u00a0polonais\u00a0\u00bb, puis par la Guerre froide, elle \u00e9volue vers une reconnaissance ambigu\u00eb de la\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/09\/iu.jpeg?fit=797%2C543&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/09\/iu.jpeg?fit=797%2C543&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/09\/iu.jpeg?fit=797%2C543&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/09\/iu.jpeg?fit=797%2C543&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2631,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/03\/07\/filmer-les-camps-de-hollywood-a-nuremberg-memorial-de-la-shoah\/","url_meta":{"origin":7208,"position":1},"title":"Filmer les camps de Hollywood \u00e0 Nuremberg | M\u00e9morial de la Shoah","author":"Lyonel Kaufmann","date":"7 mars 2010","format":false,"excerpt":"Du 10 mars au 31 ao\u00fbt 2010, le M\u00e9morial de la Shoah pr\u00e9sente une exposition consacr\u00e9e \u00e0 trois producteurs\/cin\u00e9astes am\u00e9ricains (John Ford, George Stevens et Samuel Fuller) et \u00e0 leurs images concernant les camps de Dachau et Falkenau. En effet, en 1945, les images de Dachau prises par l\u2019\u00e9quipe de\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4986,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2012\/01\/28\/le-role-des-media-generalistes-dans-le-devenir-reference-de-shoah-1985-1987\/","url_meta":{"origin":7208,"position":2},"title":"Le r\u00f4le des m\u00e9dia g\u00e9n\u00e9ralistes dans le devenir-r\u00e9f\u00e9rence de Shoah (1985-1987)","author":"Lyonel Kaufmann","date":"28 janvier 2012","format":false,"excerpt":"Merci \u00e0 R\u00e9my Besson pour sa mise \u00e0 disposition de sa contribution\u00a0\u00a0Le r\u00f4le des m\u00e9dia g\u00e9n\u00e9ralistes dans le devenir-r\u00e9f\u00e9rence de Shoah (1985-1987) propos\u00e9e lors du colloque Si la photographie est bonne, organis\u00e9 par Andr\u00e9 Gunthert (Lhivic\/ EHESS), \u00e0 l\u2019INHA le 20 octobre 2011. [issuu width=600 height=158 backgroundColor=%23222222 documentId=120125171628-382929ba69004299824d2f589344970b name=devenir-reference username=remybesson\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8868,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2015\/02\/16\/revue-de-presse-la-memoire-filmee-de-la-shoah-cnrs-le-journal\/","url_meta":{"origin":7208,"position":3},"title":"Revue de Presse : La m\u00e9moire film\u00e9e de la Shoah | CNRS le journal","author":"Lyonel Kaufmann","date":"16 f\u00e9vrier 2015","format":false,"excerpt":"L'exposition \u00abFilmer la guerre : les Sovi\u00e9tiques face \u00e0 la Shoah\u00bb qui se d\u00e9roule en ce moment \u00e0 Paris pr\u00e9sente un point de vue poignant mais parfois insoutenable sur ce que l\u2019on a appel\u00e9 \u00abla Shoah par balles\u00bb. Val\u00e9rie Pozner, sp\u00e9cialiste de l\u2019histoire du cin\u00e9ma russe et sovi\u00e9tique, en explique\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/shoah_une_0-156881.jpg?fit=1200%2C575&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/shoah_une_0-156881.jpg?fit=1200%2C575&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/shoah_une_0-156881.jpg?fit=1200%2C575&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/shoah_une_0-156881.jpg?fit=1200%2C575&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/shoah_une_0-156881.jpg?fit=1200%2C575&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3768,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2011\/05\/27\/etudes-photo-n27-le-rapport-karski-cinemadoc\/","url_meta":{"origin":7208,"position":4},"title":"Etudes Photo n\u00b027 \u2013 Le Rapport Karski | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"27 mai 2011","format":false,"excerpt":"En 1977, Claude Lanzmann et son \u00e9quipe ont retrouv\u00e9 le r\u00e9sistant polonais Jan Karski. Fin 1978, apr\u00e8s plus de trente ann\u00e9es de silence, Karski accepte d\u2019\u00eatre film\u00e9 \u00e0 son domicile pendant deux jours. Dans Shoah (1985), Claude Lanzmann octroie trente-neuf minutes \u00e0 ce t\u00e9moignage. En 2010, le r\u00e9alisateur a repris\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/224616_185673904817315_182286505156055_523552_6681366_n.jpg?fit=470%2C720&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2616,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/03\/04\/polemique-actuelle-les-allies-ont-ils-abandonne-les-juifs\/","url_meta":{"origin":7208,"position":5},"title":"Pol\u00e9mique actuelle: Les alli\u00e9s ont-ils abandonn\u00e9 les juifs?","author":"Lyonel Kaufmann","date":"4 mars 2010","format":false,"excerpt":"http:\/\/www.dipity.com\/Nouvelobscom\/personal\/embed_tlShoah : ce que savaient les alli\u00e9;s sur Dipity. En ao\u00fbt 2009,\u00a0Yannick Haenel publiait\u00a0son roman Jan Karski (1914-2000), r\u00e9sistant des bords de la Vistule pris en tenaille par l\u2019agression hitl\u00e9ro-stalinienne de 1939, devenu coursier du gouvernement polonais en exil (\u00e0 Angers puis \u00e0 Londres), t\u00e9moin singulier de l\u2019entreprise nazie de\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/sc3t.jpg?fit=640%2C480&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/sc3t.jpg?fit=640%2C480&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/sc3t.jpg?fit=640%2C480&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/7208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/comments?post=7208"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/7208\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media\/14680"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media?parent=7208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/categories?post=7208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/tags?post=7208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}