{"id":4456,"date":"2011-02-19T00:12:00","date_gmt":"2011-02-18T23:12:00","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/2011\/02\/19\/la-photo-au-musee-ou-lappropriation-latelier-des\/"},"modified":"2011-02-19T00:12:00","modified_gmt":"2011-02-18T23:12:00","slug":"la-photo-au-musee-ou-lappropriation-latelier-des","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2011\/02\/19\/la-photo-au-musee-ou-lappropriation-latelier-des\/","title":{"rendered":"La photo au mus\u00e9e, ou l\u2019appropriation &#124; L&#039;Atelier des ic\u00f4nes"},"content":{"rendered":"<blockquote class=\"posterous_long_quote\"><p><a href=\"http:\/\/www.flickr.com\/photos\/gunthert\/2384006399\/#\/photos\/gunthert\/2384006399\/lightbox\/\" target=\"_blank\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"333\" src=\"https:\/\/i0.wp.com\/farm3.static.flickr.com\/2360\/2384006399_6a4485ee31.jpg?resize=500%2C333\" \/><\/a><\/p>\n<p class=\"wp-caption-text\">Courbet, Le Combat de cerfs (restauration), Mus\u00e9e d&#8217;Orsay.<\/p>\n<\/blockquote>\n<p>via <a href=\"http:\/\/culturevisuelle.org\/icones\/1416\" target=\"_blank\">culturevisuelle.org<\/a><\/p>\n<blockquote>\n<p><em>\u00abCroire que la haute culture peut \u00eatre un attribut naturel de la sensibilit\u00e9 est un paradoxe. La culture est culturelle, c\u2019est-\u00e0-dire apprise, et le visiteur de mus\u00e9e d\u00e9pourvu de bagage se sent tr\u00e8s mal \u00e0 l\u2019aise dans cet espace dont il ne ma\u00eetrise pas les codes. Sa capacit\u00e9 de s\u2019approprier les \u0153uvres dans ces conditions est faible pour ne pas dire nulle. Il reste \u00e0 la porte d\u2019une culture qui ne veut pas de lui. <\/em><\/p>\n<p>D\u2019o\u00f9 l\u2019importance que prennent dans ce contexte les m\u00e9canismes appropriatifs de la culture populaire: les petits objets magiques du tourisme, les substituts \u00e9ditoriaux, ou la pratique photographique, qui viennent recr\u00e9er du lien \u00e0 l\u2019endroit du manque.\u00bb<\/p>\n<\/blockquote>\n<p>Andr\u00e9 Gunthert<\/p>\n<p>Le d\u00e9bat lanc\u00e9 par Andr\u00e9 Gunthert est vif \u00e0 en suivre les commentaires d\u00e9j\u00e0 post\u00e9s\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Courbet, Le Combat de cerfs (restauration), Mus\u00e9e d&#8217;Orsay. via culturevisuelle.org \u00abCroire que la haute culture peut \u00eatre un attribut naturel de la sensibilit\u00e9 est un paradoxe. La culture est culturelle, c\u2019est-\u00e0-dire apprise, et le visiteur de mus\u00e9e d\u00e9pourvu de bagage se sent tr\u00e8s mal \u00e0 l\u2019aise dans cet espace dont il ne ma\u00eetrise pas les [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10231,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11],"tags":[],"class_list":{"0":"post-4456","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-nouvelles-de-lhistoire","8":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/2384006399_6a4485ee31.jpg?resize=500%2C333&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/2384006399_6a4485ee31.jpg?resize=500%2C333&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/2384006399_6a4485ee31.jpg?fit=500%2C333&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-19S","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":14585,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/07\/09\/claude-lanzmann-filmer-lhorreur-du-grain-a-moudre-france-culture\/","url_meta":{"origin":4456,"position":0},"title":"Claude Lanzmann : filmer l&rsquo;horreur |\u00a0Du grain \u00e0 moudre &#8211; France culture","author":"Lyonel Kaufmann","date":"9 juillet 2018","format":false,"excerpt":"Comment dire l\u2019indicible ? Comment montrer l'horreur sans passer par la fiction ? C'est la question que pose ce monument du cin\u00e9ma : Shoah, travail immense de Claude Lanzmann, qui nous a quitt\u00e9 le 5 juillet dernier.\u00a0France Culture lui a rendu hommage.\u00a0 L'\u00e9mission : \"Je ne me suis jamais gu\u00e9ri\u2026","rel":"","context":"Dans &quot;Nouvelles de l'histoire&quot;","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":14510,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/06\/21\/14510\/","url_meta":{"origin":4456,"position":1},"title":"Le num\u00e9rique, comme paysage et culture, n\u2019appartient en propre \u00e0 personne, et surtout pas aux informaticiens | Culture num\u00e9rique","author":"Lyonel Kaufmann","date":"21 juin 2018","format":false,"excerpt":"Michel Guillou nous propose un tr\u00e8s int\u00e9ressant et important sur la question du num\u00e9rique ou devrai-je dire de la culture num\u00e9rique ainsi que de l\u2019importance de ne pas laisser cette question de la seule comp\u00e9tence des informaticiens concernant l\u2019\u00e9ducation num\u00e9rique. Je publie inextenso sa conclusion en vous laissant lire le\u2026","rel":"","context":"Dans &quot;Opinions&amp;R\u00e9flexions&quot;","block_context":{"text":"Opinions&amp;R\u00e9flexions","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/opinionsreflexions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/06\/blue-2137604_1280.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/06\/blue-2137604_1280.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/06\/blue-2137604_1280.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/06\/blue-2137604_1280.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/06\/blue-2137604_1280.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3561,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2011\/02\/19\/cafe-histoire-du-19-february-2011\/","url_meta":{"origin":4456,"position":2},"title":"Caf\u00e9 histoire du 19 February 2011","author":"Lyonel Kaufmann","date":"19 f\u00e9vrier 2011","format":false,"excerpt":"A publi\u00e9 La photo au mus\u00e9e, ou l\u2019appropriation | L'Atelier des ic\u00f4nes. Courbet, Le Combat de cerfs (restauration), Mus\u00e9e d\u2019Orsay. via culturevisuelle.org ...","rel":"","context":"Dans &quot;Nouvelles de l'histoire&quot;","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":18815,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2022\/03\/27\/les-musees-suisses-font-face-au-passe-parfois-trouble-de-leurs-collections-rts-ch\/","url_meta":{"origin":4456,"position":3},"title":"Les mus\u00e9es suisses font face au pass\u00e9, parfois trouble, de leurs collections &#8211; rts.ch","author":"Lyonel Kaufmann","date":"27 mars 2022","format":false,"excerpt":"Le th\u00e8me de l'art spoli\u00e9 par les nazis a fait les gros titres \u00e0 maintes reprises en Suisse. Par exemple, la collection d'Emil B\u00fchrle - marchand d'armes ayant commerc\u00e9 avec l'Allemagne nazie - continue d'embarrasser le Kunsthaus de Zurich. Mais le plus grand mus\u00e9e d'art de Suisse n'est pas le\u2026","rel":"","context":"Dans &quot;Nouvelles de l'histoire&quot;","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":18689,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2022\/01\/21\/musee-dhistoire-de-berne-le-mythe-du-samourai\/","url_meta":{"origin":4456,"position":4},"title":"Mus\u00e9e d&rsquo;Histoire de Berne &#8211; Le mythe du samoura\u00ef 4.11.2021 \u2013 5.6.2022","author":"Lyonel Kaufmann","date":"21 janvier 2022","format":false,"excerpt":"L'exposition Les samoura\u00efs\u202f: durant sept si\u00e8cles, ces guerriers l\u00e9gendaires ont marqu\u00e9 l'histoire et la culture du Japon. Les r\u00e9cits mythiques c\u00e9l\u00e8brent leur bravoure, leur loyaut\u00e9, leur pouvoir, mais racontent aussi leurs intrigues. Leur \u00e9thique de combattants et la beaut\u00e9 de leurs armures n'ont pas cess\u00e9 de fasciner jusqu'\u00e0 nos jours.\u2026","rel":"","context":"Dans &quot;Nouvelles de l'histoire&quot;","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2022\/01\/573645FD-817F-4209-A9BB-C50A10E53A2C.jpeg?fit=352%2C352&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":18278,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2021\/03\/17\/que-restera-t-il-aux-chiffres-romains-louis-xiv-devient-louis-14\/","url_meta":{"origin":4456,"position":5},"title":"Que restera-t-il aux chiffres romains ? Louis XIV devient Louis 14","author":"Lyonel Kaufmann","date":"17 mars 2021","format":false,"excerpt":"Voil\u00e0 une tradition scolaire mise \u00e0 mal avec la disparition des chiffres romains dans les mus\u00e9es parisien. Et l\u2019annonce peut-\u00eatre d\u2019une nouvelle bataille culturelle dont les m\u00e9dias sont friands ? A suivre. Un portrait de Louis XIV, par Hyacinthe Rigaud (1659-1743), au ch\u00e2teau de Versailles en d\u00e9cembre 2020. PHOTO AFP\u2026","rel":"","context":"Dans &quot;Nouvelles de l'histoire&quot;","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2021\/03\/000_8wx3vv-e1678963326365.jpg?fit=720%2C487&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2021\/03\/000_8wx3vv-e1678963326365.jpg?fit=720%2C487&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2021\/03\/000_8wx3vv-e1678963326365.jpg?fit=720%2C487&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2021\/03\/000_8wx3vv-e1678963326365.jpg?fit=720%2C487&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/4456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/comments?post=4456"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/4456\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media\/10231"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media?parent=4456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/categories?post=4456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/tags?post=4456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}