{"id":12325,"date":"2016-11-16T22:48:43","date_gmt":"2016-11-16T21:48:43","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/?p=12325"},"modified":"2016-11-16T22:48:43","modified_gmt":"2016-11-16T21:48:43","slug":"ivanhoe-le-film-retour-sur-un-chef-doeuvre-histoire-images-medievales","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2016\/11\/16\/ivanhoe-le-film-retour-sur-un-chef-doeuvre-histoire-images-medievales\/","title":{"rendered":"Ivanho\u00e9, le film : retour sur un chef-d\u2019oeuvre \u2013 Histoire & Images M\u00e9di\u00e9vales"},"content":{"rendered":"

Le film\u00a0Ivanho\u00e9<\/em>\u00a0de Richard Thorpe (1952)<\/a>, reste, \u00e0 l\u2019instar des\u00a0Aventures de Robin des Bois<\/em>\u00a0de Michael Curtiz (1938) un grand spectacle \u00e0 regarder en famille et une \u0153uvre hollywoodienne qui offre une vision assez kitsch du Moyen \u00c2ge. A l’interview pour Histoire & Images M\u00e9di\u00e9vales,\u00a0<\/em>Yohann Chanoir, doctorant \u00e0 l\u2019EHESS et sp\u00e9cialiste du cin\u00e9ma m\u00e9di\u00e9valiste, explique en quoi ce long-m\u00e9trage est plus complexe qu\u2019il n\u2019y para\u00eet et de quelle mani\u00e8re aucun film n’\u00e9chappe \u00e0 son \u00e9poque de r\u00e9alisation. Morceau choisi sur le contexte politique am\u00e9ricain du d\u00e9but des ann\u00e9es 1950\u00a0<\/strong>avec la cr\u00e9ation de l’Etat d’Isra\u00ebl\u00a0et le Maccarthysme.<\/b><\/p>\n

\"\"<\/a><\/p>\n

HIM : Le film semble aussi \u00eatre marqu\u00e9 par le contexte politique am\u00e9ricain du d\u00e9but des ann\u00e9es 50.<\/strong>
\nYC :\u00a0Aucun film sur le Moyen \u00c2ge n\u2019\u00e9chappe \u00e0 son \u00e9poque. Le Moyen \u00c2ge est plastique, au sens o\u00f9 il se pr\u00eate \u00e0 toutes les instrumentalisations. Ivanho\u00e9 \u00e9voque, non seulement la cr\u00e9ation de l\u2019\u00c9tat d\u2019Isra\u00ebl, mais aussi le Maccarthysme avec la sc\u00e8ne du proc\u00e8s de Rebecca.<\/p>\n

\"IMAGE<\/a>
\nIvanho\u00e9<\/em>\u00a0(1952). Le proc\u00e8s de Rebecca, une allusion au maccarthysme.<\/p>\n

Or, Robert Taylor, proche de Ronald Reagan situ\u00e9 \u00e0 l\u2019aile droite du parti r\u00e9publicain, avait t\u00e9moign\u00e9 \u00e0 charge contre le p\u00e9ril communiste mena\u00e7ant Hollywood. Le patron de la MGM, lui, avait refus\u00e9, de t\u00e9moigner. Une des sc\u00e9naristes Marguerite Roberts, a vu son nom retirer du g\u00e9n\u00e9rique, pour avoir refus\u00e9 de t\u00e9moigner devant\u00a0l\u2019HCUA (Commission de la Chambre sur les activit\u00e9s non-am\u00e9ricaines. Ndr)<\/a>. Cette fracture au sein de l\u2019\u00e9quipe du film explique sans doute la tension de cette sc\u00e8ne, dont l\u2019enjeu d\u00e9passe nettement le sort de Rebecca. Elle d\u00e9nonce le d\u00e9tournement de la justice, l\u2019emploi de bouc-\u00e9missaire mais aussi la palinodie du peuple (rassembl\u00e9 au fond de la grand-salle). L\u2019allusion est donc extr\u00eamement forte, claire et percutante. Le Maccarthysme n\u2019a pas tu\u00e9 la capacit\u00e9 d\u2019Hollywood \u00e0 s\u2019inscrire dans un contexte politique.\u00a0Ivanho\u00e9<\/em>, en ce sens, est le digne h\u00e9ritier de\u00a0Robin des Bois<\/em>\u00a0(Les Aventures de Robin des Boi<\/em>s, 1938), exaltation de la d\u00e9mocratie am\u00e9ricaine et du New Deal. Les films sur cette p\u00e9riode continuent ensuite, et jusqu\u2019\u00e0 aujourd\u2019hui, d\u2019\u00eatre plac\u00e9s dans le r\u00e9gime d\u2019historicit\u00e9 de leur soci\u00e9t\u00e9.\u00a0Black Death<\/em>\u00a0(2010) \u00e9voque notamment les dangers du fondamentalisme religieux<\/a>. \u00c0 chaque fois, au cin\u00e9ma, le Moyen \u00c2ge nous pr\u00e9c\u00e8de.<\/p>\n

Source\u00a0: Ivanho\u00e9, le film : retour sur un chef-d\u2019oeuvre \u2013 Histoire & Images M\u00e9di\u00e9vales<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Le film\u00a0Ivanho\u00e9\u00a0de Richard Thorpe (1952), reste, \u00e0 l\u2019instar des\u00a0Aventures de Robin des Bois\u00a0de Michael Curtiz (1938) un grand spectacle \u00e0 regarder en famille et une \u0153uvre hollywoodienne qui offre une vision assez kitsch du Moyen \u00c2ge. A l’interview pour Histoire & Images M\u00e9di\u00e9vales,\u00a0Yohann Chanoir, doctorant \u00e0 l\u2019EHESS et sp\u00e9cialiste du cin\u00e9ma m\u00e9di\u00e9valiste, explique en quoi […]<\/p>\n","protected":false},"author":1,"featured_media":12326,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,8,13],"tags":[],"class_list":{"0":"post-12325","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-histoire-savante","8":"category-medias-et-technologies","9":"category-opinionsreflexions","10":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/Ivanhoe_1-1024x577.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/Ivanhoe_1-1024x577.jpg?resize=600%2C577&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/Ivanhoe_1-1024x577.jpg?fit=1024%2C577&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-3cN","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6311,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2012\/10\/23\/mettre-en-lumiere-le-moyen-age-tout-un-probleme-fovea\/","url_meta":{"origin":12325,"position":0},"title":"Mettre en lumi\u00e8re le Moyen Age, tout un probl\u00e8me | Fov\u00e9a","author":"Lyonel Kaufmann","date":"23 octobre 2012","format":false,"excerpt":"Dans le cadre de la premi\u00e8re \u00e9dition du\u00a0festival du film m\u00e9di\u00e9val\u00a0qui d\u00e9butera mercredi 24 octobre,\u00a0L\u00e9a Hermenault, doctorante en arch\u00e9ologie m\u00e9di\u00e9vale et membre de l\u2019\u00e9quipe du festival, propose un article sur l\u2019utilisation de la lumi\u00e8re dans les films traitant de la p\u00e9riode m\u00e9di\u00e9vale. Cet article int\u00e9ressera tous les enseignants utilisant des\u2026","rel":"","context":"Dans "Histoire active"","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/fig_33-695x483.jpg?fit=695%2C483&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/fig_33-695x483.jpg?fit=695%2C483&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/fig_33-695x483.jpg?fit=695%2C483&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":2602,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/02\/25\/tolkien-medieval-la-vie-des-idees\/","url_meta":{"origin":12325,"position":1},"title":"Tolkien m\u00e9di\u00e9val | La vie des id\u00e9es","author":"Lyonel Kaufmann","date":"25 f\u00e9vrier 2010","format":false,"excerpt":"Ce compte-rendu de la Vie des id\u00e9es porte sur l'ouvrage Tolkien et le Moyen \u00c2ge, recueil d\u2019articles r\u00e9dig\u00e9s par des \u00e9tudiants en master et doctorat sous la direction de Leo Carruthers, professeur d\u2019anglais \u00e0 Paris IV Sorbonne et directeur du Centre d\u2019Etudes M\u00e9di\u00e9vales Anglaises (CEMA). Les diff\u00e9rents articles de ce\u2026","rel":"","context":"Dans "M\u00e9dias et technologies"","block_context":{"text":"M\u00e9dias et technologies","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/medias-et-technologies\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2010\/02\/arton229-af154.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":16000,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2019\/04\/26\/les-neuf-preux-avengers-medievaux\/","url_meta":{"origin":12325,"position":2},"title":"Les Neuf Preux, Avengers m\u00e9di\u00e9vaux","author":"Lyonel Kaufmann","date":"26 avril 2019","format":false,"excerpt":"Hier est sorti le dernier volet de la s\u00e9rie \u00ab Avengers \u00bb (qui s\u2019annonce d\u00e9j\u00e0, quelle surprise, comme un \u00e9norme succ\u00e8s). 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