{"id":15672,"date":"2019-01-27T15:54:37","date_gmt":"2019-01-27T14:54:37","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/?p=15672"},"modified":"2019-01-27T15:54:37","modified_gmt":"2019-01-27T14:54:37","slug":"decadrages-jeu-video-et-cinema-n-39-automne-2018","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2019\/01\/27\/decadrages-jeu-video-et-cinema-n-39-automne-2018\/","title":{"rendered":"D\u00e9cadrages : Jeu vid\u00e9o et cin\u00e9ma, n\u00b0 39, automne 2018"},"content":{"rendered":"<p><em>D\u00e9cadrages<\/em> est une revue de cin\u00e9ma \u00e0 parution semestrielle qui comprend un dossier consacr\u00e9 \u00e0 une probl\u00e9matique, un cin\u00e9aste ou un film, ainsi qu&rsquo;une rubrique d\u00e9volue aux films suisses et au cin\u00e9ma en Suisse.<\/p>\n<p>Le num\u00e9ro 39 de la revue\u00a0<i>D\u00e9cadrages <\/i>se propose d\u2019\u00e9tudier les \u00e9changes et les hybridations entre le cin\u00e9ma et les jeux vid\u00e9o, tels qu\u2019ils se sont d\u00e9velopp\u00e9s d\u00e8s le d\u00e9but des ann\u00e9es 1970, aux niveaux \u00e9conomique, culturel et esth\u00e9tique. Le num\u00e9ro comporte des articles de plusieurs chercheurs de renom dans le domaine de l\u2019\u00e9tude du jeu vid\u00e9o (Bernard Perron, Alexis Blanchet, S\u00e9bastien Genvo). Chaque article propose une \u00e9tude d\u00e9taill\u00e9e de ces contaminations r\u00e9ciproques \u00e0 partir d\u2019un corpus sp\u00e9cifique de films (comme les westerns) ou de jeux (comme les jeux de Lucasfilm Games).<\/p>\n<h3>Le sommaire du num\u00e9ro :<\/h3>\n<ul>\n<li class=\"somitem\">Les r\u00e9gimes effrayants de la vision vid\u00e9oludique\u00a0(Bernard Perron)<\/li>\n<li class=\"somitem\">Du voice-over au game over : le narrateur second dans Bastion, Dear Esther, The Stanley Parable et The Beginner\u2019s Guide (Alexis Blanchet &#8211; Matthieu Hue)<\/li>\n<li class=\"somitem\">Lorsque l\u2019industrie cin\u00e9matographique sert de milieu au d\u00e9veloppement du jeu d\u2019aventure : le cas de Maniac Mansion (S\u00e9bastien Genvo)<\/li>\n<li class=\"somitem\">Les codes du western \u00e0 l\u2019\u00e8re du codage informatique : le jeu vid\u00e9o sur la piste du gunfighter cin\u00e9matographique (Red Dead Redemption) (Alain Boillat)<\/li>\n<li class=\"somitem\">Pour une analyse des discours sur le jeu vid\u00e9o : l\u2019exemple des<br \/>\n\u00ab cin\u00e9matiques \u00bb (Selim Krichane &#8211; Yannick Rochat)<\/li>\n<li class=\"somitem\">La l\u00e9gitimation politique, m\u00e9diatique et scienti que du jeu vid\u00e9o : retour sur le colloque \u00ab Penser (avec) la culture vid\u00e9oludique \u00bb (Esteban Giner)<\/li>\n<li class=\"somitem\">Floppy D!sk (Jo\u00ebl Lauener, 2017) : l\u2019histoire du jeu vid\u00e9o en Suisse dans une disquette (David Javet)<\/li>\n<\/ul>\n<h3><b>Revue de presse:<\/b><\/h3>\n<ul>\n<li>19 novembre. Selim Krichane. \u00ab Le jeu vid\u00e9o Red Dead Redemption 2, entre succ\u00e8s et controverses \u00bb, <a href=\"https:\/\/www.rts.ch\/info\/sciences-tech\/10005728-le-jeu-video-red-dead-redemption-2-entre-succes-et-controverses.html\">sujet de Julie Conti, JT \u2013 19h30 et article en ligne<\/a><\/li>\n<li>21 novembre. Selim Krichane. \u00ab Les relations cin\u00e9ma-jeu vid\u00e9o d\u00e9cortiqu\u00e9es dans une revue acad\u00e9mique \u00bb, Vertigo, <a href=\"https:\/\/www.rts.ch\/play\/radio\/vertigo\/audio\/les-relations-cinema-jeu-video-decortiquees-dans-une-revue-academique?id=9976352&amp;station=a9e7621504c6959e35c3ecbe7f6bed0446cdf8da\">capsule d\u2019Antoine Droux<\/a><\/li>\n<li>4 d\u00e9cembre. \u00ab\u00a0Et si on arr\u00eatait de m\u00e9priser le jeu vid\u00e9o? \u00bb, Nectar, <a href=\"https:\/\/www.rts.ch\/play\/radio\/nectar\/audio\/et-si-on-arretait-de-mepriser-le-jeu-video?id=10008736\" target=\"_blank\" rel=\"noopener\">podcast<\/a><\/li>\n<\/ul>\n<p>Pour commander le num\u00e9ro (chf 15.- pour la Suisse) : <a href=\"https:\/\/www.decadrages.ch\/jeu-video-et-cinema-n-39-automne-2018\" target=\"_blank\" rel=\"noopener\">https:\/\/www.decadrages.ch\/jeu-video-et-cinema-n-39-automne-2018<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u00e9cadrages est une revue de cin\u00e9ma \u00e0 parution semestrielle qui comprend un dossier consacr\u00e9 \u00e0 une probl\u00e9matique, un cin\u00e9aste ou un film, ainsi qu&rsquo;une rubrique d\u00e9volue aux films suisses et au cin\u00e9ma en Suisse. Le num\u00e9ro 39 de la revue\u00a0D\u00e9cadrages se propose d\u2019\u00e9tudier les \u00e9changes et les hybridations entre le cin\u00e9ma et les jeux vid\u00e9o, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15673,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[802,11],"tags":[],"class_list":{"0":"post-15672","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-humanites-digitales","8":"category-nouvelles-de-lhistoire","9":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2019\/01\/couv_Decadrages39_0.jpg?resize=165%2C173&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2019\/01\/couv_Decadrages39_0.jpg?resize=165%2C173&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2019\/01\/couv_Decadrages39_0.jpg?fit=165%2C173&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-44M","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":13947,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/04\/01\/le-jeu-video-na-rien-a-envier-au-cinema-ou-a-la-litterature-les-inrocks\/","url_meta":{"origin":15672,"position":0},"title":"Le jeu vid\u00e9o n&rsquo;a rien \u00e0 envier au cin\u00e9ma ou \u00e0 la litt\u00e9rature | Les Inrocks","author":"Lyonel Kaufmann","date":"1 avril 2018","format":false,"excerpt":"La derni\u00e8re chronique des jeux vid\u00e9os des Inrocks s\u2019int\u00e9resse \u00e0 cinq jeux vid\u00e9os dont un \u00e0 caract\u00e8re historique (\"Florence\", \"The Council\", \"Life is Strange : Before the Storm\", \"Kona\" et \"Subsurface Circular\"). Pour les Inrocks, ces cinq beaux jeux r\u00e9cents ont un point commun : chacun de son c\u00f4t\u00e9 et\u2026","rel":"","context":"Dans &quot;Histoire active&quot;","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/04\/507AF144-A2F6-4764-9F89-229AF6833E62.jpeg?fit=1200%2C672&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/04\/507AF144-A2F6-4764-9F89-229AF6833E62.jpeg?fit=1200%2C672&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/04\/507AF144-A2F6-4764-9F89-229AF6833E62.jpeg?fit=1200%2C672&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/04\/507AF144-A2F6-4764-9F89-229AF6833E62.jpeg?fit=1200%2C672&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/04\/507AF144-A2F6-4764-9F89-229AF6833E62.jpeg?fit=1200%2C672&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":15391,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/11\/28\/canbae-histoire-geographie-8-idees-pour-utiliser-les-jeux-video-en-classe-infographie\/","url_meta":{"origin":15672,"position":1},"title":"CAN@BAE Histoire-G\u00e9ographie &#8211; 8 id\u00e9es pour utiliser les jeux-vid\u00e9o en classe (infographie)","author":"Lyonel Kaufmann","date":"28 novembre 2018","format":"quote","excerpt":"Dans le cadre du num\u00e9ro 1 de la revue Can@bae consacr\u00e9e aux enjeux de l\u2019enseignement de l\u2019Antiquit\u00e9, Pascal M\u00e9riaux, IAN d\u2019Histoire-G\u00e9ographie, propose 8 id\u00e9es pour utiliser le jeu vid\u00e9o en classe d\u2019Histoire-G\u00e9ographie. Utiliser les teasers des jeux vid\u00e9o Analyser des vid\u00e9os extraites des jeux vid\u00e9o Confronter les jaquettes de jeux\u2026","rel":"","context":"Dans &quot;M\u00e9dias et technologies&quot;","block_context":{"text":"M\u00e9dias et technologies","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/medias-et-technologies\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/11\/c533fcdb2e8a022d196365616d39f6bc8b7ac336_original.png?fit=1200%2C309&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/11\/c533fcdb2e8a022d196365616d39f6bc8b7ac336_original.png?fit=1200%2C309&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/11\/c533fcdb2e8a022d196365616d39f6bc8b7ac336_original.png?fit=1200%2C309&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/11\/c533fcdb2e8a022d196365616d39f6bc8b7ac336_original.png?fit=1200%2C309&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/11\/c533fcdb2e8a022d196365616d39f6bc8b7ac336_original.png?fit=1200%2C309&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":7701,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2013\/12\/07\/la-culture-du-passe-le-debat-no-177-20135\/","url_meta":{"origin":15672,"position":2},"title":"La culture du pass\u00e9 &#124;\u00a0Le D\u00e9bat no 177, 2013\/5","author":"Lyonel Kaufmann","date":"7 d\u00e9cembre 2013","format":false,"excerpt":"Le d\u00e9bat \u00bb Pr\u00e9sentation\u00ab C\u2019est cependant de toute \u00e9vidence dans les m\u00e9dias que se formulent dans leur richesse et leur complexit\u00e9 les nouvelles formes de pr\u00e9sence historique de ce pass\u00e9 anhistorique. Peut-\u00eatre parce que, dans l\u2019image, le cin\u00e9ma ou les s\u00e9ries t\u00e9l\u00e9vis\u00e9es ne se pose m\u00eame pas la question sous-jacente\u2026","rel":"","context":"Dans &quot;Histoire savante&quot;","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/DEBA_177_H450.jpg?fit=425%2C600&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":18177,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2021\/02\/13\/les-jeux-video-suisses-au-patrimoine-de-la-culture-numerique\/","url_meta":{"origin":15672,"position":3},"title":"Les jeux vid\u00e9o suisses au patrimoine de la culture num\u00e9rique","author":"Lyonel Kaufmann","date":"13 f\u00e9vrier 2021","format":false,"excerpt":"GameLab UNIL-EPFL et le Mus\u00e9e Bolo ont contribu\u00e9 au lancement d'un nouveau projet, Pixelvetica, qui vise \u00e0 mettre en avant et pr\u00e9server le patrimoine des jeux vid\u00e9o suisses. Les jeux vid\u00e9o occupent une place de plus en plus importante dans la culture populaire et commencent \u00e0 \u00eatre largement reconnus comme\u2026","rel":"","context":"Dans &quot;Humanit\u00e9s Digitales&quot;","block_context":{"text":"Humanit\u00e9s Digitales","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/humanites-digitales\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2021\/02\/blupi-1024x683-1-e1678963012661.png?fit=720%2C480&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2021\/02\/blupi-1024x683-1-e1678963012661.png?fit=720%2C480&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2021\/02\/blupi-1024x683-1-e1678963012661.png?fit=720%2C480&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2021\/02\/blupi-1024x683-1-e1678963012661.png?fit=720%2C480&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":14354,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/05\/28\/jeux-video-recits-soient-ils\/","url_meta":{"origin":15672,"position":4},"title":"Jeux vid\u00e9o, r\u00e9cits soient-ils","author":"Lyonel Kaufmann","date":"28 mai 2018","format":false,"excerpt":"Puisant dans les codes du\u00a0cin\u00e9ma, de\u00a0la\u00a0s\u00e9rie t\u00e9l\u00e9 ou inventant des fa\u00e7ons de\u00a0raconter qui n\u2019appartiennent qu\u2019\u00e0 lui, tour d\u2019horizon des nouveaux sch\u00e9mas narratifs emprunt\u00e9s par le m\u00e9dium depuis dix\u00a0ans, alors que sort \u00abDetroit\u00bb, nouvelle cr\u00e9ation du\u00a0Fran\u00e7ais David Cage. A l\u2019occasion de la sortie de Detroit, Next de Lib\u00e9ration nous propose un\u2026","rel":"","context":"Dans &quot;Humanit\u00e9s Digitales&quot;","block_context":{"text":"Humanit\u00e9s Digitales","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/humanites-digitales\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/05\/49B0C590-8F53-418E-A3BF-5A3194FAC7D6.2fb5192c9f364b109f11cd6c517dff5d.jpeg?fit=750%2C432&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/05\/49B0C590-8F53-418E-A3BF-5A3194FAC7D6.2fb5192c9f364b109f11cd6c517dff5d.jpeg?fit=750%2C432&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/05\/49B0C590-8F53-418E-A3BF-5A3194FAC7D6.2fb5192c9f364b109f11cd6c517dff5d.jpeg?fit=750%2C432&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/05\/49B0C590-8F53-418E-A3BF-5A3194FAC7D6.2fb5192c9f364b109f11cd6c517dff5d.jpeg?fit=750%2C432&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":19377,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2022\/12\/14\/rapport-final-du-projet-pilote-de-memoriav-sur-la-situation-de-la-conservation-des-jeux-video-en-suisse\/","url_meta":{"origin":15672,"position":5},"title":"Rapport final du projet pilote de Memoriav sur la situation de la conservation des jeux vid\u00e9o en Suisse.","author":"Lyonel Kaufmann","date":"14 d\u00e9cembre 2022","format":false,"excerpt":"Memoriav vient d'annoncer la cl\u00f4ture de son projet pilote sur la situation de la conservation des jeux vid\u00e9o en Suisse et de mettre en ligne le rapport final en fran\u00e7ais et en anglais. L'association invite \u00e9galement \u00e0 une pr\u00e9sentation en ligne du rapport final pour le 25 janvier prochain. Projet\u2026","rel":"","context":"Dans &quot;EdNum&quot;","block_context":{"text":"EdNum","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/humanites-digitales\/ednum\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/memoriav.ch\/wp-content\/uploads\/2022\/12\/Pixelvetica_Rapport.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/memoriav.ch\/wp-content\/uploads\/2022\/12\/Pixelvetica_Rapport.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/memoriav.ch\/wp-content\/uploads\/2022\/12\/Pixelvetica_Rapport.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/15672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/comments?post=15672"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/15672\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media\/15673"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media?parent=15672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/categories?post=15672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/tags?post=15672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}