{"id":17923,"date":"2020-12-17T17:56:24","date_gmt":"2020-12-17T16:56:24","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/?p=17923"},"modified":"2020-12-17T17:56:24","modified_gmt":"2020-12-17T16:56:24","slug":"la-quatrieme-saison-de-the-crown-au-dela-du-service-public","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2020\/12\/17\/la-quatrieme-saison-de-the-crown-au-dela-du-service-public\/","title":{"rendered":"La quatri\u00e8me saison de The Crown \u2013 Au-del\u00e0 du service public"},"content":{"rendered":"\r\n<p>Comment expliquer la pol\u00e9mique autour de la derni\u00e8re saison de The Crown ? Pourquoi chercher \u00e0 distinguer le faux du vrai alors que toute fiction audiovisuelle \u00e0 univers historique consiste \u00e0 r\u00e9\u00e9crire l\u2019histoire en des termes (un langage, une esth\u00e9tique, une mise sc\u00e8ne) qui lui sont propres ? Pourquoi faire, dans ce cas pr\u00e9cis, le proc\u00e8s de la fictionnalisation de l\u2019histoire ?<\/p>\r\n\r\n\r\n\r\n\r\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" data-attachment-id=\"17922\" data-permalink=\"https:\/\/lyonelkaufmann.ch\/histoire\/2020\/12\/17\/la-quatrieme-saison-de-the-crown-au-dela-du-service-public\/a77c9a71-bd65-43d8-9631-4b94e345be64-jpeg\/\" data-orig-file=\"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/A77C9A71-BD65-43D8-9631-4B94E345BE64.jpeg?fit=600%2C400&amp;ssl=1\" data-orig-size=\"600,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/A77C9A71-BD65-43D8-9631-4B94E345BE64.jpeg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/A77C9A71-BD65-43D8-9631-4B94E345BE64.jpeg?fit=600%2C400&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/A77C9A71-BD65-43D8-9631-4B94E345BE64.jpeg?resize=600%2C400&#038;ssl=1\" alt=\"\" class=\"wp-image-17922\" srcset=\"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/A77C9A71-BD65-43D8-9631-4B94E345BE64.jpeg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/A77C9A71-BD65-43D8-9631-4B94E345BE64.jpeg?resize=300%2C200&amp;ssl=1 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><\/div>\r\n\r\n\r\n\r\n<p>Affiche Netflix de la saison 4 de The Crown (2020)<\/p>\r\n\r\n\r\n\r\n\r\n<p>Par Mireille Berton, Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma de l\u2019Universit\u00e9 de Lausanne, d\u00e9cembre 2020. Extrait. <\/p>\r\n\r\n\r\n\r\n\r\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\r\n<p>\u00ab\u00a0au lieu de se demander si la s\u00e9rie trahit la \u00ab v\u00e9rit\u00e9 \u00bb historique (en soit inatteignable dans l\u2019absolu), il conviendrait de se demander pourquoi l\u2019\u00e9quipe de production choisit de reproduire cette version de l\u2019histoire o\u00f9 Lady Di est d\u00e9peinte comme la victime expiatoire de la famille royale qui l\u2019aurait instrumentalis\u00e9e \u00e0 son profit. Cette question me para\u00eet en effet plus pertinente que de se demander si elle l\u00e8gue une vision d\u00e9form\u00e9e de l\u2019histoire r\u00e9cente aux jeunes g\u00e9n\u00e9rations (on devrait plut\u00f4t se soucier que celles-ci connaissent l\u2019histoire de la Seconde Guerre mondiale ou de la colonisation\u2026 ).\u00a0\u00bb<\/p>\r\n<\/blockquote>\r\n\r\n\r\n\r\n<p>A retenir plus particuli\u00e8rement sur la fiction historique et l\u2019enseignement de l\u2019histoire :<\/p>\r\n\r\n\r\n\r\n\r\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\r\n<p>\u00ab\u00a0Comme l\u2019observe \u00e0 juste titre Ioanis Deroide, le but des fictions historiques n\u2019est pas de reproduire parfaitement un fait historique av\u00e9r\u00e9, mais d\u2019\u00eatre convaincantes visuellement, de mani\u00e8re \u00e0 entra\u00eener une immersion \u00ab sensorielle \u00bb dans l\u2019histoire ; et c\u2019est \u00e0 ce titre qu\u2019elles proposent une histoire compl\u00e9mentaire aux manuels scolaires et aux ouvrages acad\u00e9miques.\u00a0\u00bb<\/p>\r\n<\/blockquote>\r\n\r\n\r\n\r\n<p>A m\u00e9diter donc pour les enseignant relativement \u00e0 l\u2019usage de ces mat\u00e9riaux en classe d&rsquo;histoire et de l&rsquo;enqu\u00eate \u00e0 mener \u00e0 leur sujet par les \u00e9l\u00e8ves. <\/p>\r\n\r\n\r\n\r\n\r\n<p>En effet, pour Mireille Berton, <em>The Crown<\/em>, saison 4 implique<\/p>\r\n\r\n\r\n\r\n\r\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\r\n<p>\u00ab\u00a0la n\u00e9cessit\u00e9 de s\u2019interroger non pas sur les \u00e9carts pris par la fiction vis-\u00e0-vis de la \u00ab r\u00e9alit\u00e9 \u00bb historique, mais sur les raisons qui motivent ces \u00e9carts, en ce qu\u2019ils questionnent la mani\u00e8re de mettre en r\u00e9cit, en sc\u00e8ne et en image l\u2019histoire.\u00a0\u00bb<\/p>\r\n<\/blockquote>\r\n\r\n\r\n\r\n<p>A lire : <a href=\"https:\/\/wp.unil.ch\/tvelargie\/nos-articles\/la-quatrieme-saison-de-the-crown\/\">La quatri\u00e8me saison de The Crown \u2013 Au-del\u00e0 du service public<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Comment expliquer la pol\u00e9mique autour de la derni\u00e8re saison de The Crown ? Pourquoi chercher \u00e0 distinguer le faux du vrai alors que toute fiction audiovisuelle \u00e0 univers historique consiste \u00e0 r\u00e9\u00e9crire l\u2019histoire en des termes (un langage, une esth\u00e9tique, une mise sc\u00e8ne) qui lui sont propres ? Pourquoi faire, dans ce cas pr\u00e9cis, le [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":17922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,8,11,13],"tags":[],"class_list":{"0":"post-17923","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-histoire-savante","8":"category-medias-et-technologies","9":"category-nouvelles-de-lhistoire","10":"category-opinionsreflexions","11":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/A77C9A71-BD65-43D8-9631-4B94E345BE64.jpeg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/A77C9A71-BD65-43D8-9631-4B94E345BE64.jpeg?resize=600%2C400&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/A77C9A71-BD65-43D8-9631-4B94E345BE64.jpeg?fit=600%2C400&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-4F5","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":17342,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2020\/04\/17\/inrap-sur-nos-traces-saison-1-de-neandertal-aux-francs\/","url_meta":{"origin":17923,"position":0},"title":"INRAP . Sur nos traces, saison 1 de N\u00e9andertal aux Francs","author":"Lyonel Kaufmann","date":"17 avril 2020","format":false,"excerpt":"L\u2019Institut national de recherches arch\u00e9ologiques et pr\u00e9ventives (INRAP) a mis \u00e0 disposition sur son site, \u00e0 la mani\u00e8re de Netflix, la premi\u00e8re saison de \u00ab\u00a0Sur nos traces\u00a0\u00bb, une s\u00e9rie en 15 \u00e9pisodes pour aller \u00e0 la rencontre des hommes du pass\u00e9, de la Pr\u00e9histoire au Moyen \u00c2ge. Source : Sur\u2026","rel":"","context":"Dans &quot;Histoire savante&quot;","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/04\/847px-Homo_sapiens_neanderthalensis.jpg?fit=847%2C1080&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/04\/847px-Homo_sapiens_neanderthalensis.jpg?fit=847%2C1080&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/04\/847px-Homo_sapiens_neanderthalensis.jpg?fit=847%2C1080&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/04\/847px-Homo_sapiens_neanderthalensis.jpg?fit=847%2C1080&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":17932,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2020\/12\/20\/les-jeux-video-et-lempathie-historique\/","url_meta":{"origin":17923,"position":1},"title":"Les jeux vid\u00e9o et l&#8217;empathie historique","author":"Lyonel Kaufmann","date":"20 d\u00e9cembre 2020","format":false,"excerpt":"Ce billet pr\u00e9sente la traduction partielle du chapitre cit\u00e9 ci-dessous sur deux plans : la question de l'empathie historique et l'utilisation des jeux vid\u00e9os pour apprendre en histoire. Ces deux \u00e9l\u00e9ments sont au c\u0153ur des principales questions de recherche de cette \u00e9tude : De quelle mani\u00e8re l'empathie historique se manifeste-t-elle\u2026","rel":"","context":"Dans &quot;Didactique&quot;","block_context":{"text":"Didactique","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/aaron-blanco-tejedor-yH18lOSaZVQ-unsplash.jpg?fit=640%2C427&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/aaron-blanco-tejedor-yH18lOSaZVQ-unsplash.jpg?fit=640%2C427&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/12\/aaron-blanco-tejedor-yH18lOSaZVQ-unsplash.jpg?fit=640%2C427&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":17197,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2020\/03\/21\/histoirecafe-episode-1-podcastez\/","url_meta":{"origin":17923,"position":2},"title":"HistoireCaf\u00e9 Episode 1 : Podcastez !","author":"Lyonel Kaufmann","date":"21 mars 2020","format":false,"excerpt":"Une semaine de confinement et de travail \u00e0 distance et voil\u00e0 le r\u00e9sultat me concernant : mon premier podcast (entre autres choses).\u00a0 Ce premier \u00e9pisode est consacr\u00e9 au mat\u00e9riel utilis\u00e9 pour r\u00e9aliser ce podcast. 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Doubl\u00e9e d\u00ca\u00b9une solide intrigue polici\u00e8re, elle questionne les similitudes avec nos soci\u00e9t\u00e9s d\u00ca\u00b9aujourd\u00ca\u00b9hui. Le titre de la s\u00e9rie juxtapose deux villes aux caract\u00e9ristiques bien particuli\u00e8res. D\u2019un c\u00f4t\u00e9\u2026","rel":"","context":"Dans &quot;Nouvelles de l'histoire&quot;","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/01\/img_0439.jpg?fit=1200%2C719&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/01\/img_0439.jpg?fit=1200%2C719&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/01\/img_0439.jpg?fit=1200%2C719&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/01\/img_0439.jpg?fit=1200%2C719&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/01\/img_0439.jpg?fit=1200%2C719&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":17319,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2020\/04\/08\/histoirecafe-reseauter-en-periode-de-confinement\/","url_meta":{"origin":17923,"position":4},"title":"HistoireCaf\u00e9 : R\u00e9seauter en p\u00e9riode de confinement","author":"Lyonel Kaufmann","date":"8 avril 2020","format":false,"excerpt":"HistoireCaf\u00e9 est un podcast destin\u00e9 \u00e0 l'enseignement de l'histoire \u00e0 l'\u00e8re num\u00e9rique. Pourquoi caf\u00e9 ? Parce que j'aime le caf\u00e9. Ce deuxi\u00e8me \u00e9pisode est consacr\u00e9 \u00e0 quatre d\u00e9fis que j'ai relev\u00e9s pour passer \u00e0 un enseignement enti\u00e8rement \u00e0 distance. En pr\u00e9ambule \u00e0 ce troisi\u00e8me \u00e9pisode d'HistoireCaf\u00e9, je tiens \u00e0 remercier\u2026","rel":"","context":"Dans &quot;Enseignement \u00e0 distance&quot;","block_context":{"text":"Enseignement \u00e0 distance","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/enseignement-a-distance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/03\/israel-palacio-Y20JJ_ddy9M-unsplash-2-e1678963780934.jpg?fit=720%2C480&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/03\/israel-palacio-Y20JJ_ddy9M-unsplash-2-e1678963780934.jpg?fit=720%2C480&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/03\/israel-palacio-Y20JJ_ddy9M-unsplash-2-e1678963780934.jpg?fit=720%2C480&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/03\/israel-palacio-Y20JJ_ddy9M-unsplash-2-e1678963780934.jpg?fit=720%2C480&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":17010,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2020\/02\/06\/public-history-desinformation-banalisation-et-plagiat\/","url_meta":{"origin":17923,"position":5},"title":"Public History : D\u00e9sinformation, banalisation et plagiat","author":"Lyonel Kaufmann","date":"6 f\u00e9vrier 2020","format":false,"excerpt":"R\u00e9sum\u00e9 : Cette article de Public History Weekly traite des avantages et des inconv\u00e9nients de la pratique de l'histoire publique, en particulier en ligne. Le th\u00e8me sous-jacent est que les avantages de la culture num\u00e9rique qui pr\u00e9vaut dans l'histoire publique peuvent finir par aller \u00e0 l'encontre du \"bien commun\". Une\u2026","rel":"","context":"Dans &quot;Histoire savante&quot;","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/02\/IMG_0780-e1678963985936.jpg?fit=720%2C439&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/02\/IMG_0780-e1678963985936.jpg?fit=720%2C439&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/02\/IMG_0780-e1678963985936.jpg?fit=720%2C439&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/02\/IMG_0780-e1678963985936.jpg?fit=720%2C439&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/17923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/comments?post=17923"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/17923\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media\/17922"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media?parent=17923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/categories?post=17923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/tags?post=17923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}