{"id":7208,"date":"2013-07-15T13:05:36","date_gmt":"2013-07-15T12:05:36","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/?p=7208"},"modified":"2013-07-15T13:05:36","modified_gmt":"2013-07-15T12:05:36","slug":"revue-de-presse-shoah-entre-impression-de-reel-et-recit-realiste-cinemadoc","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2013\/07\/15\/revue-de-presse-shoah-entre-impression-de-reel-et-recit-realiste-cinemadoc\/","title":{"rendered":"Revue de presse : Shoah, entre impression de r\u00e9el et r\u00e9cit r\u00e9aliste &#124; Cin\u00e9madoc"},"content":{"rendered":"<p>La recherche de R\u00e9my Besson sur le film Shoah permet d\u2019\u00e9tablir que le r\u00e9gime de v\u00e9rit\u00e9 dont Shoah rel\u00e8ve n\u2019est pas celui de l\u2019histoire orale, mais bien de celui d\u2019un film de cin\u00e9ma extr\u00eamement construit, aussi bien lors du tournage que lors du montage. Seul un travail en archive permet d\u2019\u00e9tablir que ce film rel\u00e8ve d\u2019une construction aussi bien au niveau de la bande image que de la piste son. Il s\u2019av\u00e8re alors que l\u2019objectif poursuivi par l\u2019\u00e9quipe du film \u00e9tait moins de proposer une mise en contact la plus directe possible entre les spectateurs et les acteurs de l\u2019histoire, que de proposer un r\u00e9cit. En cela, le terme \u2013 utilis\u00e9 aussi bien par le r\u00e9alisateur que par la monteuse \u2013 de fiction de r\u00e9el semble le mieux adapt\u00e9 pour le qualifier. Le fait d\u2019identifier et de caract\u00e9riser une part de fiction dans ce film ne m\u00e8ne aucunement \u00e0 prouver qu\u2019il n\u2019atteint pas quelque chose de la v\u00e9rit\u00e9 de l\u2019exp\u00e9rience v\u00e9cue par les acteurs de l\u2019histoire. Ce travail conduit plus justement \u00e0 un d\u00e9placement d\u2019un paradigme, celui de l\u2019histoire orale, \u00e0 un autre, celui d\u2019un r\u00e9cit r\u00e9aliste.<\/p>\n<p><a href=\"http:\/\/culturevisuelle.org\/cinemadoc\/2013\/07\/15\/shoah-entre-impression-de-reel-et-recit-realiste\/\">Shoah, entre impression de r\u00e9el et r\u00e9cit r\u00e9aliste | Cin\u00e9madoc<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La recherche de R\u00e9my Besson sur le film Shoah permet d\u2019\u00e9tablir que le r\u00e9gime de v\u00e9rit\u00e9 dont Shoah rel\u00e8ve n\u2019est pas celui de l\u2019histoire orale, mais bien de celui d\u2019un film de cin\u00e9ma extr\u00eamement construit, aussi bien lors du tournage que lors du montage. Seul un travail en archive permet d\u2019\u00e9tablir que ce film rel\u00e8ve [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9896,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11],"tags":[263,334,636,663],"class_list":{"0":"post-7208","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-nouvelles-de-lhistoire","8":"tag-film","9":"tag-histoire","10":"tag-revuepresse","11":"tag-shoah","12":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/06\/signature_lk2.jpg?resize=600%2C184&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/06\/signature_lk2.jpg?resize=600%2C184&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/06\/signature_lk2.jpg?fit=658%2C184&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-1Sg","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":14585,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/07\/09\/claude-lanzmann-filmer-lhorreur-du-grain-a-moudre-france-culture\/","url_meta":{"origin":7208,"position":0},"title":"Claude Lanzmann : filmer l&rsquo;horreur |\u00a0Du grain \u00e0 moudre &#8211; France culture","author":"Lyonel Kaufmann","date":"9 juillet 2018","format":false,"excerpt":"Comment dire l\u2019indicible ? Comment montrer l'horreur sans passer par la fiction ? C'est la question que pose ce monument du cin\u00e9ma : Shoah, travail immense de Claude Lanzmann, qui nous a quitt\u00e9 le 5 juillet dernier.\u00a0France Culture lui a rendu hommage.\u00a0 L'\u00e9mission : \"Je ne me suis jamais gu\u00e9ri\u2026","rel":"","context":"Dans &quot;Nouvelles de l'histoire&quot;","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/07\/738_dpaphotosthree396569.jpg?fit=738%2C485&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":16016,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2019\/05\/07\/evastories-ou-comment-storifier-la-shoah-sur-instagram-rtsch-culture\/","url_meta":{"origin":7208,"position":1},"title":"Eva.Stories ou comment \u00ab\u00a0storifier\u00a0\u00bb la Shoah sur Instagram &#8211; rts.ch","author":"Lyonel Kaufmann","date":"7 mai 2019","format":false,"excerpt":"Raconter la Shoah aux jeunes g\u00e9n\u00e9rations sur Instagram pour qu'elles n'oublient pas ce qui s'est pass\u00e9, tel est l'objectif du compte Eva.Stories, qui retrace la vie d'une adolescente juive hongroise durant la Seconde Guerre mondiale. Eva a 13 ans, elle vit en 1944 mais elle a aussi un smartphone et\u2026","rel":"","context":"Dans &quot;Histoire active&quot;","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2019\/05\/E6F2F205-FA0F-41E3-B9A6-F982E8BE3F01.298b0ce908d94751939e457694069091.jpeg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2019\/05\/E6F2F205-FA0F-41E3-B9A6-F982E8BE3F01.298b0ce908d94751939e457694069091.jpeg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2019\/05\/E6F2F205-FA0F-41E3-B9A6-F982E8BE3F01.298b0ce908d94751939e457694069091.jpeg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2019\/05\/E6F2F205-FA0F-41E3-B9A6-F982E8BE3F01.298b0ce908d94751939e457694069091.jpeg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2019\/05\/E6F2F205-FA0F-41E3-B9A6-F982E8BE3F01.298b0ce908d94751939e457694069091.jpeg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2631,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/03\/07\/filmer-les-camps-de-hollywood-a-nuremberg-memorial-de-la-shoah\/","url_meta":{"origin":7208,"position":2},"title":"Filmer les camps de Hollywood \u00e0 Nuremberg &#124; M\u00e9morial de la Shoah","author":"Lyonel Kaufmann","date":"7 mars 2010","format":false,"excerpt":"Du 10 mars au 31 ao\u00fbt 2010, le M\u00e9morial de la Shoah pr\u00e9sente une exposition consacr\u00e9e \u00e0 trois producteurs\/cin\u00e9astes am\u00e9ricains (John Ford, George Stevens et Samuel Fuller) et \u00e0 leurs images concernant les camps de Dachau et Falkenau. En effet, en 1945, les images de Dachau prises par l\u2019\u00e9quipe de\u2026","rel":"","context":"Dans &quot;Didactique&quot;","block_context":{"text":"Didactique","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":13793,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2018\/02\/08\/enseignement-et-apprentissage-de-la-shoah-dorothee-wein-apprendre-avec-des-interviews-temoins-de-la-shoah-22-janvier-2018-hep-vaud-lausanne\/","url_meta":{"origin":7208,"position":3},"title":"Enseignement et apprentissage de la Shoah : Dorothee Wein : Apprendre avec des Interviews. T\u00e9moins de la Shoah | 22 janvier 2018, HEP Vaud, Lausanne","author":"Lyonel Kaufmann","date":"8 f\u00e9vrier 2018","format":false,"excerpt":"Impossible de suivre toutes les sessions d\u2019ateliers organis\u00e9es \u00e0 l\u2019occasion de ces journ\u00e9es consacr\u00e9es \u00e0 l\u2019enseignement de la Shoah. A chaque plage d\u2019atelier, quatre sessions \u00e9taient donn\u00e9es en parall\u00e8le soit en fran\u00e7ais, soit en allemand, soit en anglais. Pour ma part, j\u2019ai fait le choix de suivre des sessions soit\u2026","rel":"","context":"Dans &quot;Didactique&quot;","block_context":{"text":"Didactique","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/02\/Capture-d%E2%80%99e%CC%81cran-2018-02-08-a%CC%80-12.13.27.c272c94c06344453bbd1949bd5d8555c.png?fit=574%2C233&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/02\/Capture-d%E2%80%99e%CC%81cran-2018-02-08-a%CC%80-12.13.27.c272c94c06344453bbd1949bd5d8555c.png?fit=574%2C233&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2018\/02\/Capture-d%E2%80%99e%CC%81cran-2018-02-08-a%CC%80-12.13.27.c272c94c06344453bbd1949bd5d8555c.png?fit=574%2C233&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":10513,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2015\/09\/29\/comptes-rendus-filmer-la-guerre-1944-1946-les-sovietiques-face-a-la-shoah\/","url_meta":{"origin":7208,"position":4},"title":"Comptes-rendus : \u00ab Filmer la guerre (1944-1946). Les Sovi\u00e9tiques face \u00e0 la Shoah \u00bb","author":"Lyonel Kaufmann","date":"29 septembre 2015","format":false,"excerpt":"L\u2019exposition et son catalogue ouvrent des perspectives passionnantes sur la construction d\u2019une m\u00e9moire sovi\u00e9tique isol\u00e9e des repr\u00e9sentations occidentales. Rendue plus complexe encore par les d\u00e9placements de fronti\u00e8res d\u2019apr\u00e8s-guerre brouillant la notion de juifs \u00ab\u00a0sovi\u00e9tiques\u00a0\u00bb, \u00ab\u00a0hongrois\u00a0\u00bb ou \u00ab\u00a0polonais\u00a0\u00bb, puis par la Guerre froide, elle \u00e9volue vers une reconnaissance ambigu\u00eb de la\u2026","rel":"","context":"Dans &quot;Histoire savante&quot;","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/09\/iu.jpeg.jpg?fit=797%2C543&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/09\/iu.jpeg.jpg?fit=797%2C543&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/09\/iu.jpeg.jpg?fit=797%2C543&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/09\/iu.jpeg.jpg?fit=797%2C543&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":20461,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2025\/10\/17\/utiliser-la-litterature-jeunesse-pour-aborder-les-sujets-sensibles-en-histoire-recit-de-pratique-autour-de-la-shoah-histoire-engagee\/","url_meta":{"origin":7208,"position":5},"title":"Utiliser la litt\u00e9rature jeunesse pour aborder les sujets sensibles en histoire : r\u00e9cit de pratique autour de la Shoah | Histoire Engag\u00e9e","author":"Lyonel Kaufmann","date":"17 octobre 2025","format":false,"excerpt":"Pour Mathieu Mercier, enseignant d\u2019histoire et de g\u00e9ographie \u00e0 l\u2019\u00c9cole secondaire de Rivi\u00e8re-du-Loup, collaborateur au Service national du R\u00c9CIT, domaine de l\u2019univers social, enseigner l\u2019Holocauste au secondaire est \u00e0 la fois un d\u00e9fi et une n\u00e9cessit\u00e9 : d\u00e9fi, parce que le sujet \u00e9voque des horreurs indescriptibles et des r\u00e9cits traumatiques\u2026","rel":"","context":"Dans &quot;Didactique&quot;","block_context":{"text":"Didactique","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2025\/10\/image.webp?fit=655%2C868&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2025\/10\/image.webp?fit=655%2C868&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2025\/10\/image.webp?fit=655%2C868&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/7208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/comments?post=7208"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/7208\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media\/9896"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media?parent=7208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/categories?post=7208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/tags?post=7208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}