Le t\u00e9moin, l\u2019historien et le r\u00e9alisateur : la place du conseiller \u2013 documents de cours | Cin\u00e9madoc<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Cette note reprend les documents et films utilis\u00e9s pour le cours Histoire et cin\u00e9ma (Universit\u00e9 de Montr\u00e9al) du 13 mars 2013. L\u2019objectif principal de cette s\u00e9ance est de s\u2019interroger sur le statut et la fonction du conseiller historique \u00e0 partir d\u2019exemples de films portant sur le Moyen \u00c2ge. Les deux axes principaux du cours sont […]<\/p>\n","protected":false},"author":1,"featured_media":9896,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,16],"tags":[264,265],"class_list":{"0":"post-6846","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-medias-et-technologies","8":"category-publications","9":"tag-filmhistoire","10":"tag-filmshistoire","11":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/06\/signature_lk2.jpg?resize=600%2C184&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/06\/signature_lk2.jpg?resize=600%2C184&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/06\/signature_lk2.jpg?fit=658%2C184&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-1Mq","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3768,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2011\/05\/27\/etudes-photo-n27-le-rapport-karski-cinemadoc\/","url_meta":{"origin":6846,"position":0},"title":"Etudes Photo n\u00b027 \u2013 Le Rapport Karski | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"27 mai 2011","format":false,"excerpt":"En 1977, Claude Lanzmann et son \u00e9quipe ont retrouv\u00e9 le r\u00e9sistant polonais Jan Karski. Fin 1978, apr\u00e8s plus de trente ann\u00e9es de silence, Karski accepte d\u2019\u00eatre film\u00e9 \u00e0 son domicile pendant deux jours. Dans Shoah (1985), Claude Lanzmann octroie trente-neuf minutes \u00e0 ce t\u00e9moignage. En 2010, le r\u00e9alisateur a repris\u2026","rel":"","context":"Dans "Histoire savante"","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/224616_185673904817315_182286505156055_523552_6681366_n.jpg?fit=470%2C720&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2879,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/06\/19\/lhistorien-le-film-et-lanachronique-pierre-sorlin-cinemadoc\/","url_meta":{"origin":6846,"position":1},"title":"L\u2019historien, le film et l\u2019anachronique \u2013 Pierre Sorlin | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"19 juin 2010","format":false,"excerpt":"\"Nous arrivons ainsi \u00e0 une premi\u00e8re proposition : le film historique serait, davantage que beaucoup d\u2019autres, un film situ\u00e9, \u00e9troitement d\u00e9pendant d\u2019un contexte en dehors duquel il n\u2019aurait pas de sens. Il serait, d\u2019autre part, sous un v\u00eatement d\u2019emprunt, consacr\u00e9 d\u2019abord et avant tout aux questions contemporaines ; par une\u2026","rel":"","context":"Dans "Histoire active"","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2935,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/06\/24\/quand-le-film-defie-lhistorien-robert-a-rosenstone-cinemadoc\/","url_meta":{"origin":6846,"position":2},"title":"Quand le film d\u00e9fie l\u2019historien \u2013 Robert A. Rosenstone | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"24 juin 2010","format":false,"excerpt":"Dans son article, Robert Rosenstone part du constat que les historiens critiquent les films historiques, car ils interpr\u00e8tent ces derniers \u00e0 l\u2019aune de leurs propres exigences acad\u00e9miques. Pour l\u2019auteur, cette critique masque un double d\u00e9ni. En fait, d\u2019un c\u00f4t\u00e9 les historiens critiquent les films car ils se rendent compte qu\u2019ils\u2026","rel":"","context":"Dans "Histoire savante"","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":141,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2006\/11\/07\/m157-film-histoire-7112006\/","url_meta":{"origin":6846,"position":3},"title":"M157 – Film & Histoire (7.11.2006)","author":"Lyonel Kaufmann","date":"7 novembre 2006","format":false,"excerpt":"Consignes Votre t\u00e2che consiste \u00e0 r\u00e9aliser une activit\u00e9 pour les \u00e9l\u00e8ves autour d\u2019une s\u00e9quence du film choisi. Cette activit\u00e9 s\u2019attachera \u00e0 travailler autour de l\u2019image et du son (univers sonore) en priorit\u00e9. Les consignes de l\u2019activit\u00e9 sont \u00e0 r\u00e9diger de telle mani\u00e8re \u00e0 en faire des \u00e9nonc\u00e9s op\u00e9rationnalisables permettant de\u2026","rel":"","context":"Dans "Nouvelles de l'histoire"","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7208,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2013\/07\/15\/revue-de-presse-shoah-entre-impression-de-reel-et-recit-realiste-cinemadoc\/","url_meta":{"origin":6846,"position":4},"title":"Revue de presse : Shoah, entre impression de r\u00e9el et r\u00e9cit r\u00e9aliste | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"15 juillet 2013","format":false,"excerpt":"La recherche de R\u00e9my Besson sur le film Shoah permet d\u2019\u00e9tablir que le r\u00e9gime de v\u00e9rit\u00e9 dont Shoah rel\u00e8ve n\u2019est pas celui de l\u2019histoire orale, mais bien de celui d\u2019un film de cin\u00e9ma extr\u00eamement construit, aussi bien lors du tournage que lors du montage. Seul un travail en archive permet\u2026","rel":"","context":"Dans "Nouvelles de l'histoire"","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2942,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/06\/29\/limprevu-cinematographique-laurent-veray-cinemadoc\/","url_meta":{"origin":6846,"position":5},"title":"L\u2019impr\u00e9vu cin\u00e9matographique \u2013 Laurent V\u00e9ray | Cin\u00e9madoc","author":"Lyonel Kaufmann","date":"29 juin 2010","format":false,"excerpt":"\u201cLa reconstitution du pass\u00e9 n\u2019est plus la seule motivation, ni le seul centre d\u2019int\u00e9r\u00eat. Pas plus que les historiens, ces cin\u00e9astes ne cherchent \u00e0 reconstituer la r\u00e9alit\u00e9 d\u2019hier \u00e0 l\u2019\u00e9tat brute. Ils interrogent au contraire la trompeuse \u00e9vidence des images qu\u2019ils utilisent, remettent en question leur pr\u00e9tendue objectivit\u00e9, proposent d\u2019autres\u2026","rel":"","context":"Dans "Histoire active"","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/6846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/comments?post=6846"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/6846\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media\/9896"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media?parent=6846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/categories?post=6846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/tags?post=6846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}