{"id":8600,"date":"2014-12-05T22:01:06","date_gmt":"2014-12-05T21:01:06","guid":{"rendered":"https:\/\/lyonelkaufmann.ch\/histoire\/?p=8600"},"modified":"2014-12-05T22:01:06","modified_gmt":"2014-12-05T21:01:06","slug":"filmer-la-grande-guerre-avec-laurent-veray-nonfiction-fr-le-portail-des-livres-et-des-idees","status":"publish","type":"post","link":"https:\/\/lyonelkaufmann.ch\/histoire\/2014\/12\/05\/filmer-la-grande-guerre-avec-laurent-veray-nonfiction-fr-le-portail-des-livres-et-des-idees\/","title":{"rendered":"Filmer la Grande Guerre \u2013 avec Laurent V\u00e9ray &#124; Nonfiction.fr"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/www.nonfiction.fr\/article-7332-entretien___filmer_la_grande_guerre__avec_laurent_veray.htm\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2014\/12\/d2bdb74b5b597a77648eec1fd9d3480a-0.jpg\" alt=\"\" \/><\/a><\/p>\n<p><span style=\"color: #535353; font-family: Georgia, Cambria, Times, serif; line-height: 20px;\">Parce qu\u2019elle est contemporaine du premier \u00e2ge du cin\u00e9matographe, l\u2019histoire de la Premi\u00e8re Guerre mondiale n\u2019est pas vraiment dissociable de celle du cin\u00e9ma. Les tranch\u00e9es ont donn\u00e9 leur mati\u00e8re \u00e0 ses bandes\u00a0; les arm\u00e9es et les gouvernements ont pour la premi\u00e8re fois mobilis\u00e9 les op\u00e9rateurs au service du divertissement des soldats, de l\u2019information des populations et de la propagande\u00a0; et de tr\u00e8s nombreuses fa\u00e7ons, l\u2019intensification et la diversification de la production cin\u00e9matographique en a transform\u00e9 les techniques, l\u2019esth\u00e9tique, et jusqu\u2019\u00e0 la g\u00e9ographie. M\u00eames et autres, l\u2019histoire de la Grande Guerre et celle du cin\u00e9ma sont aussi un entrelac centenaire, puisque de 1914 \u00e0 2014, des Croix de Bois \u00e0 Un long dimanche de fian\u00e7ailles, de Capitaine Conan \u00e0 Apocalypse, on n\u2019a cess\u00e9 de remonter ou de recr\u00e9er des images de la guerre. <\/span><\/p>\n<p><span style=\"color: #535353; font-family: Georgia, Cambria, Times, serif; line-height: 20px;\">Parler de l\u2019histoire cin\u00e9matographique de la guerre 14-18, ou encore, de 14-18 dans l\u2019histoire du cin\u00e9ma, c\u2019est ainsi traverser un champ de questionnements particuli\u00e8rement vaste, structur\u00e9 par un faisceau d\u2019interactions singuli\u00e8rement vertigineux, et entrecoup\u00e9 d\u2019innombrables plis. C\u2019est une aventure pionni\u00e8re, dont Laurent V\u00e9ray est incontestablement l\u2019un des explorateurs les plus exp\u00e9riment\u00e9s. Professeur d\u2019\u00e9tudes cin\u00e9matographiques et audiovisuelles \u00e0 l\u2019universit\u00e9 Paris III.<\/span><\/p>\n<p>Ce premier volet de cet interview avec Laurent V\u00e9ra est consacr\u00e9 au film \u00abLes croix de bois\u00bb. A suivre donc\u2026 :\u00a0<a href=\"http:\/\/www.nonfiction.fr\/article-7332-entretien___filmer_la_grande_guerre__avec_laurent_veray.htm\">ENTRETIEN &#8211; Filmer la Grande Guerre \u2013 avec Laurent V\u00e9ray &#8211; Nonfiction.fr le portail des livres et des id\u00e9es<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Parce qu\u2019elle est contemporaine du premier \u00e2ge du cin\u00e9matographe, l\u2019histoire de la Premi\u00e8re Guerre mondiale n\u2019est pas vraiment dissociable de celle du cin\u00e9ma. Les tranch\u00e9es ont donn\u00e9 leur mati\u00e8re \u00e0 ses bandes\u00a0; les arm\u00e9es et les gouvernements ont pour la premi\u00e8re fois mobilis\u00e9 les op\u00e9rateurs au service du divertissement des soldats, de l\u2019information des populations [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9928,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,13],"tags":[23,264],"class_list":{"0":"post-8600","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-medias-et-technologies","8":"category-opinionsreflexions","9":"tag-14-18","10":"tag-filmhistoire","11":"entry"},"jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/d2bdb74b5b597a77648eec1fd9d3480a-0.jpg?resize=195%2C143&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/d2bdb74b5b597a77648eec1fd9d3480a-0.jpg?resize=195%2C143&ssl=1","author_info":{"display_name":"Lyonel Kaufmann","author_link":"https:\/\/lyonelkaufmann.ch\/histoire\/author\/lyonelk\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/d2bdb74b5b597a77648eec1fd9d3480a-0.jpg?fit=195%2C143&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1rJVM-2eI","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2909,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/07\/13\/film-histoire-14-18-au-cinema\/","url_meta":{"origin":8600,"position":0},"title":"Film &amp; Histoire : 14-18 au cin\u00e9ma","author":"Lyonel Kaufmann","date":"13 juillet 2010","format":false,"excerpt":"La pause estivale est l'occasion de rattraper ses retards en lecture de toutes sortes. Je vous proposerai donc quelques ouvrages ou lecture en ligne en lien avec le cin\u00e9ma et l'histoire. Pour le reste, le site tournera tr\u00e8s certainement au ralenti. Bon \u00e9t\u00e9! En 2008, Laurent V\u00e9ray, ma\u00eetre de conf\u00e9rences\u2026","rel":"","context":"Dans &quot;Didactique&quot;","block_context":{"text":"Didactique","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/jpg_grandeguerreaucine.jpg?fit=362%2C430&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2934,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2010\/06\/21\/revue-de-presse-histoire-2-0-06212010\/","url_meta":{"origin":8600,"position":1},"title":"Revue de presse &#8211; Histoire 2.0 06\/21\/2010","author":"Lyonel Kaufmann","date":"21 juin 2010","format":false,"excerpt":"1918\u00a0: la fin de la Premi\u00e8re Guerre mondiale\u00a0? |\u00a0Revue historique des arm\u00e9esEn modifiant un peu la citation la plus connue de Clausewitz, on pourrait dire que\u00a0: \u00ab\u00a0la paix, c\u2019est la poursuite de la guerre par d\u2019autres moyens\u00a0\u00bb. Cette formule s\u2019applique en tout cas tr\u00e8s bien \u00e0 la p\u00e9riode qui commence\u2026","rel":"","context":"Dans &quot;Annuaire de sites&quot;","block_context":{"text":"Annuaire de sites","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/medias-et-technologies\/annuaire-de-sites\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8612,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2014\/12\/19\/retrouver-14-18-cent-ans-de-cinema-vus-par-laurent-veray-slate-fr\/","url_meta":{"origin":8600,"position":2},"title":"Retrouver 14-18 : cent ans de cin\u00e9ma vus par Laurent V\u00e9ray &#124; Slate.fr","author":"Lyonel Kaufmann","date":"19 d\u00e9cembre 2014","format":false,"excerpt":"Il s'agit du troisi\u00e8me volet d\u2019un grand entretien de Slate\u00a0(et Non-fiction.fr) avec Laurent V\u00e9ray, professeur d\u2019\u00e9tudes cin\u00e9matographiques et audiovisuelles \u00e0 l\u2019universit\u00e9 Paris III, portant sur le cin\u00e9ma \u00abde\u00bb et \u00absur\u00bb la Grande Guerre. L\u2019\u00e9poque de la Grande Guerre a \u00e9t\u00e9 l\u2019occasion de la mise en place d\u2019un mod\u00e8le du \u00abfilm\u2026","rel":"","context":"Dans &quot;Histoire savante&quot;","block_context":{"text":"Histoire savante","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-savante\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/australian_infantry_small_box_respirators_ypres_1917.jpg?fit=1090%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/australian_infantry_small_box_respirators_ypres_1917.jpg?fit=1090%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/australian_infantry_small_box_respirators_ypres_1917.jpg?fit=1090%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/australian_infantry_small_box_respirators_ypres_1917.jpg?fit=1090%2C500&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2015\/07\/australian_infantry_small_box_respirators_ypres_1917.jpg?fit=1090%2C500&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8062,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2014\/06\/23\/1914-1918-la-cinemateque-du-centenaire\/","url_meta":{"origin":8600,"position":3},"title":"1914-1918 : La Cin\u00e9mat\u00e8que du Centenaire","author":"Lyonel Kaufmann","date":"23 juin 2014","format":false,"excerpt":"Dans le cadre de la Mission du Centenaire 14-18, Laurent V\u00e9ray propose un d\u00e9coupage de la production cin\u00e9matographique consacr\u00e9e \u00e0 14-18. Dans leur ouvrage consacr\u00e9 \u00e0 l\u2019historiographie de la Premi\u00e8re Guerre mondiale paru en 2003, Jay Winter et Antoine Prost ((Prost, A. & Winter, J. (2003). Penser la Grande Guerre.\u2026","rel":"","context":"Dans &quot;Histoire active&quot;","block_context":{"text":"Histoire active","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/didactique\/histoire-active\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2014\/09\/wpid-charlot-soldat-1918-06-g-2014-06-22-21-3711.jpg?fit=376%2C535&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4015,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2011\/09\/02\/les-mises-en-scene-de-la-guerre-au-xxe-siecle-theatre-et-cinema\/","url_meta":{"origin":8600,"position":4},"title":"Les mises en sc\u00e8ne de la guerre au XX\u00e8 si\u00e8cle, Th\u00e9\u00e2tre et cin\u00e9ma","author":"Lyonel Kaufmann","date":"2 septembre 2011","format":false,"excerpt":"Un ouvrage \u00e0 lire pour les enseignants qui abordent les conflits charni\u00e8res pr\u00e9sent\u00e9s en classe d'histoire \u00e0 l'aide du film de fiction ou du film documentaire. La pr\u00e9sentation de l'\u00e9diteur (c'est nous qui mettons en gras) \u00abSi le xxe si\u00e8cle a \u00e9t\u00e9 celui des guerres, il a \u00e9t\u00e9 aussi celui\u2026","rel":"","context":"Dans &quot;M\u00e9dias et technologies&quot;","block_context":{"text":"M\u00e9dias et technologies","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/medias-et-technologies\/"},"img":{"alt_text":"84736100099960L","src":"https:\/\/i0.wp.com\/lyonelkaufmann.ch\/histoire\/wp-content\/uploads\/2011\/09\/84736100099960L.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4440,"url":"https:\/\/lyonelkaufmann.ch\/histoire\/2011\/05\/05\/on-savait-le-cinema-belge-inventif-et-subversif\/","url_meta":{"origin":8600,"position":5},"title":"http:\/\/www.dailymotion.com\/swf\/video\/xiin7k_hh-hitler-a-hollywood-bande-annonce_shortfilms \u00abOn savai","author":"Lyonel Kaufmann","date":"5 mai 2011","format":"video","excerpt":"http:\/\/www.dailymotion.com\/swf\/video\/xiin7k_hh-hitler-a-hollywood-bande-annonce_shortfilms \u00abOn savait le cin\u00e9ma belge inventif et subversif, \u00ab\u00a0Hitler \u00e0 Hollywood\u00a0\u00bb vient le confirmer. Le titre d\u00e9soriente et provoque\u00a0? Le film aussi. D\u00e8s les premi\u00e8res images, le cin\u00e9aste bruxellois Fr\u00e9d\u00e9ric Sojcher nous am\u00e8ne dans un voyage po\u00e9tique, ludique et historique au pays du cin\u00e9ma, de tous les cin\u00e9mas. Le\u2026","rel":"","context":"Dans &quot;Nouvelles de l'histoire&quot;","block_context":{"text":"Nouvelles de l'histoire","link":"https:\/\/lyonelkaufmann.ch\/histoire\/category\/nouvelles-de-lhistoire\/"},"img":{"alt_text":"","src":"http:\/\/www.dailymotion.com\/swf\/video\/xiin7k_hh-hitler-a-hollywood-bande-annonce_shortfilms","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/8600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/comments?post=8600"}],"version-history":[{"count":0,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/posts\/8600\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media\/9928"}],"wp:attachment":[{"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/media?parent=8600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/categories?post=8600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lyonelkaufmann.ch\/histoire\/wp-json\/wp\/v2\/tags?post=8600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}