{"id":9489,"date":"2013-03-19T13:24:23","date_gmt":"2013-03-19T12:24:23","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/Blog\/?p=9489"},"modified":"2013-03-19T13:24:23","modified_gmt":"2013-03-19T12:24:23","slug":"revue-de-presse-le-monde-dystopique-doz-ou-les-avanies-du-domaine-public-sans-copyleft-s-i-lex","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/Blog\/2013\/03\/19\/revue-de-presse-le-monde-dystopique-doz-ou-les-avanies-du-domaine-public-sans-copyleft-s-i-lex\/","title":{"rendered":"Revue de presse : Le monde dystopique d\u2019Oz, ou les avanies du domaine public sans copyleft | :: S.I.Lex ::"},"content":{"rendered":"<blockquote><p><em>\u00abLa semaine derni\u00e8re est sorti sur les \u00e9crans le film Le Monde Fantastique d\u2019Oz (Oz, The Great and Powerful en anglais), r\u00e9alis\u00e9 par Sam Raimi et produit par les studios Disney. L\u2019arri\u00e8re-plan juridique dans lequel la cr\u00e9ation de ce film s\u2019est d\u00e9roul\u00e9 m\u00e9rite que l\u2019on s\u2019y attarde, car Disney a d\u00fb traverser un v\u00e9ritable parcours du combattant pour parvenir \u00e0 faire sortir ce film en \u00e9vitant les poursuites en justice.<\/em><em> Le roman original de L. Franck Baum, paru pour la premi\u00e8re fois en 1899, est pourtant dans le domaine public, mais le c\u00e9l\u00e8bre film de 1939 avec Judy Garland reste quant \u00e0 lui prot\u00e9g\u00e9. Les droits appartiennent \u00e0 la Warner Bros. qui d\u00e9fend encore f\u00e9rocement ses titres de propri\u00e9t\u00e9 sur la v\u00e9ritable poule aux oeufs d\u2019or que constitue l\u2019univers du Magicien d\u2019Oz (le film le plus regard\u00e9 de toute l\u2019histoire du cin\u00e9ma d\u2019apr\u00e8s la Biblioth\u00e8que du Congr\u00e8s).\u00bb<\/em><\/p><\/blockquote>\n<p>Un article digne d&rsquo;un polar pour nous raconter cette histoire, les m\u00e9faits du copyright et l&rsquo;int\u00e9r\u00eat du copyleft<\/p>\n<p><a href=\"http:\/\/scinfolex.wordpress.com\/2013\/03\/17\/le-monde-dystopique-doz-ou-les-avanies-du-domaine-public-sans-copyleft\/\">Le monde dystopique d\u2019Oz, ou les avanies du domaine public sans copyleft | :: S.I.Lex ::<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abLa semaine derni\u00e8re est sorti sur les \u00e9crans le film Le Monde Fantastique d\u2019Oz (Oz, The Great and Powerful en anglais), r\u00e9alis\u00e9 par Sam Raimi et produit par les studios Disney. L\u2019arri\u00e8re-plan juridique dans lequel la cr\u00e9ation de ce film s\u2019est d\u00e9roul\u00e9 m\u00e9rite que l\u2019on s\u2019y attarde, car Disney a d\u00fb traverser un v\u00e9ritable parcours [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14680,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"aside","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"fullscreen","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[660],"tags":[1006,1007,1008,1009,732],"class_list":{"0":"post-9489","1":"post","2":"type-post","3":"status-publish","4":"format-aside","5":"has-post-thumbnail","7":"category-breves","8":"tag-copyleft","9":"tag-copyright","10":"tag-magicien","11":"tag-oz","12":"tag-revuepresse","13":"post_format-post-format-aside","14":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?resize=600%2C600&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/Blog\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1qtF4-2t3","jetpack-related-posts":[{"id":20637,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2019\/12\/28\/zed-nelson-capture-les-effets-debilitants-de-la-gentrification-dans-hackney-londres-british-journal-of-photography\/","url_meta":{"origin":9489,"position":0},"title":"Zed Nelson capture les effets d\u00e9bilitants de la gentrification dans Hackney (Londres) | British Journal of Photography","author":"Lyonel Kaufmann","date":"28 d\u00e9cembre 2019","format":false,"excerpt":"Tourn\u00e9 sur quatre ans, le nouveau documentaire de Nelson se concentre sur une seule rue de Hackney, o\u00f9 des restaurants de 150 ans rencontrent des caf\u00e9s branch\u00e9s et des appartements de 2 millions de livres sterling. https:\/\/youtu.be\/-ofaqnAj33g Le premier long m\u00e9trage de Zed Nelson, qui se d\u00e9roule sur une d\u00e9cennie\u2026","rel":"","context":"Dans &quot;Blogcaf\u00e9&quot;","block_context":{"text":"Blogcaf\u00e9","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/blogcafe-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2019\/12\/img_0421.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2019\/12\/img_0421.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2019\/12\/img_0421.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2019\/12\/img_0421.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2019\/12\/img_0421.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2935,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2010\/06\/24\/quand-le-film-defie-lhistorien-robert-a-rosenstone-cinemadoc\/","url_meta":{"origin":9489,"position":1},"title":"Quand le film d\u00e9fie l\u2019historien \u2013 Robert A. Rosenstone | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"24 juin 2010","format":false,"excerpt":"Dans son article, Robert Rosenstone part du constat que les historiens critiquent les films historiques, car ils interpr\u00e8tent ces derniers \u00e0 l\u2019aune de leurs propres exigences acad\u00e9miques. Pour l\u2019auteur, cette critique masque un double d\u00e9ni. En fait, d\u2019un c\u00f4t\u00e9 les historiens critiquent les films car ils se rendent compte qu\u2019ils\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/blogcafe1.jpg?fit=1024%2C683&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8612,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2014\/12\/19\/retrouver-14-18-cent-ans-de-cinema-vus-par-laurent-veray-slate-fr\/","url_meta":{"origin":9489,"position":2},"title":"Retrouver 14-18 : cent ans de cin\u00e9ma vus par Laurent V\u00e9ray | Slate.fr","author":"Lyonel Kaufmann","date":"19 d\u00e9cembre 2014","format":false,"excerpt":"Il s'agit du troisi\u00e8me volet d\u2019un grand entretien de Slate\u00a0(et Non-fiction.fr) avec Laurent V\u00e9ray, professeur d\u2019\u00e9tudes cin\u00e9matographiques et audiovisuelles \u00e0 l\u2019universit\u00e9 Paris III, portant sur le cin\u00e9ma \u00abde\u00bb et \u00absur\u00bb la Grande Guerre. L\u2019\u00e9poque de la Grande Guerre a \u00e9t\u00e9 l\u2019occasion de la mise en place d\u2019un mod\u00e8le du \u00abfilm\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/australian_infantry_small_box_respirators_ypres_1917.jpg?fit=1090%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/australian_infantry_small_box_respirators_ypres_1917.jpg?fit=1090%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/australian_infantry_small_box_respirators_ypres_1917.jpg?fit=1090%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/australian_infantry_small_box_respirators_ypres_1917.jpg?fit=1090%2C500&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/02\/australian_infantry_small_box_respirators_ypres_1917.jpg?fit=1090%2C500&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":6759,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2013\/02\/01\/filmer-la-guerre-et-lholocauste-une-exigence-politique-et-esthetique\/","url_meta":{"origin":9489,"position":3},"title":"Filmer la guerre et l&rsquo;Holocauste : une exigence politique et esth\u00e9tique","author":"Lyonel Kaufmann","date":"1 f\u00e9vrier 2013","format":false,"excerpt":"Quel r\u00f4le les images film\u00e9es de la Deuxi\u00e8me Guerre mondiale ont-elles jou\u00e9, et continuent-elles de le faire, dans notre m\u00e9moire collective et celle du G\u00e9nocide ? Que valent ces images, souvent coloris\u00e9es aujourd'hui, sorties de leur contexte et d\u00e9filant \u00e0 un rythme tr\u00e9pidant\u00a0? Dans son nouveau livre,\u00a0l'historienne Sylvie Lindeperg travaille\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"lavoiedesimages","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2013\/02\/lavoiedesimages.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2531,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2009\/02\/28\/seraphine\/","url_meta":{"origin":9489,"position":4},"title":"S\u00e9raphine","author":"Lyonel Kaufmann","date":"28 f\u00e9vrier 2009","format":"aside","excerpt":"S\u00e9raphine est le film sorti grand vainqueur de la c\u00e9r\u00e9monie des C\u00e9sars 2009. Comme personnellement je ne connaissais pas ce film, je suis parti \u00e0 sa rencontre\u2026 En 1912, le collectionneur allemand Wilhelm Uhde, premier acheteur de Picasso et d\u00e9couvreur du douanier Rousseau, loue un appartement \u00e0 Senlis pour \u00e9crire\u2026","rel":"","context":"Dans &quot;Blogcaf\u00e9&quot;","block_context":{"text":"Blogcaf\u00e9","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/blogcafe-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/ARi3S.jpg?fit=320%2C240&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1595,"url":"https:\/\/lyonelkaufmann.ch\/Blog\/2009\/10\/04\/laffaire-farewell-les-rapports-est-ouest-des-annees-1980\/","url_meta":{"origin":9489,"position":5},"title":"L&rsquo;Affaire Farewell : les rapports Est-Ouest des ann\u00e9es 1980","author":"Lyonel Kaufmann","date":"4 octobre 2009","format":false,"excerpt":"Ce dernier vendredi, j'ai pass\u00e9 une agr\u00e9able soir\u00e9e au cin\u00e9ma \u00e0 la projection de L'Affaire Farewell de Christian Carion. La bande-annonce: Ainsi donc, apr\u00e8s son film Joyeux N\u00f6el inscrit dans la Premi\u00e8re Guerre Mondiale, Christian Carion nous offre un nouveau film de fiction-historique. Comme dans Joyeux No\u00ebl, il prend quelques\u2026","rel":"","context":"Dans &quot;histoire&quot;","block_context":{"text":"histoire","link":"https:\/\/lyonelkaufmann.ch\/Blog\/category\/histoire-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/Blog\/wp-content\/uploads\/2015\/03\/064.jpg?fit=480%2C360&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/9489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/comments?post=9489"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/posts\/9489\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media\/14680"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/media?parent=9489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/categories?post=9489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/Blog\/wp-json\/wp\/v2\/tags?post=9489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}