{"id":6755,"date":"2013-01-29T09:40:16","date_gmt":"2013-01-29T08:40:16","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/?p=6755"},"modified":"2013-01-29T09:40:16","modified_gmt":"2013-01-29T08:40:16","slug":"la-mise-en-scene-du-passe-sens-public","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2013\/01\/29\/la-mise-en-scene-du-passe-sens-public\/","title":{"rendered":"La mise en sc\u00e8ne du pass\u00e9 | Sens Public"},"content":{"rendered":"

Compte-rendu par R\u00e9my Besson de l’ouvrage de\u00a0St\u00e9phane Haffemayer, Beno\u00eet Marpeau et Julie Verlaine (dir.), Le spectacle de l\u2019histoire, Rennes<\/em>, Presses Universitaires de Rennes, 2012.<\/strong><\/p>\n

Articul\u00e9 autour d\u2019une vingtaine d\u2019\u00e9tudes de cas et adoptant une approche r\u00e9solument culturaliste, Le spectacle de l\u2019histoire<\/em> est un ouvrage collectif portant sur la mani\u00e8re dont le pass\u00e9 a \u00e9t\u00e9 mis en sc\u00e8ne entre le d\u00e9but du dix-neuvi\u00e8me et la fin du vingti\u00e8me si\u00e8cle. Plus pr\u00e9cis\u00e9ment, les auteurs se sont int\u00e9ress\u00e9s au r\u00f4le des h\u00e9ros (partie 1), \u00e0 la place des femmes (partie 2) et au spectaculaire (partie 3), principalement au th\u00e9\u00e2tre (huit articles), aux films (six articles), aux comm\u00e9morations et aux reconstitutions publiques (quatre articles).<\/p>\n

Pour R\u00e9my Besson, dans cet ouvrage, la perspective choisie est moins \u00e9valuative que compr\u00e9hensive, l\u2019objectif poursuivi par l\u2019ensemble des chercheurs \u00e9tant de d\u00e9terminer selon quelles modalit\u00e9s un certain nombre de productions culturelles se sont appropri\u00e9 le pass\u00e9.<\/p>\n

Lire le compte-rendu :\u00a0La mise en sc\u00e8ne du pass\u00e9 – Sens Public<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Compte-rendu par R\u00e9my Besson de l’ouvrage de\u00a0St\u00e9phane Haffemayer, Beno\u00eet Marpeau et Julie Verlaine (dir.), Le spectacle de l\u2019histoire, Rennes, Presses Universitaires de Rennes, 2012. Articul\u00e9 autour d\u2019une vingtaine d\u2019\u00e9tudes de cas et adoptant une approche r\u00e9solument culturaliste, Le spectacle de l\u2019histoire est un ouvrage collectif portant sur la mani\u00e8re dont le pass\u00e9 a \u00e9t\u00e9 mis […]<\/p>\n","protected":false},"author":1,"featured_media":9896,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,13,16],"tags":[],"class_list":{"0":"post-6755","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-histoire-savante","8":"category-opinionsreflexions","9":"category-publications","10":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/06\/signature_lk2.jpg?resize=600%2C184&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/06\/signature_lk2.jpg?resize=600%2C184&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/06\/signature_lk2.jpg?fit=658%2C184&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-1KX","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":9232,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2013\/01\/29\/la-mise-en-scene-du-passe-sens-public\/","url_meta":{"origin":6755,"position":0},"title":"La mise en sc\u00e8ne du pass\u00e9 | Sens Public","author":"Lyonel Kaufmann","date":"29 janvier 2013","format":false,"excerpt":"Compte-rendu par R\u00e9my Besson de l'ouvrage de\u00a0St\u00e9phane Haffemayer, Beno\u00eet Marpeau et Julie Verlaine (dir.), Le spectacle de l\u2019histoire, Rennes, Presses Universitaires de Rennes, 2012. Articul\u00e9 autour d\u2019une vingtaine d\u2019\u00e9tudes de cas et adoptant une approche r\u00e9solument culturaliste, Le spectacle de l\u2019histoire est un ouvrage collectif portant sur la mani\u00e8re dont\u2026","rel":"","context":"Dans "Histoire savante"","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2879,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/06\/19\/lhistorien-le-film-et-lanachronique-pierre-sorlin-cinemadoc\/","url_meta":{"origin":6755,"position":1},"title":"L\u2019historien, le film et l\u2019anachronique \u2013 Pierre Sorlin | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"19 juin 2010","format":false,"excerpt":"\"Nous arrivons ainsi \u00e0 une premi\u00e8re proposition : le film historique serait, davantage que beaucoup d\u2019autres, un film situ\u00e9, \u00e9troitement d\u00e9pendant d\u2019un contexte en dehors duquel il n\u2019aurait pas de sens. Il serait, d\u2019autre part, sous un v\u00eatement d\u2019emprunt, consacr\u00e9 d\u2019abord et avant tout aux questions contemporaines ; par une\u2026","rel":"","context":"Dans "Histoire active"","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2942,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/06\/29\/limprevu-cinematographique-laurent-veray-cinemadoc\/","url_meta":{"origin":6755,"position":2},"title":"L\u2019impr\u00e9vu cin\u00e9matographique \u2013 Laurent V\u00e9ray | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"29 juin 2010","format":false,"excerpt":"\u201cLa reconstitution du pass\u00e9 n\u2019est plus la seule motivation, ni le seul centre d\u2019int\u00e9r\u00eat. Pas plus que les historiens, ces cin\u00e9astes ne cherchent \u00e0 reconstituer la r\u00e9alit\u00e9 d\u2019hier \u00e0 l\u2019\u00e9tat brute. Ils interrogent au contraire la trompeuse \u00e9vidence des images qu\u2019ils utilisent, remettent en question leur pr\u00e9tendue objectivit\u00e9, proposent d\u2019autres\u2026","rel":"","context":"Dans "Histoire active"","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2736,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/04\/21\/lhistoire-au-prisme-de-limage-mardi-27-avril-2010\/","url_meta":{"origin":6755,"position":3},"title":"L'histoire au prisme de l'image (mardi 27 avril 2010)","author":"Lyonel Kaufmann","date":"21 avril 2010","format":false,"excerpt":"Dans le cadre des deux modules destin\u00e9s aux \u00e9tudiant-e-s en histoire (Secondaire I et II) de la HEP Lausanne, nous organisons une demi-journ\u00e9e avec des intervenants ext\u00e9rieurs en relation avec la questions de l'utilisation des images en histoire dans une perspective acad\u00e9mique et sous l'angle de la recherche. Chacune des\u2026","rel":"","context":"Dans "Cours et s\u00e9minaires"","block_context":{"text":"Cours et s\u00e9minaires","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/cours-et-seminaires\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm4.static.flickr.com\/3031\/2633211339_aa7625df26_m.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2935,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/06\/24\/quand-le-film-defie-lhistorien-robert-a-rosenstone-cinemadoc\/","url_meta":{"origin":6755,"position":4},"title":"Quand le film d\u00e9fie l\u2019historien \u2013 Robert A. Rosenstone | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"24 juin 2010","format":false,"excerpt":"Dans son article, Robert Rosenstone part du constat que les historiens critiquent les films historiques, car ils interpr\u00e8tent ces derniers \u00e0 l\u2019aune de leurs propres exigences acad\u00e9miques. Pour l\u2019auteur, cette critique masque un double d\u00e9ni. En fait, d\u2019un c\u00f4t\u00e9 les historiens critiquent les films car ils se rendent compte qu\u2019ils\u2026","rel":"","context":"Dans "Histoire savante"","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":14585,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/07\/09\/claude-lanzmann-filmer-lhorreur-du-grain-a-moudre-france-culture\/","url_meta":{"origin":6755,"position":5},"title":"Claude Lanzmann : filmer l’horreur |\u00a0Du grain \u00e0 moudre – France culture","author":"Lyonel Kaufmann","date":"9 juillet 2018","format":false,"excerpt":"Comment dire l\u2019indicible ? Comment montrer l'horreur sans passer par la fiction ? C'est la question que pose ce monument du cin\u00e9ma : Shoah, travail immense de Claude Lanzmann, qui nous a quitt\u00e9 le 5 juillet dernier.\u00a0France Culture lui a rendu hommage.\u00a0 L'\u00e9mission : \"Je ne me suis jamais gu\u00e9ri\u2026","rel":"","context":"Dans "Nouvelles de l'histoire"","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/6755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/comments?post=6755"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/6755\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media\/9896"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media?parent=6755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/categories?post=6755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/tags?post=6755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}