{"id":15280,"date":"2018-11-18T10:32:58","date_gmt":"2018-11-18T09:32:58","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/?p=15280"},"modified":"2018-11-18T10:35:39","modified_gmt":"2018-11-18T09:35:39","slug":"cent-apres-eugene-burnand-aux-invalides","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/11\/18\/cent-apres-eugene-burnand-aux-invalides\/","title":{"rendered":"Cent apr\u00e8s\u2026 Eug\u00e8ne Burnand aux Invalides"},"content":{"rendered":"

Le peintre franco-suisse des poilus de 14-18 est expos\u00e9 aux Invalides \u00e0 Paris. Au cot\u00e9 de l\u2019artiste urbain C215.<\/strong><\/p>\n

Connu dans nos contr\u00e9es et de g\u00e9n\u00e9rations d\u2019\u00e9coliers pour son tableau de la fuite de Charles Le T\u00e9m\u00e9raire lors de la bataille de Grandson<\/p>\n

\"Eug\u00e8ne
Eug\u00e8ne Burnand. La fuite de Charles-le-T\u00e9m\u00e9raire (1895). \u00a9 Mus\u00e9e Eug\u00e8ne Burnand. Moudon<\/figcaption><\/figure>\n

ou pour ses sc\u00e8nes alpestres ou rurales gigantesques<\/p>\n

\"Eug\u00e8ne
Eug\u00e8ne Burnand. Le taureau dans les Alpes (1884). \u00a9 Mus\u00e9e Eug\u00e8ne Burnand, Moudon<\/figcaption><\/figure>\n

Eug\u00e8ne Burnand a \u00e9galement r\u00e9alis\u00e9 une s\u00e9rie impressionnante de portrait des combattants de la Premi\u00e8re Guerre mondiale.<\/p>\n

Le Mus\u00e9e des Invalides \u00e0 Paris propose jusqu\u2019au 31 janvier 2019 une exposition intitul\u00e9e Cent apr\u00e8s<\/em> en mettant en parall\u00e8le les tableaux de Burnand et les travaux de l\u2019artiste urbain C215.<\/p>\n

\u00ab Comment peindre aujourd\u2019hui les combattants de la Grande Guerre? Comment dire, un si\u00e8cle plus tard, les douleurs de ce conflit que l\u2019on surnomma bien \u00e0 tort la \u00abder des ders\u00bb dans l\u2019entre-deux-guerres? L\u2019exposition Cent ans apr\u00e8s\u2026<\/a>\u00a0expos\u00e9es en clich\u00e9s grand format dans les douves des Invalides, \u00e0 Paris, apporte une r\u00e9ponse audacieuse. A travers un face-\u00e0-face in\u00e9dit entre un artiste fran\u00e7ais d\u2019aujourd\u2019hui, Christian Gu\u00e9my alias C215, et le peintre suisse des poilus Eug\u00e8ne Burnand, dont les portraits des v\u00e9t\u00e9rans des tranch\u00e9es sont d\u2019ordinaire expos\u00e9s, dans la capitale fran\u00e7aise, dans les collections permanentes du Mus\u00e9e de la L\u00e9gion d\u2019honneur<\/a> sur les bords de la Seine.\u00bb<\/em><\/p><\/blockquote>\n

\u2014A lire l\u2019article du Temps sur cette exposition : https:\/\/www.letemps.ch\/culture\/cent-ans-apres-eugene-burnand-aux-invalides<\/a><\/p>\n

Cr\u00e9dit image d\u2019en-t\u00eate : Tirailleur marocain d\u2019Ouled Zigiane (Atlas). | Eug\u00e8ne Burnand \/ Mus\u00e9e de la L\u00e9gion d\u00b4honneur<\/p>\n","protected":false},"excerpt":{"rendered":"

Le peintre franco-suisse des poilus de 14-18 est expos\u00e9 aux Invalides \u00e0 Paris. Au cot\u00e9 de l\u2019artiste urbain C215. Connu dans nos contr\u00e9es et de g\u00e9n\u00e9rations d\u2019\u00e9coliers pour son tableau de la fuite de Charles Le T\u00e9m\u00e9raire lors de la bataille de Grandson ou pour ses sc\u00e8nes alpestres ou rurales gigantesques Eug\u00e8ne Burnand a \u00e9galement […]<\/p>\n","protected":false},"author":1,"featured_media":15279,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11],"tags":[],"class_list":{"0":"post-15280","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-nouvelles-de-lhistoire","8":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/11\/7E1D830D-325A-4813-97B6-073ACC625FF9.0875217f75a74523a091660a5da073a5.jpeg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/11\/7E1D830D-325A-4813-97B6-073ACC625FF9.0875217f75a74523a091660a5da073a5.jpeg?resize=600%2C600&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/11\/7E1D830D-325A-4813-97B6-073ACC625FF9.0875217f75a74523a091660a5da073a5.jpeg?fit=800%2C930&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-3Ys","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7678,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2013\/11\/07\/identite-suisse-mythe-ou-realite\/","url_meta":{"origin":15280,"position":0},"title":"Identit\u00e9 suisse : mythe ou r\u00e9alit\u00e9 ?","author":"Lyonel Kaufmann","date":"7 novembre 2013","format":false,"excerpt":"Qu'est-ce qui fait la sp\u00e9cificit\u00e9 de la Suisse et des Suisses? Pourquoi Guillaume Tell est-il le symbole de notre ind\u00e9pendance? Dans le cadre du mois suisse de la SSR, la RTS proposait le 6 novembre une soir\u00e9e sp\u00e9ciale autour de notre identit\u00e9 nationale. Apr\u00e8s la diffusion d\u00e8s 20h15 du premier\u2026","rel":"","context":"Dans "M\u00e9dias et technologies"","block_context":{"text":"M\u00e9dias et technologies","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/medias-et-technologies\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9102,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2012\/01\/28\/le-role-des-media-generalistes-dans-le-devenir-reference-de-shoah-1985-1987-2\/","url_meta":{"origin":15280,"position":1},"title":"Le r\u00f4le des m\u00e9dia g\u00e9n\u00e9ralistes dans le devenir-r\u00e9f\u00e9rence de Shoah (1985-1987)","author":"Lyonel Kaufmann","date":"28 janvier 2012","format":false,"excerpt":"Merci \u00e0 R\u00e9my Besson pour sa mise \u00e0 disposition de sa contribution\u00a0\u00a0Le r\u00f4le des m\u00e9dia g\u00e9n\u00e9ralistes dans le devenir-r\u00e9f\u00e9rence de Shoah (1985-1987) propos\u00e9e lors du colloque Si la photographie est bonne, organis\u00e9 par Andr\u00e9 Gunthert (Lhivic\/ EHESS), \u00e0 l\u2019INHA le 20 octobre 2011. 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[issuu width=600 height=158 backgroundColor=%23222222 documentId=120125171628-382929ba69004299824d2f589344970b name=devenir-reference username=remybesson\u2026","rel":"","context":"Dans "Histoire savante"","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6133,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2012\/09\/09\/ou-jai-laisse-mon-ame-k-classroom\/","url_meta":{"origin":15280,"position":3},"title":"O\u00f9 j'ai laiss\u00e9 mon \u00e2me | K-classroom","author":"Lyonel Kaufmann","date":"9 septembre 2012","format":false,"excerpt":"O\u00f9 j\u2019ai laiss\u00e9 mon \u00e2me entrelace subtilement deux points de vue contraires. D\u2019un c\u00f4t\u00e9, celui du lieutenant Andreani. 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