{"id":15467,"date":"2018-12-05T08:00:00","date_gmt":"2018-12-05T07:00:00","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/?p=15467"},"modified":"2018-12-04T00:09:04","modified_gmt":"2018-12-03T23:09:04","slug":"netflix-prepare-une-serie-fantastique-sur-la-revolution-francaise-alors-que-plus-que-jamais-le-streaming-transforme-le-monde-de-la-tv-et-du-cinema","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/12\/05\/netflix-prepare-une-serie-fantastique-sur-la-revolution-francaise-alors-que-plus-que-jamais-le-streaming-transforme-le-monde-de-la-tv-et-du-cinema\/","title":{"rendered":"Netflix pr\u00e9pare une s\u00e9rie fantastique sur la R\u00e9volution fran\u00e7aise alors que plus que jamais le streaming transforme le monde de la TV et du cin\u00e9ma"},"content":{"rendered":"<p><strong>Le 29 novembre, les <em>Inrocks<\/em> annon\u00e7aient une production Netflix proposant une relecture de la R\u00e9volution de 1789 matin\u00e9e d\u2019enqu\u00eate polici\u00e8re et de fantastique. Le m\u00eame jour, le <em>Courrier international <\/em> publiait un article du <em>Hollywood Reporter<\/em> \u00e0 propos des engagements pris par la Paramount Pictures et un autre studio de cin\u00e9ma de produire des films destin\u00e9s uniquement aux plateformes de streaming. Un petit s\u00e9isme qui annonce de bouleversements majeurs.<\/strong><\/p>\n<p>Une production Netflix o\u00f9 il sera question de \u00ab\u00a0sang bleu\u00a0\u00bb, d&rsquo;enqu\u00eate polici\u00e8re et de guillotine pour ce qui s&rsquo;annonce comme une relecture totale de la R\u00e9volution de 1789.<\/p>\n<p>Faisant souvent l&rsquo;objet de reconstitution historique, la R\u00e9volution fran\u00e7aise sera prochainement abord\u00e9e sous le prisme de la fiction. La plateforme Netflix a annonc\u00e9 le 28 novembre dans un communiqu\u00e9 qu&rsquo;une s\u00e9rie centr\u00e9e sur l&rsquo;un des \u00e9v\u00e9nements majeurs de l&rsquo;histoire de France verra le jour sous fond de r\u00e9cit fantastique. Elle sera compos\u00e9e de 8 \u00e9pisodes de 50 minutes, avec \u00e0 la production la soci\u00e9t\u00e9 John Doe Production. Le d\u00e9but du tournage est pr\u00e9vu pour l&rsquo;ann\u00e9e prochaine.<\/p>\n<p>-A lire sur <a href=\"https:\/\/abonnes.lesinrocks.com\/2018\/11\/29\/series\/netflix-prepare-une-serie-fantastique-sur-la-revolution-francaise-111147897\/\">LesInrocks &#8211; Netflix pr\u00e9pare une s\u00e9rie fantastique sur la R\u00e9volution fran\u00e7aise<\/a><\/p>\n<p>A noter que le m\u00eame jour, le <em>Courrier international<\/em> publiait un article du <em>Hollywood Reporter<\/em> \u00e0 propos des engagements pris par la Paramount Pictures et un autre studio de cin\u00e9ma de produire des films destin\u00e9s uniquement aux plateformes de streaming. Un petit s\u00e9isme qui annonce de bouleversements majeurs.<\/p>\n<p>Le 16 novembre, Jim Gianopoulos, le PDG de Paramount Pictures, annon\u00e7ait que son studio avait pass\u00e9 un accord avec <a href=\"https:\/\/www.courrierinternational.com\/sujet\/netflix\">Netflix<\/a>. Le 15 novembre, le petit studio ind\u00e9pendant A24, qui depuis sa fondation en 2012 a financ\u00e9 des films aussi remarqu\u00e9s que <em>Lady Bird<\/em> et <a href=\"https:\/\/www.courrierinternational.com\/une\/oscars-victoire-de-moonlight-la-ville-de-miami-recompensee\"><em>Moonlight<\/em><\/a>, s\u2019\u00e9tait de son c\u00f4t\u00e9 engag\u00e9 \u00e0 produire des longs-m\u00e9trages pour Apple.<\/p>\n<p>Plus que jamais le cin\u00e9ma se d\u00e9ploie ailleurs que dans les salles de cin\u00e9ma. Pour <a href=\"https:\/\/www.hollywoodreporter.com\/news\/apple-netflix-reshaping-studio-hierarchy-paramount-a24-deals-1163992\"><strong>The Hollywood Reporter<\/strong><\/a><\/p>\n<blockquote><p>\u00abPris ensemble, ces deux accords repr\u00e9sentent un bouleversement du secteur. Les studios de cin\u00e9ma ne produisent plus de films pour leur compte, mais pour les soci\u00e9t\u00e9s de la Silicon Valley qui, avec leurs ressources in\u00e9puisables, sont en train de conqu\u00e9rir Hollywood. D&rsquo;ici \u00e0 imaginer que, dans un proche avenir, un studio aussi embl\u00e9matique que la Paramount pourrait devenir un simple sous-traitant, il n&rsquo;y a qu&rsquo;un pas.\u00bb<\/p><\/blockquote>\n<p>-A lire sur <a href=\"https:\/\/www.courrierinternational.com\/article\/netflix-et-apple-inversent-les-rapports-de-force-hollywood\">Netflix et Apple inversent les rapports de force \u00e0 Hollywood | Courrier international<\/a><\/p>\n<p>Cr\u00e9dit photo : <a href=\"https:\/\/unsplash.com\/photos\/9kbaq1xoIr0?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Valentin Salja<\/a> sur <a href=\"https:\/\/unsplash.com\/search\/photos\/r%C3%A9volution-netflix?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Unsplash<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le 29 novembre, les Inrocks annon\u00e7aient une production Netflix proposant une relecture de la R\u00e9volution de 1789 matin\u00e9e d\u2019enqu\u00eate polici\u00e8re et de fantastique. Le m\u00eame jour, le Courrier international publiait un article du Hollywood Reporter \u00e0 propos des engagements pris par la Paramount Pictures et un autre studio de cin\u00e9ma de produire des films destin\u00e9s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15466,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,11],"tags":[],"class_list":{"0":"post-15467","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-medias-et-technologies","8":"category-nouvelles-de-lhistoire","9":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/12\/valentin-salja-691995-unsplash.61000f0a3d2045bc97ded2485f987722.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/12\/valentin-salja-691995-unsplash.61000f0a3d2045bc97ded2485f987722.jpg?resize=600%2C600&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/12\/valentin-salja-691995-unsplash.61000f0a3d2045bc97ded2485f987722.jpg?fit=1990%2C3000&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-41t","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":15471,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/12\/06\/revolution-francaise-un-peuple-et-son-roi-un-film-exemplaire\/","url_meta":{"origin":15467,"position":0},"title":"R\u00e9volution fran\u00e7aise : \u00ab\u00a0Un peuple et son roi\u00a0\u00bb, un film exemplaire","author":"Lyonel Kaufmann","date":"6 d\u00e9cembre 2018","format":false,"excerpt":"Alors que hier je vous entretenais du projet de Netflix de produire une s\u00e9rie fantastique sur la R\u00e9volution de 1789, je vous propose aujourd\u2019hui de lire la critique de Dominique Godineau, professeure d\u2019histoire moderne \u00e0 l\u2019Universit\u00e9 Rennes 2, directrice des Annales historiques de la R\u00e9volution fran\u00e7aise, \u00e0 propos du film\u2026","rel":"","context":"Dans &quot;Histoire active&quot;","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/12\/DraggedImage.a8321a416988409da3322c84d9325012.png?fit=650%2C433&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/12\/DraggedImage.a8321a416988409da3322c84d9325012.png?fit=650%2C433&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/12\/DraggedImage.a8321a416988409da3322c84d9325012.png?fit=650%2C433&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":17027,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2020\/02\/12\/etats-unisqui-a-tue-malcolm-x-un-documentaire-netflix-provoque-la-reouverture-de-lenquete\/","url_meta":{"origin":15467,"position":1},"title":"\u00c9tats-Unis.\u201cQui a tu\u00e9 Malcolm X\u2009?\u201d Un documentaire Netflix provoque la r\u00e9ouverture de l\u2019enqu\u00eate","author":"Lyonel Kaufmann","date":"12 f\u00e9vrier 2020","format":false,"excerpt":"Cinquante-cinq ans apr\u00e8s l\u2019assassinat \u00e0 Harlem du c\u00e9l\u00e8bre militant des droits civiques, pour lequel trois membres du groupe politico-religieux Nation of Islam ont \u00e9t\u00e9 condamn\u00e9s en 1966, un documentaire diffus\u00e9 sur Netflix s\u00e8me le doute sur l\u2019identit\u00e9 des coupables. \u00c0 tel point que l\u2019enqu\u00eate est sur le point d\u2019\u00eatre rouverte,\u2026","rel":"","context":"Dans &quot;Nouvelles de l'histoire&quot;","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/02\/81C5D7AB-E22B-4636-BADB-00324235F890.33ed26fe5d364a31be299fc4008a36b9-e1678963965135.jpeg?fit=720%2C343&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/02\/81C5D7AB-E22B-4636-BADB-00324235F890.33ed26fe5d364a31be299fc4008a36b9-e1678963965135.jpeg?fit=720%2C343&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/02\/81C5D7AB-E22B-4636-BADB-00324235F890.33ed26fe5d364a31be299fc4008a36b9-e1678963965135.jpeg?fit=720%2C343&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/02\/81C5D7AB-E22B-4636-BADB-00324235F890.33ed26fe5d364a31be299fc4008a36b9-e1678963965135.jpeg?fit=720%2C343&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5151,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2012\/03\/06\/la-revolution-francaise-par-limage-1789-1799\/","url_meta":{"origin":15467,"position":2},"title":"La R\u00e9volution Fran\u00e7aise par l&#039;image 1789-1799","author":"Lyonel Kaufmann","date":"6 mars 2012","format":false,"excerpt":"Via Scoop.it - histoireUn site personnel \"sans pr\u00e9tention\" (selon son auteur) qui \"recense documents et repr\u00e9sentations sur la R\u00e9volution fran\u00e7aise\". On y trouvera notamment des tableaux (de l'\u00e9poque r\u00e9volutionnaire, mais aussi du XIXe si\u00e8cle), des reproductions de documents, des \"bonus musicaux\" int\u00e9ressants\u2026Via 1789-1799.blogspot.com","rel":"","context":"Dans &quot;Nouvelles de l'histoire&quot;","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/MSWMAWBJQkch4cZGRm6Vejl72eJkfbmt4t8yenImKBXEejxNn4ZJNZ2ss5Ku7Cxt.jpg?fit=455%2C543&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3485,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2011\/02\/06\/la-revolution-francaise-lady-gaga-le-monde-arabe-et-nous\/","url_meta":{"origin":15467,"position":3},"title":"La R\u00e9volution fran\u00e7aise, Lady Gaga, le monde arabe et nous","author":"Lyonel Kaufmann","date":"6 f\u00e9vrier 2011","format":false,"excerpt":"L'actualit\u00e9 r\u00e9cente du monde arabe et celle de la culture web r\u00e9cente mettent la R\u00e9volution fran\u00e7aise \u00e0 l'honneur. Mais si d'un c\u00f4t\u00e9, c'est plut\u00f4t le c\u00f4t\u00e9 royaliste et le monde de la noblesse qui sont mis en avant, l'actualit\u00e9 ne manque pas de remettre la question citoyenne et du peuple\u2026","rel":"","context":"Dans &quot;Didactique&quot;","block_context":{"text":"Didactique","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/033.jpg?fit=480%2C360&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12520,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2016\/12\/17\/doit-on-encore-enseigner-la-prise-de-la-bastille-a-nos-eleves\/","url_meta":{"origin":15467,"position":4},"title":"Doit-on encore enseigner la prise de la Bastille \u00e0 nos \u00e9l\u00e8ves ?","author":"Lyonel Kaufmann","date":"17 d\u00e9cembre 2016","format":false,"excerpt":"En s'interrogeant sur le droit et la n\u00e9cessit\u00e9 \u00e0 l'\u00e9tude de la prise de la Bastille, Olivier Ritz nous interroge \u00e9galement concernant les pratiques scolaires relatives \u00e0 cet \u00e9v\u00e9nement et offre des pistes int\u00e9ressantes pour l'enseignement de l'histoire avec le PER en Suisse romande aux cycles 2 et 3. Dans\u2026","rel":"","context":"Dans &quot;Didactique&quot;","block_context":{"text":"Didactique","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/12\/demolition-bastille-1200x828.jpeg?fit=1200%2C828&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/12\/demolition-bastille-1200x828.jpeg?fit=1200%2C828&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/12\/demolition-bastille-1200x828.jpeg?fit=1200%2C828&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/12\/demolition-bastille-1200x828.jpeg?fit=1200%2C828&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/12\/demolition-bastille-1200x828.jpeg?fit=1200%2C828&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":12347,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2016\/11\/17\/apres-assassins-creed-unity-deux-films-a-dessin-fixes-consacre-a-la-revolution-francaise\/","url_meta":{"origin":15467,"position":5},"title":"Apr\u00e8s Assassin&rsquo;s Creed Unity, deux films \u00e0 dessins fixes consacr\u00e9s \u00e0 la  R\u00e9volution fran\u00e7aise","author":"Lyonel Kaufmann","date":"17 novembre 2016","format":false,"excerpt":"Anthony Pascal est un dessinateur parisien passionn\u00e9 par la R\u00e9volution fran\u00e7aise. A ce titre, il r\u00e9alise des films \u00e0 dessin fixes consacr\u00e9s \u00e0 cet \u00e9v\u00e9nement. En 2014, il r\u00e9alisait ainsi un film d'animation retra\u00e7ant les \u00e9v\u00e8nements du 14 juillet 1789 ainsi que ses causes imm\u00e9diates ou plus lointaines. En voici,\u2026","rel":"","context":"Dans &quot;Humanit\u00e9s Digitales&quot;","block_context":{"text":"Humanit\u00e9s Digitales","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/humanites-digitales\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/d-20160319-G6M3Q0_thM.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/d-20160319-G6M3Q0_thM.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/d-20160319-G6M3Q0_thM.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/d-20160319-G6M3Q0_thM.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/d-20160319-G6M3Q0_thM.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/15467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/comments?post=15467"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/15467\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media\/15466"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media?parent=15467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/categories?post=15467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/tags?post=15467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}