{"id":12347,"date":"2016-11-17T22:20:15","date_gmt":"2016-11-17T21:20:15","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/?p=12347"},"modified":"2016-11-17T23:27:57","modified_gmt":"2016-11-17T22:27:57","slug":"apres-assassins-creed-unity-deux-films-a-dessin-fixes-consacre-a-la-revolution-francaise","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2016\/11\/17\/apres-assassins-creed-unity-deux-films-a-dessin-fixes-consacre-a-la-revolution-francaise\/","title":{"rendered":"Apr\u00e8s Assassin&rsquo;s Creed Unity, deux films \u00e0 dessins fixes consacr\u00e9s \u00e0 la  R\u00e9volution fran\u00e7aise"},"content":{"rendered":"<p class=\"p1\">Anthony Pascal est un dessinateur parisien passionn\u00e9 par la R\u00e9volution fran\u00e7aise. A ce titre, il r\u00e9alise des films \u00e0 dessin fixes consacr\u00e9s \u00e0 cet \u00e9v\u00e9nement.<\/p>\n<p class=\"p1\"><span class=\"s1\">En 2014, il r\u00e9alisait ainsi un film d&rsquo;animation retra\u00e7ant les \u00e9v\u00e8nements du 14 juillet 1789 ainsi que ses causes imm\u00e9diates ou plus lointaines. En voici, la version int\u00e9grale, d&rsquo;une s\u00e9rie comportant 3 \u00e9pisodes au d\u00e9part :<\/span><\/p>\n<p class=\"p1\"><iframe loading=\"lazy\" title=\"Le 14 Juillet 1789 - HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/lZkGFsIftzQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"p1\">En cette fin d&rsquo;ann\u00e9e 2016, il remet le couvert avec un projet plus ambitieux de pr\u00e8s d&rsquo;une heure et demie.\u00a0<span class=\"s1\">Il s\u2019agit d\u2019un film \u00e0 dessins fixes centr\u00e9 sur la personnalit\u00e9 et l\u2019oeuvre de Robespierre.\u00a0<\/span><\/p>\n<p class=\"p1\">La bande-annonce:<\/p>\n<p class=\"p1\"><iframe loading=\"lazy\" title=\"Robespierre - Bande annonce\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/z9KOuaszds8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"p1\">Le film (1h26)<\/p>\n<p class=\"p1\"><iframe loading=\"lazy\" title=\"Robespierre\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/MtBMspnrQHk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"p1\">La technique est int\u00e9ressante. Elle n&rsquo;est pas sans parti-pris. Ainsi, le spectateur sera attentif aux sc\u00e8nes construites sur la base de mat\u00e9riaux iconographiques existants et celles qui n&rsquo;en disposent. Il serait int\u00e9ressant de mener l&rsquo;enqu\u00eate en classe pour retrouver les sources iconographiques ayant servi de mod\u00e8le aux sc\u00e8nes.<\/p>\n<p class=\"p1\">Parmi les sc\u00e8nes qui ne s&rsquo;appuient pas sur des mat\u00e9riaux iconographiques, je signalerai certaines sc\u00e8nes mettant en sc\u00e8ne la populace parisienne. C&rsquo;est \u00e0 dessein que j&rsquo;utilise ce terme de populace, car le dessin donne rarement une image flateuse de ces personnages, contrairement aux sc\u00e8nes plus classiques. Est-ce un parti-pris de l&rsquo;auteur, une moins grande ma\u00eetrise technique pour ce type de sc\u00e8ne ou d&rsquo;autres raisons? Le d\u00e9bat reste ouvert.<\/p>\n<p class=\"p1\">En mars 2016, Anthony Arnaud r\u00e9pondait aux questions du journal \u00abLa Voix du Nord\u00bb (<span class=\"s1\"><a href=\"http:\/\/www.lavoixdunord.fr\/archive\/d-20160319-G6M3PY?referer=%2Farchives%2Frecherche%3Fdatefilter%3Dlastyear%26sort%3Ddate%2520desc%26word%3DRobespierre%2520anthony%2520pascal\">Le \u00ab Robespierre \u00bb d\u2019Anthony Pascal, pour r\u00e9volutionner nos a priori<\/a>, 21 mars 2016). Parmi ses sources d&rsquo;inspirations, il cite les travaux d&rsquo;Henri Guillemin :<\/span><\/p>\n<blockquote>\n<p class=\"p1\"><em><span class=\"s1\">\u00ab\u00a0 J\u2019ai \u00e9t\u00e9 inspir\u00e9 par les conf\u00e9rences de Henri Guillemin, qui n\u2019est pas sans parti pris, mais qui a r\u00e9veill\u00e9 en moi de la curiosit\u00e9. Je me suis int\u00e9ress\u00e9 au sujet et \u00e0 la R\u00e9volution car ce Robespierre n\u2019\u00e9tait pas celui des clich\u00e9s, celui que j\u2019avais appris \u00e0 l\u2019\u00e9cole. Robespierre est un personnage qui, comme Jeanne d\u2019Arc a \u00e9t\u00e9 mang\u00e9 par son mythe\u00a0! Je me suis document\u00e9 et j\u2019ai appris beaucoup de choses.\u00a0\u00bb<\/span><\/em><\/p>\n<\/blockquote>\n<p class=\"p1\">A ce sujet, il a illustr\u00e9 une conf\u00e9rence audio donn\u00e9e par Henri Guillemin sur Jules Vall\u00e8s:<\/p>\n<p class=\"p1\"><iframe loading=\"lazy\" title=\"Henri Guillemin - Jules Vall\u00e8s\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ZLVF79mSG9Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"p1\"><span class=\"s1\">Professionnellement, Anthony Arnauc travaille dans le dessin anim\u00e9 depuis les ann\u00e9es 90. Il a notamment particip\u00e9 aux s\u00e9ries t\u00e9l\u00e9vis\u00e9es et r\u00e9alise \u00e9galement des \u0153uvres plus personnelles.<\/span><\/p>\n<p class=\"p1\">Sur sa cha\u00eene YouTube, il fournit \u00e9galement des vid\u00e9os pr\u00e9sentant le travail r\u00e9alis\u00e9. Parmi celles-ci, je note plus particuli\u00e8rement une int\u00e9ressante vid\u00e9o sur les\u00a0<span class=\"s1\"><em>Lieux de la R\u00e9volution &#8211; avant et maintenant<\/em>.<\/span><\/p>\n<p class=\"p1\"><iframe loading=\"lazy\" title=\"Lieux de la R\u00e9volution - avant et maintenant\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qw8fACzDOWg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"p1\">Au final, nous pourrions \u00e9galement comparer l&rsquo;univers visuel ainsi cr\u00e9\u00e9 autour de la R\u00e9volution fran\u00e7aise avec celui cr\u00e9\u00e9 par\u00a0<span class=\"s1\">Assassin&rsquo;s Creed Unity<\/span>:<\/p>\n<p class=\"p1\"><iframe loading=\"lazy\" title=\"ASSASSIN&#039;S CREED UNITY - FILM JEU COMPLET EN FRANCAIS\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qsoZCIY6p98?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"p1\"><span class=\"s1\">Assassin&rsquo;s Creed Unity &#8211; Film complet Fran\u00e7ais<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anthony Pascal est un dessinateur parisien passionn\u00e9 par la R\u00e9volution fran\u00e7aise. A ce titre, il r\u00e9alise des films \u00e0 dessin fixes consacr\u00e9s \u00e0 cet \u00e9v\u00e9nement. En 2014, il r\u00e9alisait ainsi un film d&rsquo;animation retra\u00e7ant les \u00e9v\u00e8nements du 14 juillet 1789 ainsi que ses causes imm\u00e9diates ou plus lointaines. En voici, la version int\u00e9grale, d&rsquo;une s\u00e9rie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12388,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[802,8],"tags":[],"class_list":{"0":"post-12347","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-humanites-digitales","8":"category-medias-et-technologies","9":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/d-20160319-G6M3Q0_thM.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/d-20160319-G6M3Q0_thM.jpg?resize=600%2C600&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/d-20160319-G6M3Q0_thM.jpg?fit=1350%2C759&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-3d9","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":15471,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/12\/06\/revolution-francaise-un-peuple-et-son-roi-un-film-exemplaire\/","url_meta":{"origin":12347,"position":0},"title":"R\u00e9volution fran\u00e7aise : \u00ab\u00a0Un peuple et son roi\u00a0\u00bb, un film exemplaire","author":"Lyonel Kaufmann","date":"6 d\u00e9cembre 2018","format":false,"excerpt":"Alors que hier je vous entretenais du projet de Netflix de produire une s\u00e9rie fantastique sur la R\u00e9volution de 1789, je vous propose aujourd\u2019hui de lire la critique de Dominique Godineau, professeure d\u2019histoire moderne \u00e0 l\u2019Universit\u00e9 Rennes 2, directrice des Annales historiques de la R\u00e9volution fran\u00e7aise, \u00e0 propos du film\u2026","rel":"","context":"Dans &quot;Histoire active&quot;","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/12\/DraggedImage.a8321a416988409da3322c84d9325012.png?fit=650%2C433&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/12\/DraggedImage.a8321a416988409da3322c84d9325012.png?fit=650%2C433&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/12\/DraggedImage.a8321a416988409da3322c84d9325012.png?fit=650%2C433&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":13311,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2017\/09\/09\/dans-un-recoin-de-ce-monde-hiroshima-1930-1944\/","url_meta":{"origin":12347,"position":1},"title":"Dans un recoin de ce monde | Hiroshima (1930-1944)","author":"Lyonel Kaufmann","date":"9 septembre 2017","format":false,"excerpt":"Dans un recoin de ce monde\u00a0(\u3053\u306e\u4e16\u754c\u306e\u7247\u9685\u306b,\u00a0Kono sekai no katasumi ni) est un\u00a0film japonais\u00a0r\u00e9alis\u00e9 par\u00a0Sunao Katabuchi, sorti en\u00a02016. C'est l'adaptation du manga du m\u00eame nom de\u00a0Fumiyo K\u014dno. Le film se d\u00e9roule dans les ann\u00e9es 1930-1940 \u00e0\u00a0Hiroshima\u00a0et \u00e0\u00a0Kure\u00a0au Japon, environ 10 ans avant et apr\u00e8s la bombe atomique, mais principalement en 1944-1945.\u2026","rel":"","context":"Dans &quot;M\u00e9dias et technologies&quot;","block_context":{"text":"M\u00e9dias et technologies","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/medias-et-technologies\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2017\/09\/b_1_q_0_p_0.jpg?fit=709%2C345&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2017\/09\/b_1_q_0_p_0.jpg?fit=709%2C345&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2017\/09\/b_1_q_0_p_0.jpg?fit=709%2C345&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2017\/09\/b_1_q_0_p_0.jpg?fit=709%2C345&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":387,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2008\/09\/15\/lusage-de-limage-dans-lenseignement-des-disciplines-des-sciences-humaines-23092008\/","url_meta":{"origin":12347,"position":2},"title":"L&#039;usage de l&#039;image dans l&#039;enseignement des disciplines des sciences humaines (23.09.2008)","author":"Lyonel Kaufmann","date":"15 septembre 2008","format":false,"excerpt":"L'Unit\u00e9 d 'Enseignement et de Recherche (UER) Didactiques des sciences humaines a le plaisir de vous inviter \u00e0 participer \u00e0 une journ\u00e9e d'\u00e9tude consacr\u00e9e \u00e0 la pr\u00e9sentation de travaux li\u00e9s au projet de recherche L'usage de l'image dans l'enseignement des disciplines des sciences humaines . ... Du savoir savant \u00e0\u2026","rel":"","context":"Dans &quot;Didactique&quot;","block_context":{"text":"Didactique","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":293,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2008\/02\/27\/mshis11-film-histoire-mississippi-burning-alan-parker\/","url_meta":{"origin":12347,"position":3},"title":"MSHIS11 &#8211; Film &amp; Histoire : Mississippi Burning (Alan Parker)","author":"Lyonel Kaufmann","date":"27 f\u00e9vrier 2008","format":false,"excerpt":"En prolongement du travail \u00e0 r\u00e9aliser relativement \u00e0 l'utilisation du Film de fiction en classe d'histoire, voici quelques liens et des pistes d'utilisation possible en classe pour Mississippi Burning d'Alan Parker. Les fiches de pr\u00e9sentation du film sur Wikipedia: - Mississippi Burning en fran\u00e7ais - Mississippi Burning en anglais. Avec\u2026","rel":"","context":"Dans &quot;M\u00e9dias et technologies&quot;","block_context":{"text":"M\u00e9dias et technologies","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/medias-et-technologies\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":311,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2009\/02\/22\/extraits-du-film-revolution-francaise-de-robert-enrico-sur-dailymotion\/","url_meta":{"origin":12347,"position":4},"title":"&quot;R\u00e9volution fran\u00e7aise&quot; de Robert Enrico sur DailyMotion","author":"Lyonel Kaufmann","date":"22 f\u00e9vrier 2009","format":false,"excerpt":"La R\u00e9volution Fran\u00e7aise - Discours de Danton par Kronos59 31 extraits du film de Robert Enrico dans ce Groupe Daily Motion. Ces extraits forment une vision classique de la R\u00e9volution. Pour utiliser les extraits en classe d'histoire, vous pourrez lire avec int\u00e9r\u00eat les articles suivants: La R\u00e9volution fran\u00e7aise en film\u2026","rel":"","context":"Dans &quot;M\u00e9dias et technologies&quot;","block_context":{"text":"M\u00e9dias et technologies","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/medias-et-technologies\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1077,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2009\/02\/23\/telefilm-levasion-de-louis-xvi-suscite-la-polemique\/","url_meta":{"origin":12347,"position":5},"title":"T\u00e9l\u00e9film: L&#039;\u00e9vasion de Louis XVI suscite la pol\u00e9mique","author":"Lyonel Kaufmann","date":"23 f\u00e9vrier 2009","format":false,"excerpt":"Mardi 24 f\u00e9vrier ,\u00a0France 2\u00a0diffuse \u00e0 20h35 un t\u00e9l\u00e9film historique consacr\u00e9 \u00e0 la fuite du roi Louis XVI \u00e0 Varennes\u00a0; \u00ab\u00a0L\u2019\u00e9vasion de Louis XVI\u00a0\u00bb est le deuxi\u00e8me volet de la collection \u00ab\u00a0Ce jour l\u00e0, tout a chang\u00e9\u00a0\u00bb consacr\u00e9e aux grandes journ\u00e9es de l\u2019Histoire de France. \u201cla famille des cochons ramen\u00e9e\u2026","rel":"","context":"Dans &quot;M\u00e9dias et technologies&quot;","block_context":{"text":"M\u00e9dias et technologies","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/medias-et-technologies\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/idata.over-blog.com\/0\/40\/66\/71\/\/retourvarennes.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/12347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/comments?post=12347"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/12347\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media\/12388"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media?parent=12347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/categories?post=12347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/tags?post=12347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}