{"id":6311,"date":"2012-10-23T11:37:20","date_gmt":"2012-10-23T11:37:20","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/?p=6311"},"modified":"2012-10-23T11:37:20","modified_gmt":"2012-10-23T11:37:20","slug":"mettre-en-lumiere-le-moyen-age-tout-un-probleme-fovea","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2012\/10\/23\/mettre-en-lumiere-le-moyen-age-tout-un-probleme-fovea\/","title":{"rendered":"Mettre en lumi\u00e8re le Moyen Age, tout un probl\u00e8me &#124; Fov\u00e9a"},"content":{"rendered":"<figure style=\"width: 626px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/culturevisuelle.org\/fovea\/archives\/326\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2012\/10\/fig_33-695x483.jpg?resize=626%2C435\" alt=\"\" width=\"626\" height=\"435\" \/><\/a><figcaption class=\"wp-caption-text\">Les aventures de Robin des bois, M. Curtis, 1938<\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><strong>Dans le cadre de la premi\u00e8re \u00e9dition du<a href=\"http:\/\/culturevisuelle.org\/fovea\/archives\/315\">\u00a0festival du film m\u00e9di\u00e9val<\/a>\u00a0qui d\u00e9butera mercredi 24 octobre,\u00a0L\u00e9a Hermenault, doctorante en arch\u00e9ologie m\u00e9di\u00e9vale et membre de l\u2019\u00e9quipe du festival, propose un article sur l\u2019utilisation de la lumi\u00e8re dans les films traitant de la p\u00e9riode m\u00e9di\u00e9vale. Cet article int\u00e9ressera tous les enseignants utilisant des films de fiction en classe pour traiter du Moyen-\u00c2ge.<\/strong><\/p>\n<p>L\u2019utilisation de la lumi\u00e8re dans les films dont l\u2019action se d\u00e9roule au Moyen \u00c2ge a connu de nombreuses variations. Dans son article, Lea Hermenault divise le XX\u00e8me si\u00e8cle en quatre grandes p\u00e9riodes\u00a0: les d\u00e9buts du cin\u00e9ma, jusqu\u2019aux ann\u00e9es 1930 avec une lumi\u00e8re tr\u00e8s expressive qui th\u00e9\u00e2tralise l\u2019intrigue et les personnages\u00a0; une p\u00e9riode entre les ann\u00e9es 1930 et 1950 durant laquelle l\u2019utilisation du technicolor oblige \u00e0 sur-\u00e9clairer les s\u00e9quences et durant laquelle la lumi\u00e8re n\u2019est pas ou tr\u00e8s peu signifiante\u00a0; une p\u00e9riode entre les ann\u00e9es 1950 et les ann\u00e9es 1980 durant laquelle la lumi\u00e8re est peu travaill\u00e9e\u00a0; et enfin des ann\u00e9es 1980 \u00e0 nos jours, o\u00f9 l\u2019on per\u00e7oit un regain d\u2019int\u00e9r\u00eat pour le travail de la lumi\u00e8re et l\u2019installation d\u2019ambiances particuli\u00e8res qui participent, \u00e0 son sens, de l\u2019\u00e9volution de l\u2019image qui est donn\u00e9e du Moyen \u00c2ge.<\/p>\n<p>L&rsquo;article avec de nombreuses images en exemple :\u00a0<a href=\"http:\/\/culturevisuelle.org\/fovea\/archives\/326\">Mettre en lumi\u00e8re le Moyen Age, tout un probl\u00e8me | Fov\u00e9a<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans le cadre de la premi\u00e8re \u00e9dition du\u00a0festival du film m\u00e9di\u00e9val\u00a0qui d\u00e9butera mercredi 24 octobre,\u00a0L\u00e9a Hermenault, doctorante en arch\u00e9ologie m\u00e9di\u00e9vale et membre de l\u2019\u00e9quipe du festival, propose un article sur l\u2019utilisation de la lumi\u00e8re dans les films traitant de la p\u00e9riode m\u00e9di\u00e9vale. Cet article int\u00e9ressera tous les enseignants utilisant des films de fiction en classe [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10102,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,5,8,15],"tags":[],"class_list":{"0":"post-6311","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-histoire-active","8":"category-histoire-savante","9":"category-medias-et-technologies","10":"category-outils-enseignement","11":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/fig_33-695x483.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/fig_33-695x483.jpg?resize=600%2C483&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/fig_33-695x483.jpg?fit=695%2C483&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-1DN","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2602,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/02\/25\/tolkien-medieval-la-vie-des-idees\/","url_meta":{"origin":6311,"position":0},"title":"Tolkien m\u00e9di\u00e9val &#124; La vie des id\u00e9es","author":"Lyonel Kaufmann","date":"25 f\u00e9vrier 2010","format":false,"excerpt":"Ce compte-rendu de la Vie des id\u00e9es porte sur l'ouvrage Tolkien et le Moyen \u00c2ge, recueil d\u2019articles r\u00e9dig\u00e9s par des \u00e9tudiants en master et doctorat sous la direction de Leo Carruthers, professeur d\u2019anglais \u00e0 Paris IV Sorbonne et directeur du Centre d\u2019Etudes M\u00e9di\u00e9vales Anglaises (CEMA). Les diff\u00e9rents articles de ce\u2026","rel":"","context":"Dans &quot;M\u00e9dias et technologies&quot;","block_context":{"text":"M\u00e9dias et technologies","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/medias-et-technologies\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2010\/02\/arton229-af154.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11233,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2016\/03\/25\/les-moyens-ages-de-la-grande-guerre\/","url_meta":{"origin":6311,"position":1},"title":"Les Moyens \u00c2ges de la Grande Guerre","author":"Lyonel Kaufmann","date":"25 mars 2016","format":false,"excerpt":"\u00a0 La Premi\u00e8re Guerre mondiale est souvent d\u00e9crite comme le premier conflit industriel et la premi\u00e8re guerre totale. De chaque c\u00f4t\u00e9 des tranch\u00e9es, non seulement les combattants, mais l\u2019ensemble des populations est mobilis\u00e9. M\u00eame le pass\u00e9, et particuli\u00e8rement le Moyen \u00c2ge, endosse l\u2019uniforme, parfois, comme nous allons le voir, de\u2026","rel":"","context":"Dans &quot;Histoire savante&quot;","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/03\/pershings_crusader_detail.jpg?fit=951%2C550&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/03\/pershings_crusader_detail.jpg?fit=951%2C550&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/03\/pershings_crusader_detail.jpg?fit=951%2C550&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/03\/pershings_crusader_detail.jpg?fit=951%2C550&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":12325,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2016\/11\/16\/ivanhoe-le-film-retour-sur-un-chef-doeuvre-histoire-images-medievales\/","url_meta":{"origin":6311,"position":2},"title":"Ivanho\u00e9, le film : retour sur un chef-d\u2019oeuvre \u2013 Histoire &#038; Images M\u00e9di\u00e9vales","author":"Lyonel Kaufmann","date":"16 novembre 2016","format":false,"excerpt":"Le film\u00a0Ivanho\u00e9\u00a0de Richard Thorpe (1952), reste, \u00e0 l\u2019instar des\u00a0Aventures de Robin des Bois\u00a0de Michael Curtiz (1938) un grand spectacle \u00e0 regarder en famille et une \u0153uvre hollywoodienne qui offre une vision assez kitsch du Moyen \u00c2ge. A l'interview pour Histoire & Images M\u00e9di\u00e9vales,\u00a0Yohann Chanoir, doctorant \u00e0 l\u2019EHESS et sp\u00e9cialiste du\u2026","rel":"","context":"Dans &quot;Histoire savante&quot;","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/Ivanhoe_1-1024x577.jpg?fit=1024%2C577&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/Ivanhoe_1-1024x577.jpg?fit=1024%2C577&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/Ivanhoe_1-1024x577.jpg?fit=1024%2C577&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2016\/11\/Ivanhoe_1-1024x577.jpg?fit=1024%2C577&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":17746,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2020\/10\/10\/les-moyen-age-daujourdhui-en-classe-dhistoire\/","url_meta":{"origin":6311,"position":3},"title":"Les Moyen \u00c2ge d\u2019aujourd\u2019hui en classe d\u2019histoire","author":"Lyonel Kaufmann","date":"10 octobre 2020","format":false,"excerpt":"Dans M\u00e9di\u00e9val et militant. Penser le contemporain \u00e0 travers le Moyen \u00c2ge, Tommaso di Carpegna Falconieri offre aux enseignant\u2022es d\u2019histoire un essai passionnant et fort utile sur les diff\u00e9rentes r\u00e9appropriations du Moyen \u00c2ge. Au c\u0153ur du m\u00e9di\u00e9valisme Contrairement \u00e0 ce que laisse entendre le sous-titre de l\u2019\u00e9dition fran\u00e7aise de cet\u2026","rel":"","context":"Dans &quot;Didactique&quot;","block_context":{"text":"Didactique","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2020\/10\/28405100875550L-e1678963496510.jpg?fit=478%2C720&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":20303,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2025\/04\/22\/passion-medievistes-hors-serie-34-le-moyen-age-au-cinema\/","url_meta":{"origin":6311,"position":4},"title":"Passion M\u00e9di\u00e9vistes : Hors-s\u00e9rie 34 &#8211; Le Moyen \u00c2ge au cin\u00e9ma","author":"Lyonel Kaufmann","date":"22 avril 2025","format":false,"excerpt":"\u00c0 l\u2019occasion de l\u2019\u00e9dition 2025 du Festival international du film court d\u2019Angoul\u00eame, deux invit\u00e9s sont venus croiser, dans cet \u00e9pisode hors-s\u00e9rie de Passion M\u00e9di\u00e9vistes, leurs exp\u00e9riences sur les repr\u00e9sentation du Moyen \u00c2ge au cin\u00e9ma. Affiche du film Les chevaliers teutoniques (1960), film qui se distingue pour Yohan Chanoir, par la\u2026","rel":"","context":"Dans &quot;Histoire savante&quot;","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2025\/04\/MV5BOTBhNWRiNTctNmFmYi00MDEwLWJiNTYtNTMxMDVkMjNjMmRmXkEyXkFqcGc%40._V1_-750x1006-1.jpg?fit=750%2C1006&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2025\/04\/MV5BOTBhNWRiNTctNmFmYi00MDEwLWJiNTYtNTMxMDVkMjNjMmRmXkEyXkFqcGc%40._V1_-750x1006-1.jpg?fit=750%2C1006&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2025\/04\/MV5BOTBhNWRiNTctNmFmYi00MDEwLWJiNTYtNTMxMDVkMjNjMmRmXkEyXkFqcGc%40._V1_-750x1006-1.jpg?fit=750%2C1006&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2025\/04\/MV5BOTBhNWRiNTctNmFmYi00MDEwLWJiNTYtNTMxMDVkMjNjMmRmXkEyXkFqcGc%40._V1_-750x1006-1.jpg?fit=750%2C1006&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9600,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2015\/04\/02\/ludification-comment-le-moyen-age-est-devenu-super-lol-sur-internet-aquops\/","url_meta":{"origin":6311,"position":5},"title":"Ludification : Comment le Moyen Age est devenu super LOL sur Internet | #AQUOPS","author":"Lyonel Kaufmann","date":"2 avril 2015","format":false,"excerpt":"Cet\u00a0article de Slate.fr tombe \u00e0 pic en rapport avec mon sc\u00e9nario de ludification en pr\u00e9paration concernant Game of Thrones et le Moyen-\u00c2ge !\u00a0 Quand on fait r\u00e9f\u00e9rence au Moyen Age dans la presse, c'est souvent pour \u00e9voquer la\u00a0\u00abbarbarie m\u00e9di\u00e9vale\u00bb\u00a0de l'Etat islamique, dont les ex\u00e9cutions publiques rappellent en effet certains supplices\u2026","rel":"","context":"Dans &quot;Histoire active&quot;","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/04\/tweet.png?fit=513%2C555&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/6311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/comments?post=6311"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/6311\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media\/10102"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media?parent=6311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/categories?post=6311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/tags?post=6311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}